The diva and I cross each other

Chapter 461 Animation of 1 million investment
The fight scene at the beginning of "The Return of the Great Sage" is extremely exciting, and both the painting style and the music are top-notch.

"Brother, did this animation cost a lot of money?" Luo Fei asked in a low voice.

“It cost a lot.”

"Ten million?"

"1."

"Hiss~" Luo Fei took a breath of cold air.

When Luo Yi heard this, a hint of surprise flashed across his eyes hidden behind his 3D glasses.

“No wonder this animation looks so smooth.”

After Luo Fei finished speaking, he turned his attention back to the screen. This animation cost 100 million yuan, and Luo Fei felt that he would not take his eyes away during the entire movie.

At this time, Sun Wukong had defeated the giant spirit and was fighting with Nezha.

However, this Nezha is different from the one in traditional film and television works and it is obvious that he is playing a fake game.

Nezha, with dark circles under his eyes as if he hadn't slept for several days, gave Luo Fei the feeling that he was eager for Sun Wukong to make a bigger fuss. He even felt that if conditions permitted, Luo Fei would follow Sun Wukong and make trouble in Heaven.

Nezha has always been known as the number one rebel in heaven. Wherever there is trouble, he can be seen active there.

In Luo Ming's previous life, there was an animated series called "The Legend of Nezha". This animated series engraved the image of Nezha as a rebellious boy deeply in the hearts of the post-90s and post-00s generations.

Although there is no animation "The Legend of Nezha" in this life, there is an equally well-made animation "The Investiture of the Gods".

"The Investiture of the Gods" has 108 episodes, more than 20 of which are about Nezha. This animation was not filmed completely according to the original novel "The Investiture of the Gods". Cartoons do not need so many conspiracies and intrigues.

Therefore, the image of Nezha in "The Investiture of the Gods" is almost the same as the image of Nezha in "The Legend of Nezha" in Luo Ming's previous life, and people in this world do not think there is anything wrong with Nezha's image as a traitor in heaven.

In fact, looking at a large number of film and television works in this world, you have rarely seen Nezha standing on the side of the Jade Emperor.

It was precisely because of this foundation that Luo Ming asked Su Qing to arrange the image of Nezha from "Ne Zha" in "The Return of the Great Sage".

This Nezha not only has dark circles under his eyes, but also looks listless, which is very different from the Nezha in everyone's impression.

At the same time, when he was fighting with the Monkey King, he was yawning and playing a fake match blatantly. When he was kicked away like a ball by the Monkey King, he shouted a mischievous "Oops!"

This reckless Nezha only appeared for about ten seconds, but he was remembered by most of the audience.

"Pfft~"

When Luo Fei heard the noise, he turned around, glanced at his twin brother and asked, "Luo Yi, did you laugh just now?"

"No." Luo Yi frowned and continued to watch intently.

"Mom, mom, this Nezha is so funny!"

"Dad, why does Nezha have panda eyes?"

"Mom and Dad, why did Nezha fight with Sun Wukong?"

There were still a lot of children in the theater, after all, "The Return of the Great Sage" is an animated film.

Many adults in China have stereotypes that any animation is for children.

Most of the adults came with their children, so the cinema was still a bit noisy.

Children are very curious and have a low sense of humor. They always ask their parents questions or laugh out loud.

Some people may think it is a bit noisy, but some people may think it is more lively this way. Luo Ming definitely thinks it is noisy, but he also wants to see the audience's real feedback on "The Return of the Great Sage", so he did not go to the VIP theater.

Luo Fei didn't care. As long as the children didn't kick the chairs or cry, she could ignore them.

In fact, these children did not cry or make a fuss, and most of them were watching the movie intently.

At the beginning, the scene and process of the havoc in heaven are similar to everyone's impression.

After Sun Wukong fought with the Four Heavenly Kings, there was also a very classic scene of the battle between the Monkey King and Erlang Shen. The two relied on their magical powers to fight each other continuously.

This plot left a deep impression on everyone when they were young. It fully demonstrated the various magical powers of Sun Wukong, such as the control of heaven and earth, seventy-two transformations, etc.

At this time, the voice-over reappeared: "The Monkey King defeated the Heavenly Soldiers and won a great victory. However, the Buddha could not tolerate his contempt for Heaven."

As the narrator spoke, a giant golden Buddha appeared in the clouds and a huge hand fell from the sky.

The scene then changed, and a child and a Monkey King doll were seen.

The man next to the child said slowly, "Since then, Sun Wukong has been pressed under the Five Elements Mountain. It has been nearly five hundred years now."

Only at this point did the audience realize that the previous scene was a father telling a story to his child.

The child babbled as he picked up the Monkey King doll, and seemed to think it was motionless, so he held it in his hands and danced with it.

The man took the doll and said with a smile: "Don't worry, the Monkey King won't die, he's just sleeping."

The man's gentle voice spread throughout the entire theater. He was clearly coaxing his child.

But for some reason, a strange emotion surged in the hearts of the two older children, including Luo Fei and Luo Yi.

A man sitting in front of the three said to his wife, "This beginning reminds me of when I was a kid, my dad told me stories from Journey to the West. At that time, I was still in the village.

It was so hot at night that my father would always put a table in the yard and we would sit on small stools. Then my father would start telling stories, such as Journey to the West, Water Margin, Romance of the Three Kingdoms, Generals of the Yang Family, and Investiture of the Gods.

Luo Jianguo had never told any stories to his siblings, but Luo Fei and Luo Yi were both born in 96, and when they were young, there were endless cartoons to watch on TV every day.

They, the brother and sister, have also read the story of "Journey to the West".

This monkey left a deep impression in the memory of the brother and sister, so when they heard the man telling his children the story of the havoc in the sky, they felt such a touch.

Women are more sensitive. Because of this extremely nostalgic feeling in her heart, Luo Fei has already recommended "The Return of the Great Sage" to her friends even though she has only watched the beginning of it.

Of course, Luo Fei didn’t recommend this animated film purely out of sentimentality.

Another big reason is that the style and excellent production of "The Return of the Great Sage" are indeed far superior to most domestic animated films.

After all, it cost 1 million yuan, and such a huge amount of money can be directly reflected in the picture.

Originally, Luo Fei still had some attention on Luo Yi, but as the plot progressed, she gradually became addicted to it and no longer had time to care about Luo Yi.

In fact, Luo Yi paid great attention to facial expression management at the beginning, and looked indifferent.

But soon Luo Yi lost control of his facial expression.

At this point in the plot, the mountain monster that brings disaster to the world begins to appear and attacks the group of people on the road including the men and children. The target of the mountain monster seems to be very clear, that is the children!
In the end, almost all the people in the group were killed, and the mother jumped off the cliff with her child in her arms.

Then the scene changed and an old monk appeared, drinking water on the shore to quench his thirst.

Suddenly, the old monk heard bursts of crying. He looked in the direction of the crying and found the young child floating along the river.

Monks are compassionate. The old monk chanted a Buddhist name, rescued the child, took him in, and walked into the forest with him in his arms.

The picture switches again, and the scene changes from near to far, constantly evolving into a grand scene until it stops in the blue sky.

And a few big red words began to appear in the air - "The Return of the Great Sage".

After the movie title appeared, the screen began to switch continuously.

The old monk took the child to many places, experienced spring, summer, autumn and winter, and experienced sunshine, rain, wind and snow.

The child is growing up day by day.

As the child grew up, lines of subtitles began to appear on the sides, including the names of producers and producers.

Finally, the picture and text are frozen.

"Writer: Takiba."

"Director: Su Qing."

"Supervisor: Zhou Lu."

"Producers: Zhuoguang Entertainment, Sunny Day Animation."

Looking at the subtitles, there was a burst of discussion in the theater.

"Sunny Animation? I remember that "That Rabbit" was also produced by Sunny Animation, right? What's the background of this company?"

"Sunny Animation is not a company, it is an animation production team in the art department of Zhanguang Technology."

"Zhaoguang has a dedicated animation production team! I thought it was jointly managed by Zhaoguang Entertainment!"

"Of course there is! How could 'That Rabbit' be so popular without a professional team? But compared to Sunny Animation, I care more about Zhou Lu."

"What happened to Zhou Lu?"

"I remember that Zhou Lu was the animation supervisor of "The Monkey King 3"."

"Fuck! Is this true? Did "The Monkey King: Hero is Back" invite Teacher Zhou Lu to come out of retirement?"

Amid the discussion of the crowd, the screen went black, and the next second a group of people watching the shadow play of "Havoc in Heaven" appeared on the screen.

The shadow play in the previous life of "The Return of the Great Sage" incorporated many opera elements.

In this life, Su Qing's production of "The Return of the Great Sage" simply used the singing style of Peking Opera.

The audience naturally noticed that this animation incorporates too many elements of traditional culture.

In the shadow play, the little monk officially appeared, holding the Monkey King doll to disrupt the situation, and sang along with the shadow play: "But Monkey King will not die."

"Fa Ming, Fa Ming! Keep an eye on your apprentice!"

The old monk was called Fa Ming, and the young monk came along the river, so he was called Jiang Liu Er.

"Jiang Liuer." Luo Fei couldn't help but smile when he saw the name. Everyone knew what this name represented.

"I guessed it right, this kid is really Tang Monk!" Luo Fei murmured to himself.

And with the appearance of Jiang Liuer, who is suspected to be Tang Monk, the plot on the screen suddenly becomes more interesting.

Among the four people who went to the West to seek Buddhist scriptures, Sun Wukong is undoubtedly the most popular one, Zhu Bajie is the funny one, and Lao Sha plays the role of peacemaker.

Tang Seng acts as the glue in the entire pilgrimage team.

(End of this chapter)