This director needs to apologize

Chapter 118 It’s not easy to catch up
Narrowing his eyes and looking at Chen Yiming who was "sneaking" back, Lin Xiao said contemptuously, "My intuition tells me that you are digging holes for wood again, picking up someone smaller than you and bullying him to death."

Chen Yiming waved his hands repeatedly and said with a smile, "Misunderstanding, misunderstanding, definitely a misunderstanding. Student Xiao Liu is having fun, can't you tell?"

Lin Xiao had a look of disdain on his face and said, "Qian Ke, please take it down. With your tethered dog-shooting method, the drama has nothing to do with you as a director!"

Chen Yiming actually nodded in recognition, "What Master Lin said is right. It's Liu Dongjun who is extremely talented. If he has the credit, it's Lao Duan's credit. I don't dare to take credit."

Lin Xiao shook his head helplessly and sighed, "It seems like I can't be a director. Your shamelessness is beyond our reach."

Sang Ping, who had finished teaching his apprentice, only heard half of the words and asked curiously, "Why are you so far behind?"

Chen Yiming concealed it with a silly smile, "Brother Lin said that the progress of wood is unmatched."

Sang Ping nodded and said, "Xiao Liu is indeed very perceptive. At his age, it is rare to be able to play a character who is not completely true to his true self. Our country has produced another good actor. You will do a lot to make a name for yourself." Yan."

Chen Yiming licked his face and said, "Teacher Sang deserves the award. It's all thanks to Lao Duan, Paul and you. I only provided a little help." After speaking, he raised his shoulder and slapped Lin Xiao, "Brother Lin, look at it. Mr. Sang’s vision has not yet learned.”

Lin Xiao refused to answer, held his forehead and sighed.

The gag between the three people on this side is over, Xiangrui on the other side shouts "ACTION", and the second real shooting begins.

Liu Dongjun did not change his acting style, his co-star Yu Hanwen was much smoother, and Assistant Sang Ping's camera movements were also much smoother. The whole scene went smoothly without any bugs.

Chen Yiming waved and still asked Liu Dongjun to come over and see for himself.

After reading it once, Liu Dongjun looked at Chen Yiming with questioning eyes. The meaning was very clear. Director Chen gave me a message.

Chen Yiming asked him with a smile, "What did you think when you designed the action logic?"

Liu Dongjun has now entered the stage where he understands the reasons and can smoothly sort out the motivations of the characters' actions, instead of being confused and confused like when he first joined the group.

He paused briefly to collect his thoughts, and then replied, "A child from the mountains has just overcome the fear of dying, understood the meaning of death, and said goodbye to his comrades who had been close to him for a short time.

After realizing the mission he shouldered, he suddenly saw the sacrificed soldiers falling in front of him. I think he must have regretted that he could not arrive faster to save more soldiers from sacrifice. "

Chen Yiming applauded Liu Dongjun in his heart, but on the surface he raised his hand to interrupt him and asked, "Mu Mu, this is unreasonable. Almost all those sacrificed soldiers died before today, and you couldn't save them in the first place."

Liu Dongjun stiffened his neck and said, "No real idiot would think like this!"

Chen Yiming asked with interest, "Why don't you think so?"

Liu Dongjun was stunned by the question, hesitating and hesitating for a long time, and finally turned his head away with his lips pursed.

Lin Xiao couldn't see Chen Yiming teasing the child, so he came to the rescue and said, "Xiao Liu, this is called empathy.

Mu Mu in the play did not understand the meaning of sacrifice before his Daozhong comrades protected him. When he bid farewell to Staff Qin and experienced a near-death self-rescue, he finally understood the meaning of sacrifice, but it was too late to do anything to those Daozhong comrades.

At this time, his heart will amplify his insistence on the sense of mission and transfer his subconscious regret to the mission target. Therefore, there is a psychological basis for you to determine the dull tone of action as regret. "

Liu Dongjun's eyes became brighter and brighter as he listened. As soon as Lin Xiao finished speaking, he couldn't wait to say, "Yes, yes, that's what I thought. Teacher Lin, you are so awesome. It's exactly what I thought."

Chen Yiming clapped his hands and asked Liu Dongjun, "Now that you understand it, read the material again and find out your feelings."

Liu Dongjun waved his hand, "No need to read, I know how to act." After saying that, he stood up and walked to the entrance of the cave, calling as he walked, "Sister Xiang, do it again."

Chen Yiming looked at Lin Xiao with a smile, spread his hands and said, "Look, I really didn't ask him to reshoot. This kid has made progress on his own."

Lin Xiao was too lazy to pay attention to this dog director.

The scene at the cave entrance took a whole day to shoot.

Chen Yiming kept his word. Every time Liu Dongjun came over after filming, he never asked him, "Can we still film?"

The general process is to first ask Liu Dongjun what he thought when he acted, and then ask heuristic questions. Xiao Liu will make up the answer in his own mind, and then "suddenly realize" and happily shout "remake!"

Lin Xiao kept his mouth shut until now, because Chen Yiming always used his words to make excuses.

Looking at Liu Dongjun, who had to work to raise money for selling himself after being sold, Lin Dashen felt a lingering sense of guilt.

……

The cave scene is finished, and the next thing to be filmed is the corridor scene.

Of course, this corridor is not a real tunnel, but an iron tube closed on three sides and open on one side, with wall modifications on the inner wall.

Chen Yiming learned this shooting method from a movie called "Crazy Stone" in his previous life. The scene in the movie where the black man crawls into the sewer was shot this way.

The tunnel made by the prop team is 20 meters long, like an air-conditioning duct, and is held up in mid-air by brackets.

In this way, the camera can move freely inside and outside the corridor, and can flexibly switch between subjective over-the-shoulder, frontal close-up and third-person perspectives.

First, we filmed the clip of Liu Dongjun crawling to the main tunnel, and then the clip of the soldiers heading to the surface position through the tunnel after the enemy bombardment.These two scenes do not test acting skills, but they are very easy to make mistakes because the corridor is too narrow and the coordination between the actors' movements and the camera movement is extremely demanding.

Fortunately, it was easier to shoot the all-indoor scenes, but the actors were very tired from climbing in and out.

After the tunnel scene was filmed, it was time for the last scene of the tunnel scene, Shi Lei's mobilization scene.

The adaptive elastic board "developed" by Lu Ping is finally coming into use.

Because it was closer to the surface and there were more than one tunnel exits, the lighting for this scene was more complicated.

At the same time, because it is necessary to simulate the effect of heavy artillery bombing and earth falling overhead, the light-shielding hanging panels can no longer be hung overhead. The lighting team can only use the light-shielding surfaces on the four walls to simulate the light source.

Mr. Wang tried his best to play with the mirror reflections, and the lights above his head were hung like a lantern festival on the fifteenth day of the first lunar month.

Turn on the lights, test shooting, turn off the lights, debug, turn on the lights again, try shooting again, turn off the lights again, debug again.

Every debugging requires repeated lowering and raising of the boom, and the booms in mid-air will interact with each other, causing the whole body to move.

So it only took two days to set up the lighting.

After everything was ready, a dozen actors stepped onto the elastic board and took their places one by one.

Lu Ping directed his assistant to hoist the fallen top cover, and then connected the vibration device of the top cover to the motor of the elastic plate.

Then he turned on the program switch on the elastic board, and a dull vibration of "bang, bang" came from the empty studio.

Control the motor switch to close based on the volume, a small program that is easy to implement.

The motor drives the elastic plate to emit "waves" and simultaneously drives the vibration device of the top cover to shake off the dust stored in the top cover.

Lu Ping still doesn't understand what "turbulence" is, but after adding a layer of water cushion, the "waves" are indeed less regular.

There are also disadvantages. It is more unstable for actors to stand on it, and most actors have to change their standing position to sit or lie down.

But Shi Lei couldn't sit down. How could he sit down and talk when the instructor was doing pre-war mobilization?

Under such conditions, we can only ask Teacher Shi to try his best to overcome it.

This scene was not easy to shoot.

It's not easy for Shi Lei, it's not easy for other actors, and it's not easy behind the scenes.

Every test shoot is like a lucky break.

Shi Lei had to hold his body steady against the vibration while reciting a long line of dialogue with great emotion. There was no mistake at all.

The other actors have to get into the role all the way and give the correct reaction when the camera pans over.

And this scene is more than just one person speaking and a group of people listening. After all, the scene simulates heavy artillery and aerial bombs, which can kill people.

The battle process described by Li Yucheng was basically reproduced in the movie by Chen Yiming intact.

Therefore, there are also scenes of the sacrifice of seriously injured people interspersed in the middle. This is another highlight that tests the actors' immediate reactions.

The entire long shot lasts 6 and a half minutes, and involves nearly three-digit camera movements from beginning to end. The probability of making mistakes can be imagined.

On the third day of filming, Chen Yiming had to give Sang Ping's assistant a holiday and hire Paul again.

Although Paul had to "shiver" along with the actors when he was filming, it would inevitably lead to the effect of a pseudo-documentary.

However, the mechanical operation cannot achieve the instant response and blur processing of human operation. The resulting loss of texture is even more unacceptable to Chen Yiming than the shaking of the camera.

What's even worse is that once the main photographer changes, the entire human-computer interaction process that has been worked on for a long time will be over, and it will have to start all over again.

After three days of tossing, the actors and photographers were almost ready for real shooting.

Shi Lei recited those words until he became numb. When Lei's sister-in-law called, the first thing he said after answering the call was "Comrades!"

The students from the three schools shed even more skin. They have to sit on the elastic board for several hours every day. When they get off the board, they still look like they are stepping on the switch. Those with pale faces from behind don't need to touch up their makeup.

It just so happened that there was Liu Dongjun among the actors. None of the middle school students complained about hardship or tiredness. How could college students like them have the nerve to complain?
Lu Ping's props group is also not idle. The elastic panels and overhead covers are emergency products, with no thought of durability. As a result, one set is scrapped every day on average, and the prop master has to keep making new ones.

The lighting is not light either. The vibration of the elastic board will affect the frame wall panels on the four walls, which will then drive the light-shielding hanging panels. The hanging rods of the hanging panels will in turn link the lighting fixtures.

So every time the actual shooting ended, the lighting team had to do a debugging, hoisting and lowering it repeatedly, and collectively suffered from advanced cervical spondylosis.

When this scene was finally filmed, everyone in the studio was so exhausted that they even lost the energy to cheer.

(End of this chapter)