We are all reborn, who wants to be the richest man?

Chapter 653 Cultural Industry
In the front yard, after Liang Yong said goodbye, Zhang Shanhui came to the meeting room in the front yard.

After a while, several men with sparse hair and untidy clothes walked in.

If there were any media here, they would definitely exclaim in surprise. Here are the minister of the anti-corruption department of the Central Supervisory Office, the deputy minister of South Korea's economy, the deputy governor of the Bank of Korea, which is the central bank, and so on. They are all big figures who can decide the direction of South Korea's economy.

"sit down".

Facing the sexy beauty Zhang Shanhui, none of these men who were just deeply in love with her dared to show any blasphemous look.

They know very well how much power this well-known entrepreneur in South Korea has and what kind of person is behind him.

Not to mention these people, even South Korea’s economic emperor Choi Jong-hyun doesn’t dare to show off in front of this person.

Sometimes we have to admit that women have advantages in many areas.

How much suffering did they endure to climb to their current position step by step, while the other party just climbed into someone else's bed.

"President Zhang, I wonder why you want us here?"

Zhang Shanhui did not go straight to the point, but started chatting about family matters.

"How's your luck today?"

Everyone gets excited when talking about this. No matter whether they liked gambling before or not, they all like it here. After all, who doesn't like a game with no capital involved?

"Don't mention it. I thought Brazil would win easily, but it turned out to be a draw. My 2 billion won is gone."

The person who spoke was a short fat man, who looked a bit like the most powerful person born in the 80s on earth.

200 billion won is almost million US dollars according to the current exchange rate in South Korea. Obviously, the other party has been lucky recently and won a lot.

But unfortunately, human greed is unsatisfactory, especially for people like them who don’t even have to invest any capital.

How can you make money from this thing?

"Minister Li, this is just small money. The day when we make big money will come soon."

When Minister Li heard what Zhang Shanhui said, his eyes narrowed like Maitreya Buddha and said, "Hehe, Chairman Zhang is right. We will soon have a lot of money rolling in."

It turns out that Minister Li is from the Ministry of Construction, and all residential planning in South Korea has to go through his hands.

Do you know how many people there were in Seoul in the 60s? 220 million.

But do you know the current population of Seoul? 1100 million.

The population has suddenly increased fivefold in the past thirty years. What is the biggest problem? It must be the housing shortage.

Like island countries, South Korea has a high degree of land liberalization, with private land accounting for more than 75%.

Everyone talks about private land in Europe and the United States, and all kinds of large farms and ranches, but the proportion of private land in the United States is only 60% at its peak, and even less in Europe.

What about South Korea? This is not the peak yet.

With the population explosion, the landlords’ first thought was certainly not to sell the land at a high price but to be reluctant to sell, so the government could no longer tolerate it.

In 1981, the government issued a decree allowing it to purchase undeveloped land and farmland in the suburbs, and housing supply began to accelerate.

The stimulus of the 1988 Olympics made housing in Seoul tight again, and Su Tae-woo once again amended the law to allow government officials to purchase private residences and build houses.

South Korea is too small, and Seoul is not big either. If the city expands outward, it will reach the north.

As a result, a large number of private bungalows in the city became targets, that is, demolition.

Starting in 1988, the Ministry of Construction built 270 million new homes, but this still could not meet the growing population of Seoul.

So last year, the second phase of the project was planned, and this time more houses were to be built, a total of 312 million houses. The South Korean government does not have the ability to build so many houses, which gives construction companies an opportunity.

That is why Zhang Shanhui calmly said that it was just a small amount of money, and Minister Li, as a key figure in helping Seoul Construction successfully undertake the bulk of the second phase of the project, would naturally receive a considerable reward, which complemented the important role he played.

After chatting and the atmosphere relaxed, Zhang Shanhui slowly told them the real purpose of calling them over this time.

"Two things. The first is the new economic plan proposed by the new boss. I think we as Chinese people have the responsibility to actively respond to and help implement this economic plan, jointly promote the vigorous development of the national economy, and contribute to the prosperity of the country."

I see. No matter what the purpose is, it is just to increase the government's financial expenditure in this regard.

"The second thing is that I think we can't rely on one tree, we should seek more paths for development."

"I don't know what President Zhang means..."

“You should all be familiar with Hong Kong Island, right? Its economic development in recent years has attracted worldwide attention.

But Hong Kong Island has more than just technology industries. Their cultural industries also contribute a large amount to GDP every year.

Why can’t we do the same? If we accept the Hong Kong model, should we learn from it in all aspects?

Controlling South Korea's cultural industry was everyone's first reaction after Zhang Shanhui finished speaking.

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What is the Hong Kong model? Openness and freedom.

First of all, let's talk about openness. South Korea currently has restrictions on the cultural industry. It doesn't mean that foreign companies can come in as they please.

Ordinary people may not understand this, but anyone who has reached a certain status does not know that the real owner of South Korea’s largest print media, JoongAng Ilbo, and SBS, one of the three major television stations, is the Luo family.

This is incredible, but since the Chun Doo-hwan era, three major bosses have acquiesced to such things.

If it were to open up again now, the Luo family could legitimately enter the South Korean cultural industry.

In Asia, is there anyone who can rival Asian Media?
Freedom refers to various rules and regulations. Once they are released, it is like cutting off the hands that have been restraining the devil.

After 2010, the Rabbit film market has been rising steadily, but do you know which country is far ahead in content production, video production, and film production in Asia?
It's South Korea.

Why has South Korea's cultural industry developed to such a level in just a few years? The cultural industry of a small country with a population of 70 million is so developed. It's because of freedom.

There was nothing I dare not do, except what you dare not think of. This was the South Korean culture at that time.

South Korea made Parasite, which won an Oscar, and Squidward, which became a global hit.

The survival mode determines the behavior mode. Because the market is small, the global market is the initial target.

So just shoot whatever looks good, and shoot whatever the user likes.

Class stratification, corruption, the gap between the rich and the poor, bloody violence, etc., these are all labels that can catch the audience's attention.

Luo Nianzhong's cultural development of Hong Kong is actually following South Korea's approach, so Hong Kong entertainment has been very popular in Asia and even the world in recent years, and is the only one that can compete with Hollywood.

Since we already have Hong Kong entertainment, why do we need to support Korean entertainment now?
There is no way, Hong Kong Island is still too small and talent pool is a big problem.

Rabbit? There are many things that people over there cannot accept.

Therefore, Luo Nianzhong regarded South Korea and the island country as talent reserve bases, one for animation and the other for real people.

South Korea has not yet taken the path of cultural openness due to economic problems, and Luo Nianzhong wants to give it a push.

If we really wait until that time, there will be too many people and too little money. Wall Street, with a lot of money in hand, will not care what industry you are in and will invest in whatever it can.

It is different now. Once the regulations are relaxed, relying on the content production of Asia Media and media such as SBS TV and JoongAng Ilbo in South Korea, a monopoly situation can be easily formed.

(End of this chapter)