This couple in the apocalypse is not easy to mess with

Chapter 351 Entering the Ruins
  Because "the place where the magic weapon touches the mechanism" is also the mechanism that opens the stone door. If they do not discover this mechanism, they directly attack the stone door "or touch the mechanism nearby to open the stone door."

It is conceivable that "they will be turned into nothingness by this attack just like the immortal cultivator."

At this time, seeing that there was no danger, other people also returned to the stone gate. After hearing what the ancient cultivator said, they were all frightened.

After coming back to their senses, many people gratefully thanked the "immortal cultivator" with the ancient surname.

"These immortal cultivators" all felt very lucky in their hearts and thought, "Fortunately, this ancient Taoist friend is here, otherwise it's hard to say how many of them would have survived this attack."

Xiao Ya and Xuan Ye "followed these immortal cultivators to the stone gate.

Xuan Ye used his spiritual sense to check and found that the mechanism inside the stone door "can no longer charge up enough energy to attack in a short period of time with the current spiritual energy concentration.

Xuan Ye told his wife the situation he knew through his mind.

After Xiao Ya heard this, she was very happy because they could finally go in. Although there were still many dangers inside, she believed that dangers and opportunities coexisted.

Since this stone gate "can be designed with such a powerful mechanism, there must not be too few treasures in it."

While the two were talking, the immortal cultivator named Gu had already triggered the mechanism and opened the stone door.

At this moment, the stone door made a rumbling sound and slowly moved to one side. Soon everyone saw that behind the stone door was a long passage.

After the stone door opened to a certain width, the immortal cultivator named Gu "fired a few bursts of spiritual power inside, but saw that no mechanism was triggered" and did not notice any danger, so he led everyone inside.

When everyone walked into this passage, they found that "there were large night pearls placed at intervals in this passage, illuminating the entire passage as bright as day."

Xiao Ya and Xuan Ye looked at the passage and found that there were various murals painted on the stone walls on both sides of the passage. The murals had descriptions of characters and some patterns of mythical beasts.

But there are more battle scenes, but these battle scenes only talk about seven immortal cultivators.

Other cultivators also saw these murals. After looking around, they slowly walked inward along the passage.

Xiao Ya looked at the murals on the wall and "after walking a certain distance, she also knew" what story these murals told?
  These murals tell the story of "seven immortal cultivators. They are all seven elders of Qianji Pavilion. These seven elders are proficient in the art of machine puppets. On the battlefield, they have used the machine puppets they made to kill a large number of outsiders." Monk.

Later, these "seven elders" were seriously injured in a battle and almost lost their lives.

After that war, they also lost most of their puppet army, and "only these seven elders from Qianji Pavilion came to participate in the war.

Because these seven elders were seriously injured, "the path of practice will eventually come to an end, but before they died, they "built an underground palace, and this underground palace contained the inheritance of the art of puppetry by the seven elders."

And all the treasures they collected "are placed in this underground palace. They hope that immortal cultivators who are proficient in the art of mechanisms will come here in the future to continue their inheritance."

Of course, this inheritance and the treasures in the underground palace are not so easy to collect, although these murals "do not depict the tests that need to be passed in order to obtain the inheritance."

But even if you think about it, you can guess that if you want to inherit it, you will definitely go through many difficulties, not to mention experiencing nine deaths, especially various mechanical techniques.

Only in this way can we meet the "selection criteria of these seven elders."

Besides, although the murals are introduced in this way, no one can guarantee whether there is any inheritance in the underground palace. After reading these murals, Xiao Ya said to Xuan Ye that her husband really has the inheritance of the art of puppetry in it.

Among these people, only the cultivator with the ancient surname "is the most likely to obtain the inheritance, but it is not easy for him to obtain the inheritance."

After all, other immortal cultivators "should compete with him after reading these murals, not to mention others." Even we must strive to get this inheritance. If we don't use it, "we can take it back and give it to Mingyue and the others."

Well, if there really is an inheritance of the mechanism puppet technique, we should try our best to get this inheritance and "take it back and study it ourselves."

Then I will give it to Ye Feng when I go back. I believe that with the inheritance of mechanism skills, Ye Feng will definitely achieve great achievements in scientific research.

But it’s hard to say what’s going on here. Although these murals are introduced in this way, we still have to be extremely careful not to be deceived by these murals.

Only by getting the inheritance or experiencing something personally can we truly know whether there is an inheritance in this underground palace or is it a trap?
  And over there, the other immortal cultivators had different expressions after reading these murals. Some of them even had a calculating look in their eyes. Xiao Ya and Xuan Ye didn't pay too much attention to the expressions of these people.

After all, these people are not familiar with them, and even if they encounter any danger or fight here, it will have nothing to do with the two of them.

As long as these people don't offend them, Xiao Ya and Xuan Ye "will not take action against these people. If these people dare to plot against them, Xiao Ya and Xuan Ye will definitely give these people" no chance to regret.

A group of people walked in the passage with different expressions. Soon they walked out of the passage and entered a main hall. They did not encounter any other institutions along the way.

Xiao Ya and Xuan Ye followed everyone into the main hall and saw "There are some machine puppets placed in the main hall. These puppets are all in the form of monsters and there are no humanoid puppets."

Xiao Ya used her spiritual sense to know that after activation, these puppets "should be similar to the realm of immortal cultivators.

Although the level is not high, if they can get some puppets like this, it will be helpful in battle.

After looking at these puppets, Xiao Ya then "checked other places and found that "except these puppets, there was nothing else" of value in the hall.

But there are eight passages in this hall leading to unknown places.

These eight passages are arranged in the palace in the "Bagua manner". Similarly, the top of each passage is marked with "Open, Rest, Life, Injury, Du, Jing, Death, and Jing, corresponding to the Eight Trigrams".
  After Xiao Ya looked at the palace, she also understood that "you should be able to reach the place of inheritance through these eight passages, and it is obvious that various mechanisms must be arranged within these eight passages.

However, "if you want to reach the place of inheritance through these eight passages, it is not easy. You must go through many hardships or tests of life and death before you can truly reach the place of inheritance."

In my husband's opinion, the seven elders "should be very strict with the heirs. I believe that any of the eight passages" will be very dangerous.

"If you have poor cultivation aptitude" or are not proficient in mechanism skills, it should be difficult for you to pass through these eight passages, or you may even lose your life in these passages.

Well, it seems that these seven elders "should have put a lot of thought into building this place, but we cannot yet make a conclusion as to whether the end of these eight passages is the place of inheritance."

Maybe the end of these eight passages "is not necessarily the biggest trap, so when we enter the inheritance place again, we must be extremely careful. No matter when," we must put safety first.

After a while, "Madam, let's go through whichever passage you want. Madam, you have always been very lucky. I believe you can choose a passage suitable for us to enter this time."

(End of this chapter)