After we broke up, my ex asked me to attack her

Chapter 220 The persistent loser dog

"We can no longer hide away, our passion is finally about to unfold. No longer thinking about right or wrong, there is only one question, how long do we have to wait to become one? When will the blood begin to surge, and the sleeping buds will bloom, such passion when"

The Phantom of the Opera took half a step back, but Christine pressed forward step by step.

Offensive and defensive reversal.

Such straightforward and ambiguous lines are more like animals courting than flirting.

Kirizuna blushed as she spoke, because what she was imagining in her heart was not the Phantom of the Opera, but the figure of Kagura Hikari.

They were lingering in bed, skin-to-skin contact, transferring body heat to each other, and sharing love.

What a wonderful thing that would be.

But at this moment, Ayanokouji Chiyo's face and the kiss that no one had expected not long ago entered her mind without any warning.

It's not nostalgia, just a residual pain.

So much so that the continuity of Kirizuna's lines was not smooth, and she was slightly stunned because of the memory flashback, and was stuck here for a second.

The Phantom of the Opera did not panic, but turned Christine around, held her face in her hands, and stared into her eyes.

Christine rejected him at the time.

There is no doubt that the reason why Kiri Hina would go out of her way to trick them into taking the stage was just to get close to Kagura Hikari.

Once the feelings in your heart are interrupted, it is not that easy to continue them.

""We have passed the point of no return.""

Christine also noticed the critical situation and looked at him worriedly.

The latter pinched his thigh secretly.

Ayanokouji Chiyo's forced kiss had a similar legacy effect on her.

The Phantom of the Opera stretched out her hand, and Kirizuna grabbed his hand, turned it in a circle and fell into his arms. She leaned her head back on his shoulder, closed her eyes, and their singing became softer:

He waved his hand, threw down his one-shoulder cape, and sang with Kiri Hina who reacted: ""Crossing the starting point of no return, this last threshold, we have crossed this bridge, let's watch it be swallowed up by the flames! ""

It's like being stabbed by someone, and when you see someone being stabbed on TV, your memory will be pulled out along with it, and the wound from that year will feel a faint phantom pain.

That quick wit did work, and this second of pause allowed Kagura Hikari's sanity to quickly return to normal.

Now that he was on stage, there was no time for him to be in a daze. Next came his lines.

This is almost exactly the same as Raoul’s confession to Christine on the rooftop of the opera house in the previous scene.

Ayanokouji Chiyo didn't want her to get her wish, but the time was too short and there was no time to count, so she used a forced kiss to destroy Kirizuna's mood.

It can be said that from this moment on, Ayanokouji Chiyo's purpose of deliberately playing tricks on her has been achieved - that is, to hinder her and prevent her from affecting Kagura Hikaru so smoothly.

On the one hand, he was obsessed with the emotion of performing on the same stage with Christine for the first time. On the other hand, the policemen had quietly walked around the two sides of the stage with their long guns, as if they would arrest him immediately when the curtain fell. Bring to justice.

But The Phantom of the Opera didn't let it end.

According to the script of "The Triumph of Don Juan", it should come to an end here, and the first act of the opera should close.

"Please tell me that your love will never change in this life and lead me out of loneliness. This is what I hope for you, Christine. Say that you need my company. No matter where you go, you and I will be inseparable. Let We shared every day, every morning and dusk, and we were inseparable no matter where we went.”

But now, when faced with the same lines as before, Christine's expression is completely different.

There were tears in her eyes, her lips trembled slightly, and her slender fingers touched the Phantom of the Opera's chest.

"Yes," she said, "I do."

"Christine!!" Raoul wailed like a defeated dog at the edge of the stage.

The Phantom of the Opera, who wanted to reveal her feelings to her beloved no matter what before being arrested, got the answer she was most looking forward to. He cried with joy, and tears fell from his right eye that was not covered by the mask. He was already satisfied.

At this moment, he decided to escape with Christine no matter what.

The Phantom of the Opera, who still had the idea of ​​giving up in her heart, gained hope to continue living.

He pulled out the short knife hidden at his waist.

The police thought he wanted to hurt the hostage (Christine) and immediately pointed their guns at him, but the Phantom of the Opera threw the dagger away with a flick of her hand, flew up to the ceiling and disappeared.

The policemen looked up to the sky subconsciously, and then looked shocked. They turned around and ran away without caring about arresting any suspects.

The Phantom of the Opera also held Christine's hand and ran to the back of the stage.

Before anyone could react, a huge golden crystal chandelier suddenly crashed down on the stage of the school auditorium, smashing to pieces on the stage floor with a loud bang, and the pieces scattered everywhere.

The students in the audience screamed, and the teachers who were watching almost thought it was a stage accident.

But they soon realized that the loud noise just now seemed to come from the speakers installed in the auditorium, and it was just an effect sound.

If you look closely, you can see that the large chandelier that fell in the center of the stage is not a real crystal chandelier. It seems to be made of solid weighted dyed foam. The pendants of the chandelier are all made of plastic models, so they shake.

As for the flying 'debris', they are actually just foam debris and cannot hurt anyone at all.

The scene of the falling chandelier in "Phantom of the Opera" can be said to be a classic among classics. In order to recreate this scene, people from the drama department spent a lot of effort in making props, and had to report it to the school specifically for this scene.

Thanks to the acquiescence of Ayanokouji Chiyo, who was the student council president and also participated in the performance, they finally passed and allowed them to smash.

In any case, judging from the results, it should be a success.

If the audience in the audience is successfully frightened, then their actions are worthwhile.

The originally touching and soothing music took a turn for the worse as the crystal chandelier fell and became unsettling.

The chandelier in the center of the stage ignited black smoke, and chaotic screams and unexplained roars came from all around.

It was a complete mess.

"Christine, where are you?!"

Raoul's hair was messy and he walked around in embarrassment, looking for Christine.

He trotted towards the back of the stage and tentatively lifted the curtain of the dressing room where the Phantom of the Opera had just changed from the civet cat to the prince. He unexpectedly found the Don Juan actor lying on the ground behind him, as well as a tunnel.

Raoul drew his sword, lifted the opening of the tunnel from the floor, and jumped into it.

The lights suddenly dimmed and the curtain quickly closed.

In less than twenty seconds, the curtain was opened again. At this time, the chandelier in the center of the stage had disappeared, and the stage background was replaced by a dark cave.

The Phantom of the Opera, as before, took a canoe with Christine and followed the river to his underground kingdom.

The background cloth of the cave is separated, and the background of the iron gate behind it is also lifted up, revealing the splendid palace of the Phantom of the Opera, which is full of candles and art.

He took Christine's hand and carried her off the boat, and then moved down the one-meter-five-meter-high oil painting of Christine, revealing a narrow passage behind it that could only be passed by one person.

"This can lead to the surface, and at the end of the tunnel is our freedom." The Phantom of the Opera happily held Christine's hands and said.

Christine smiled and shook her hand back.

But at this moment, Raoul, who was behind him, waded into the water persistently and chased after him. He was soaked under the dim water pattern, and his long hair hung down wetly, dripping with water.

"Christine!!"

(End of this chapter)