China Entertainment started in 2004

Chapter 214 It seems that there is really no one left in the mainland
  "Ugh!"

Zhang Jingchu sighed heavily.

She originally had the opportunity to establish a relationship with Wang Shu, and then use Wang Shu's talent and strength to go higher and further.

Now, all we can do is watch Jiang Wenli win the Best Actress award at Cannes.

We can only watch as the small screen actress suddenly becomes the heroine of the second domestic movie with a box office of over 2 million!

And she is now a big screen actress.

However, I can only watch.

Small screen actors, that is, television actors, are actually very few who can successfully transform into big screen, that is, film actors.

The reason is that the performance methods and performance rhythms of TV actors and movie actors are very different.

The form and rhythm of a scene performed by TV actors are very good in a TV series, and the audience seems to think it is good.

However, if the same performance form and rhythm are placed in a movie, the audience seems to have only the idea of ​​​​slapping their butts and leaving.

Moreover, TV drama actors, due to their long-term appearances in TV dramas, have developed the habit of performing in TV dramas over time.

And this is fatal in the movie.

It can be said that excellent movie actors can act in TV series.

And few excellent TV drama actors can act well in movies.

This gap is also one of the reasons why film actors have a higher status than TV drama actors in the film industry.

Apart from Zhang Ziyi, who started her career as a film actor, and Zhou Xun, Li Binbin, Zhao Yanzi, and Fan Binbin did not successfully transition from the small screen to the small screen.

As for Xu Jinlei, this is a young director and can be ignored.

Apart from them, Hu Ge, Yang Mi, etc. did not succeed in their transformation.

Although Yang Mi starred in "Tiny Times", her career as a film actress was not successful.

After all, if an actor wants to stand out in the film field, in addition to excellent acting skills, he must also have a performance method and rhythm suitable for the film.

Some actors have acted in many TV series, and their acting skills in TV series are very superb.

But this acting skill comes from the way and rhythm of acting in TV series. In a movie, the director would just shake his head after watching it.

Because a movie takes more than two hours at most to tell the story, the actors' performance methods and rhythms are necessarily different from those in TV dramas.

Zhang Jingchu knew these reasons, so she felt that if she had an intersection with Wang Shu back then, and then became friends, it would even go further.

As a film actress, she will inevitably be more favored by film directors.

Add these together, and the role will be hers.

But I missed it back then.

At first, she didn't sigh like this until "Time Traveler" beat "Baby Project" at the mainland box office.

She felt more and more regretful.

At this time, she was filming the movie "The Disciple" in Hong Kong with Andy Lau, Yuen Wing-yi, Ng Yan-zu, Louis Koo and others.

Originally, being able to participate in the Hong Kong film "The Disciple" was something that could be boasted in the mainland film and television circles.

As a result, the box office of the Hong Kong film "Baby Project" starring Chen Long and Louis Koo was completely crushed by "Space Traveler" after its release.

This time, "The Disciple", which is also a Hong Kong film, lacks some of its strong character in the mainland. Movies starring international superstar Chen Long were suppressed by Mainland China's "Space Traveler", let alone "The Disciple" starring Andy Lau.

As for the Gu Tianzhu and Wu Yan groups.
  Louis Koo is also one of the leading actors in "Baby Project".

As for Wu Yan, he is one of the leading actors in "The Night Banquet".

Both of these movies are inferior to "The Lover".
  "I didn't expect that Wang Shu would become the second mainland director to have a single film with a box office of over 200 million. It seems that there is really no one left in the mainland."

On the set of "The Disciple", Chen Kexin squinted his eyes.

Er Dongsheng glanced at Chen Kexin and said: "We only met once at the Chang C Film Festival in late August. I won the Golden Deer Award for "The Tuner". It has only been more than a month. In the blink of an eye, we will become The second mainland director to have a single film with a box office of over 2 million."

"To be honest, although he is young, he is really powerful."

"The Disciple" was mostly filmed in Thailand and Hong Kong Island. Chen Kexin is the film's producer and Er Dongsheng is the director.

On August 8, the closing awards ceremony of the Chang C Film Festival was held. Er Dongsheng was nominated for best director for "Precocious", and Chen Kexin was also nominated for best director for "If Love".

In the end, Chen Kexin won the Best Director Award from the Chang C Film Festival.

Moreover, "Precocious" and "If Love" are also shortlisted for the Best Chinese Feature Film Award, which is also the Golden Deer Award.

However, it lost to Wang Shu's "The Tuner" and the main theme film "Taihang Mountains".

Chang C Film Festival, in order to attract these directors from Hong Kong Island, held a film festival specifically for Ye Dongsheng, and arranged to screen three films directed by him, "A Thousand Cups of Drinks", "Precocious" and "New Love". 》, and also arranged a meeting with the main creative staff.

At that time, Hong Kong directors and actors such as Er Dongsheng were in the limelight.

As a result, Hong Kong's entertainment industry has reaped a bumper harvest.

"You are indeed capable. "Baby Project" starring Goo Jai and Big Brother was released at the same time as Wang Shu's "Time Traveler"."

"The current box office in the Mainland is not even half of that of Time Traveler."

Liu Dehua was also nearby and answered the call at the right time.

During the filming of "The Disciple", Zhang Jingchu felt the deep-rooted arrogance of the Hong Kong entertainment industry towards the mainland and the contempt for the mainland film and television industry, except for a few people such as Andy Lau.

Especially Chen Kexin, his disdain for the mainland film and television industry is written all over his face.

She was also nearby, and couldn't help but interject at this moment: "As far as I know, the investment cost of "Space Traveler" is only 2000 million, and it is still a science fiction film."

"Haha." Chen Kexin couldn't help but sneer when he heard the word science fiction film, "Hong Kong Island has been making science fiction films for more than seven years."

"It's been more than thirty years since now."

These words left Zhang Jingchu speechless. She originally wanted to continue to refute the fact that there were science fiction films in the mainland before "Space Traveler".

But it seems that even the earliest science fiction films were not as early as Hong Kong Island.

Liu Dehua said timely: "The "Crazy Stone" directed by director Ning Hao that I invested in before was also a low-cost film."

"Although the box office is very good, it is still far behind compared with "Time Traveler"."

When Chen Kexin heard what Andy Lau said, even though "Crazy Stone" was not a Hong Kong film, because it was a movie invested by Andy Lau, he felt that Hong Kong Island was being suppressed by Wang Shu from the Mainland, and he suddenly felt unhappy.

He immediately made up for this and said: "That's because "Crazy Stone" was not sufficiently publicized."

"If the announcement of "Crazy Stone" is as good as that of "Space Traveler", the box office will definitely be more than 2300 million."

(End of this chapter)