Refusing to join the underworld: the days of fighting against bad boys
Chapter 640: That Boy
"Thank you." I gave Chu Tingting a warm smile.
I can't count how many things this girl has done silently for me. Every time I get hurt or encounter setbacks, as long as I turn around, I can see her standing quietly behind me, soothing me. Wound.
I even wondered if she was an angel sent by heaven to accompany me, could it be, could it be that I was really the reincarnation of Hai Qingtian?
Otherwise, why did God treat me so favorably and give me such a kind and beautiful girl?
"Thank you." I walked up to Chu Tingting, and there were no words to describe my mood at the moment. [
"No need." Chu Tingting lowered her head shyly, flipping through the textbook in a panic.
I put my hand on the textbook she turned over, put the newspaper on her desk, and said a little badly: "What do you think of my composition?"
"Very good." Chu Tingting always has a lot of patience when discussing things about learning: "The words are beautiful and profound, especially the parallel sentence in the penultimate paragraph is the finishing touch of the whole composition , adding a lot of color."
"Then do you think this composition can get full marks?" Chu Tingting didn't notice that she had fallen into my trap at all.
"Of course." Chu Tingting said with admiration, "Think about it, even the most picky old scholars in the editorial department are full of praise for your composition, otherwise how could it be printed in the most prominent position of the school newspaper? "
"Then tell me, isn't the 'shot one shot two' in my composition naive?" The Chinese teacher satirized my writing style in front of the whole class last time, saying it was the writing style of elementary school students and junior high school students.
"No." Chu Tingting said solemnly: "This is a description method of dividing shots. Even today, both film directors and literary masters often use this method. Each segment is described separately. There is no obvious transition between them, but when you look at them together, you can tell that you are describing the same thing. For example, in your composition, you describe a small white building, a rockery, a garden, and a pool. It seems that there is no connection, but they are all describing the beautiful scenery of the campus. .”
After listening to Chu Tingting's long discourse, I was stunned for a while. I didn't expect her to have such profound insights.
I can't count how many things this girl has done silently for me. Every time I get hurt or encounter setbacks, as long as I turn around, I can see her standing quietly behind me, soothing me. Wound.
I even wondered if she was an angel sent by heaven to accompany me, could it be, could it be that I was really the reincarnation of Hai Qingtian?
Otherwise, why did God treat me so favorably and give me such a kind and beautiful girl?
"Thank you." I walked up to Chu Tingting, and there were no words to describe my mood at the moment. [
"No need." Chu Tingting lowered her head shyly, flipping through the textbook in a panic.
I put my hand on the textbook she turned over, put the newspaper on her desk, and said a little badly: "What do you think of my composition?"
"Very good." Chu Tingting always has a lot of patience when discussing things about learning: "The words are beautiful and profound, especially the parallel sentence in the penultimate paragraph is the finishing touch of the whole composition , adding a lot of color."
"Then do you think this composition can get full marks?" Chu Tingting didn't notice that she had fallen into my trap at all.
"Of course." Chu Tingting said with admiration, "Think about it, even the most picky old scholars in the editorial department are full of praise for your composition, otherwise how could it be printed in the most prominent position of the school newspaper? "
"Then tell me, isn't the 'shot one shot two' in my composition naive?" The Chinese teacher satirized my writing style in front of the whole class last time, saying it was the writing style of elementary school students and junior high school students.
"No." Chu Tingting said solemnly: "This is a description method of dividing shots. Even today, both film directors and literary masters often use this method. Each segment is described separately. There is no obvious transition between them, but when you look at them together, you can tell that you are describing the same thing. For example, in your composition, you describe a small white building, a rockery, a garden, and a pool. It seems that there is no connection, but they are all describing the beautiful scenery of the campus. .”
After listening to Chu Tingting's long discourse, I was stunned for a while. I didn't expect her to have such profound insights.
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