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In the Qing Dynasty, Zheng Banqiao was like a shining star.

He has a passion for calligraphy that is difficult for others to match, and copying calligraphy works from various masters has become the most important part of his life.

Every day, he was immersed in every stroke, intoxicated.

It seemed as if those calligraphy works had magical powers that deeply attracted his soul.

"Zheng Banqiao's ancestral home is in Jiangxi, and his ancestor is Zheng Zhongyi."

"He settled in Wangtou, north of Xinghua County, Gaoyou Prefecture, Yangzhou Prefecture, during the Hongwu period of the early Ming Dynasty."

"In the Qing Dynasty, there were three families with the surname Zheng in Xinghua County."

"One is called Iron Zheng, one is called Sugar Zheng, and one is called Banqiao Zheng."

"Zheng Banqiao belongs to the Banqiao Zheng branch, named after the ancient Banqiao where they lived."

"Zheng Banqiao's ancestors were all scholars for generations, and they were a family of scholars."

"His great-grandfather was named Zheng Xinwan and his father was named Zheng Zhiben. They made a living by teaching and lived in poverty."

"In the 32nd year of Emperor Kangxi's reign, Zheng Banqiao was born into this scholarly family."

"Zheng Banqiao, whose given name is Zheng Xie, whose courtesy name is Kerou, whose pseudonym is Banqiao, often calls himself the Banqiao Taoist."

"When Zheng Banqiao was three years old, his biological mother, Wang, passed away due to illness."

"He was later raised by his wet nurse, Madam Fei, and his stepmother, Madam Hao, also died when he was fourteen."

"In the 47th year of Emperor Kangxi's reign, Zheng Banqiao took his fellow countryman Lu Zhen as his teacher and learned to write lyrics from him."

"In the fifty-third year of Emperor Kangxi's reign, the twenty-two-year-old Zheng Banqiao began to teach himself to paint."

"The next year, he married Xu from the same county."

"In September of the same year, he traveled to the capital and wrote Ouyang Xiu's "Ode to the Sound of Autumn" in small regular script on Wengshan Hill in Beijing, and inscribed a postscript."

"In the fifty-fifth year of Emperor Kangxi's reign, Zheng Banqiao passed the examination for a scholar."

"His living conditions did not improve because of this, and he had another son and two daughters after marriage, in order to support his family."

"So Zheng Banqiao followed in his father's footsteps and set up a school in Zhenzhou in the 57th year of Emperor Kangxi's reign, becoming a teacher."

"The following year, he wrote the poem 'To the Students in the Village School' to express his feelings of hardship and frustration."

"In the sixty-first year of Emperor Kangxi's reign, Zheng Banqiao had reached the age of thirty."

"My father and teacher Lu Zhen died one after another in that year, which was a big blow to Zheng Banqiao."

"Faced with a tragic situation, he composed Seven Songs to express his feelings about life."

"When his father passed away and creditors came to collect debts, Zheng Banqiao had to go out to make a living."

"In the first year of the Yongzheng reign, relying on the painting foundation he had laid since childhood and years of practice, Zheng Banqiao went to Yangzhou to sell paintings for a living."

"From then on, Zheng Banqiao began his ten-year life as a painter in Yangzhou."

"During the ten years I was selling paintings in Yangzhou, I also took some travel activities and got to know Monk Mei Jian."

Li Hongzhang: From bamboo to poetry, Zheng Banqiao's artistic life and cultural influence.

Zheng Banqiao occupies an important position in art history with his unique artistic style and profound cultural heritage.

Zheng Banqiao not only achieved success in calligraphy and painting, but his poetry was also quite influential.

His artistic style is unique, often integrating personal emotions with social reality, reflecting a deep humanistic concern.

Zheng Banqiao was born during the Kangxi period of the Qing Dynasty. His family was not wealthy and he lived a hard life in his early years.

He was smart, diligent and studious since childhood, and had a special interest in poetry, calligraphy and painting.

Zheng Banqiao's artistic talent was first revealed in his youth, and he later became a famous writer in Yangzhou.

Although he experienced many twists and turns in his official career, he always persisted in his artistic pursuits and eventually became one of the representatives of Qing Dynasty literati.

Zheng Banqiao's calligraphy is most famous for his running script and cursive script, with a free and unrestrained style and a strong personality.

His calligraphy works often reflect a beauty that combines both strength and softness, with both bold momentum and delicate emotions.

Zheng Banqiao was influenced by Wang Xizhi, Yan Zhenqing and others in calligraphy, but on the basis of inheriting the tradition, he formed his own unique style with high artistic value.

Zheng Banqiao's paintings mainly feature flowers, birds, bamboo and landscapes, and he is particularly good at painting bamboo.

His bamboo paintings not only show the uprightness and elegance of bamboo, but also contain rich cultural connotations, symbolizing noble character and indomitable spirit.

Zheng Banqiao often incorporated his own poems into his paintings, forming an artistic style that integrated poetry, calligraphy and painting, and became one of the representatives of literati painting in the Qing Dynasty.

Zheng Banqiao's poetry works also have high artistic achievements. His poems are known for their freshness, naturalness and sincere emotions.

Zheng Banqiao's poems often reflect his perception of life and concern for society, showing a profound humanistic spirit.

His poetry is concise and full of charm. He often uses vivid metaphors and figurative descriptions, making his works full of vitality.

Zheng Banqiao's artistic achievements are inseparable from his profound cultural thoughts.

He advocated that literati should possess noble character and extensive knowledge, and believed that art should serve society and reflect real life.

His works often contain criticism of social injustice and sympathy for the grassroots people, reflecting his concern and sense of responsibility for society.

Zheng Banqiao's artistic pursuit is not limited to personal achievement. He hopes to convey a positive attitude towards life and a yearning for a better life through his works.

In his poem, he wrote about the most obsessive thing in his life: he went to Huizhou without any dream.

This poem not only reflects his love for life, but also expresses his pursuit and persistence of his ideals.

Zheng Banqiao occupies an important position in art history, and his calligraphy, painting and poetry have had a profound influence on later generations.

As a representative of literati painting in the Qing Dynasty, Zheng Banqiao's artistic style provided important reference for later literati painters.

His works have achieved a high degree of unity in artistry and ideology, and have become an important part of traditional culture.

Zheng Banqiao's cultural thoughts also provide important inspiration for contemporary people, inspiring them to pursue the ideals of truth, goodness and beauty.

As a famous calligrapher, painter and poet in the Qing Dynasty, Zheng Banqiao's artistic achievements and cultural thoughts occupy an important position in history.

His works not only demonstrate his personal artistic style, but also reflect his profound humanistic concern and social responsibility.

Zheng Banqiao's artistic pursuit and philosophy of life still inspire countless people to pursue truth and beauty, and have become an indispensable treasure in the treasure house of Chinese culture.

"In the second year of Yongzheng's reign, the son born to Madam Xu unfortunately passed away, and Zheng Banqiao wrote a poem to express his grief."

"In the same year, Zheng Banqiao traveled to Jiangxi and met Master Wufang and the Manchu scholar Paul at Mount Lu."

"The following year, Zheng Banqiao traveled to the capital for the second time and made friends with Zen masters and their disciples."

"He also talked a lot on the way, commenting on the good and bad people of the time, hence the name."

"While in Beijing, he befriended Emperor Kangxi's son, Yunxi, the master of Ziqiong Cliff."

"From the fifth to the sixth year of Yongzheng's reign, Zheng Banqiao lived in Tongzhou and studied at the Tianning Temple in Yangzhou, where he wrote a copy of each of the Four Books."

"In the ninth year of Yongzheng's reign, when Zheng Banqiao was 39 years old, Madam Xu died of illness. Zheng Banqiao wrote a poem to express his grief over the loss of his wife."

"Zheng Banqiao lived in Yangzhou for more than ten years and made many friends as a painter. Huang Shen was a close friend of his and had a great influence on his creative thinking and even his personality."

"During this period, Zheng Banqiao also produced a large number of works."

"In the tenth year of Yongzheng's reign, Zheng Banqiao was forty years old."

"That autumn, I went to Nanjing to take part in the provincial examination and passed. Afterwards, I visited many scenic spots and historical sites in Nanjing."

"In the eleventh year of Yongzheng's reign, I was sponsored by my friend Cheng Yuchen to study in Jiaoshan, Zhenjiang, and prepare for the exam."

"In the first year of Emperor Qianlong's reign, I took part in the Ministry of Rites examination in Beijing and passed the examination."

"I took part in the palace examination in front of the Hall of Supreme Harmony and was ranked the 88th Jinshi in the second class."

"But I didn't get an official position this time, and my career was fruitless."

"During this period, Zheng Banqiao's calligraphy works included one copy of each of the Four Books."

"In September of the sixth year of Qianlong's reign, Zheng Banqiao was summoned by the Ministry of Personnel to the capital to wait for an official vacancy. During his stay in the capital, he was treated with great courtesy by Prince Shen Yunxi."

"In the spring of the seventh year of Qianlong's reign, the fifty-year-old Zheng Banqiao was appointed as the magistrate of Fan County and concurrently in charge of Chaocheng County."

"After taking office, he ordered people to punch hundreds of holes in the wall of the county government office to connect it to the street market."

"It is intended to get rid of the previous bad habits of officials such as corruption, oppression of the people, and bribery and courtesy."

"When Zheng Banqiao was the magistrate of Fan County, he often went among the people to understand their living conditions."

"In the eleventh year of Emperor Qianlong's reign, Zheng Banqiao was transferred to be the magistrate of Wei County."

"Since I took office, Weixian has suffered from floods for two consecutive years."

"In order to rescue the victims, Zheng Banqiao decided to open the warehouses to provide disaster relief without waiting for approval from his superiors, which greatly alleviated the local disaster situation."

Zuo Zongtang: The story of Zheng Banqiao tells us that we should not urinate anywhere and we should not be casual about small matters.

In the era when Zheng Banqiao lived, his calligraphy and paintings were like shining pearls.

It shines with a unique light in the sky of art and is priceless.

Although Zheng Banqiao had heard of this, he just smiled indifferently and continued to immerse himself in his own artistic world, painting casually.

On his thin face, his eyes always sparkled with a smart and wise light, as if everything in the world could become magical under his pen. In Zheng Banqiao's home, there was a clever but somewhat greedy book boy.

As he looked at the magical works created by Zheng Banqiao every day, different thoughts gradually arose in his mind.

The servant boy knew that Zheng Banqiao's calligraphy was valuable, so he would often secretly take out the drafts that Zheng Banqiao had discarded when his master wasn't paying attention.

Then, he carefully mounted these drafts and sold them to those who wanted to obtain Zheng Banqiao's authentic works, making a lot of wealth from them.

In fact, Zheng Banqiao had already noticed it. Whenever he found that there were fewer drafts, he would just frown slightly, a trace of helplessness flashed in his eyes, and then he would gently shake his head.

He was open-minded by nature and only pretended to be ignorant occasionally, and did not blame the cunning servant too much.

Once, Zheng Banqiao decided to teach the boy a lesson to let him know that not all of his calligraphy could be sold for money.

The corners of his mouth slightly raised, revealing a faint smile, and a hint of cunning flashed in his eyes, like a child preparing to play a prank.

He picked up the pen and deliberately wrote the words "Don't urinate anywhere". After writing, he nodded with satisfaction.

He casually placed the paper in its usual place and waited to see the boy's reaction, like an old fox waiting for its prey to take the bait.

However, a few days later, when Zheng Banqiao passed by a calligraphy and painting shop.

I glanced into the store inadvertently and unexpectedly found my calligraphy hanging in a prominent position in the store.

He first widened his eyes, his face full of disbelief, and his mouth slightly opened, as if he wanted to say something.

Then, he frowned, a trace of anger appeared on his face, and he thought that this book boy was really bold.

But when he got closer and took a look, he couldn't help but be amazed.

His eyes lit up instantly, and the anger in his eyes disappeared, replaced by admiration and surprise.

It turns out that some expert had cleverly adjusted the order of the words so that it became that small details must not be taken lightly.

With this change, the originally vulgar sentence instantly became full of philosophy, containing a profound meaning to warn the world.

Zheng Banqiao stood in front of the calligraphy and painting shop, his head slightly raised, his eyes fixed on the calligraphy.

The expression on his face was sometimes solemn and sometimes relaxed, as if he was having a silent conversation with these words.

He stroked his beard and nodded slightly, his heart full of admiration for the person who made the change.

He realized that true art sometimes does not depend entirely on the creator himself.

Those who know how to appreciate and re-create can also inject new soul into the work.

The book boy who originally wanted to sell his calligraphy inadvertently brought about such a miraculous transformation, which also allowed Zheng Banqiao to have a new understanding of his own works.

From then on, this story spread among the people and became a topic of interest that people enjoyed talking about after dinner.

It also makes more people remember Zheng Banqiao and his wise words that small things should not be taken lightly.

"In the 12th year of Emperor Qianlong's reign, Zheng Banqiao was temporarily transferred to Jinan to assist the Imperial Tutor Debao in presiding over the Shandong provincial examination."

"In the 13th year of Emperor Qianlong's reign, Emperor Qianlong went on a tour to Shandong, and Zheng Banqiao was appointed as the historian of calligraphy and painting to accompany him."

"Afterwards, the imperial court sent Grand Secretary Gao Bin and Left Censor-in-Chief Liu Tongxun to handle the relief work in Shandong, and Zheng Banqiao accompanied them on the inspection tour."

"In the 14th year of Qianlong's reign, during the autumn harvest, the disaster in Weixian County gradually eased, and hungry people returned home from outside the Great Wall."

"In the 16th year of Qianlong's reign, the sea overflowed in February, and Banqiao went to Yuwangtai, north of Weixian County, to investigate the disaster."

"In the 17th year of Emperor Qianlong's reign, Zheng Banqiao presided over the renovation of the Weixian City God Temple and wrote the inscription for the City God Temple."

"At the end of the same year, Zheng Banqiao resigned due to illness."

"During his time as an official, Zheng Banqiao wrote the poems "Ten Daoist Poems", "Escape from Famine", "Return Home" and his autobiography "Banqiao's Autobiography in Running Script".

"In the spring of the eighteenth year of Qianlong's reign, the sixty-one-year-old Zheng Banqiao left Weixian after resigning from his post."

"When he left Weixian, Zheng Banqiao's entire belongings were carried by only three donkeys."

"One carried me, one carried two books and a Ruanxian, and one carried the little errand boy who led the way."

"After leaving office, Zheng Banqiao returned to his hometown in Xinghua."

"In order to support my family, I went to Yangzhou to sell paintings for a living."

"In the spring of the 19th year of Qianlong's reign, Zheng Banqiao visited Hangzhou again at the invitation of Wu Zuozhe, the governor of Hangzhou."

"I went back to Qiantang and arrived at Kuaiji, where I explored the Yu Cave, visited Lanting, and traveled along the Shanyin Road."

"In the 21st year of Qianlong's reign, Zheng Banqiao invited nine people including Cheng Jinzhuang and Huang Shen to drink at Zhuxi Pavilion."

"In the 22nd year of Emperor Qianlong's reign, Zheng Banqiao participated in the repair of Hongqiao Bridge, which was supervised by Lu Jianzeng, the transport supervisor of Lianghuai. Banqiao wrote four poems in response."

"In the 28th year of Qianlong's reign, he attended the Hongqiao Xiuxi Festival and became acquainted with Yuan Mei, and they exchanged poems with each other."

"In his later years, Zheng Banqiao traveled all over the country, and wherever he went, he would compose poems, write inscriptions, and paint. This period was when Zheng Banqiao wrote more poems."

"On December 12, the 30th year of Qianlong's reign, Zheng Banqiao died at the age of 73 and was buried in Guanruan Village, east of Xinghua City."

Zeng Guopan: The story of Zheng Banqiao, a straightforward person and a passionate soul.

In the long river of history, Zheng Banqiao is like a bright and unique star, shining with the brilliance of humanity.

When it comes to Banqiao's way of dealing with people and things, the word "straightforward" is like a simple and precise brushstroke that outlines the contours of his soul.

Zheng Banqiao had a deep understanding of the doctrine of forgiveness, and his sophistication in dealing with human beings was fully demonstrated in his character.

From the little details of life, his full humanity is like a trickle of water, nourishing every soul related to it.

Whether reciting poetry or writing essays, there seem to be emotional elves jumping between the lines, and the deepest emotions are like surging tides, impacting the readers' hearts.

He once revealed his innermost emotions without reservation in a seven-song poem.

In that seventh song, he confided his rough experiences.

When I was young, my family was as poor as the wilderness in winter, with cold winds that made people shiver.

The family often went hungry, and the coarse food left an indelible bitter memory in his childhood.

In order to study, he studied hard under the dim candlelight, and the weak light reflected his thin and determined face.

However, he almost interrupted his studies several times due to poverty, but his thirst for knowledge was like a prairie fire that never went out.

The road to growth is full of thorns.

He traveled around with his dream, but encountered repeated setbacks.

The road to the imperial examination was bumpy and difficult, and the blow of failing again and again was like a huge rock pressing on one's heart.

But he did not give up and continued to work hard on himself during countless days and nights.

The hardships of life followed him everywhere. He had no place to live, his clothes were ragged, and he suffered from the cold stares and ridicule of others.

However, these hardships did not numb his mind, but instead became a source of deep emotion in his soul.

In the Seven Songs, he wrote about his memory of the kindness of his wet nurse, who was like a candle in the darkness.

Give him food when he is hungry and warmth when he is cold.

That selfless love nourishes his heart like a trickle of water and becomes the eternal warmth in his heart.

It is gratitude for the stepmother's love, just like the warm sun in winter, dispelling any haze that may have existed.

It is a cherishment of the affection between uncle and nephew, and the blood-related emotions grow like vines in his writing.

It is the adherence to the moral principles of friendship, like a solid rock that remains unmoved by wind and rain.

As for the difficulties he had experienced in the past, he did not hide the fact at all. Those were the hardships given by life, and every stroke was filled with hardship and tenacity.

There are no gorgeous ornamentations or deliberate embellishments in the Seven Songs.

But the plain words that came out of his mouth sounded like sobbing blood, every word was a tear.

It deeply touches the hearts of everyone who hears it, moving them to tears.

Even though he became rich and powerful, Banqiao never forgot his old friends who lived in poverty.

His concern for the poor and needy in need is evident in every detail.

First, they were invited to have a bowl of hot porridge. The steaming heat not only warmed the bodies of those seeking help, but also comforted their anxious hearts.

Before asking the purpose of the visit, this bowl of hot porridge conveys respect and compassion.

He was sympathetic to the child servants and put himself in their shoes. When he looked at those young children, the images of his own children appeared in his eyes.

This kind of kindness that extends to others is like bright starlight, illuminating the lives of ordinary people.

In order to preserve an ownerless grave, he was even willing to buy a deserted piece of land that no one cared about.

In his eyes, every lost life deserves respect, and every lonely grave carries a story from the past.

He hopes that when he returns to earth one day, he can be accompanied by these underground souls.

This idea of ​​benefiting even the dead is the highest expression of benevolence and the highest respect for life.

In this society accustomed to hypocrisy and trickery, Banqiao's frankness is like a clear spring, washing away the dust of the world.

He is like a mirror, allowing people to see the true beauty of human nature. (End of this chapter)