The Best Actor in the Vase of Meiyu

Chapter 1005 Storm of Inspiration
Boxing. Standoff. Confrontation.

One is unarmed but light and nimble, the other has three heads and six arms but is thick and bulky. The physical attacks of each punch to the flesh are completely dazzling and overwhelming.

Deadlock!

Spider-Man relied on his quick reaction to find a gap in the storm, and was about to take Doctor Octopus's head again.

As long as Doctor Octopus is knocked out, the situation can be controlled.

However, he didn't expect that this was a trap. Doctor Octopus deliberately exposed a flaw in the chaos, waiting for Spider-Man to fall into the trap.

"hey-hey."

Doctor Octopus's eyes couldn't be seen clearly because he was wearing sunglasses, but the corners of his mouth were slightly raised, revealing a sly smile.

In a flash, Spider-Man didn't have time to react.

The next second, the tentacle on the right side emerged from the gap and hit Spider-Man's nose head-on. It appeared without warning, elusive, and hard to defend against.

then.

Spider-Man's right fist pointed directly at Doctor Octopus' cheek.

Doctor Octopus's upper left tentacle points directly at Spider-Man's nose.

Life for life, tooth for tooth.

boom. boom.

The sound of punches surged at the same time with almost the same frequency, and the two men exchanged a blow in a way that killed a thousand enemies and injured eight hundred of their own; but at this moment, Doctor Octopus's tentacles could continue to extend, and after the punch, he continued to move forward and threw Spider-Man out solidly.

Uh.

Spider-Man groaned.

However, his reflex was quick, and his left hand immediately blocked with his forearm, knocking the tentacle away from bottom to top, trying to catch his breath.

However, he didn't expect that the next second, the tentacle on the lower left side of Doctor Octopus had extended out, sneaking from below, like a ground dragon, grabbing Spider-Man's waist and clamping his hand.

heh.

Spider-Man felt the huge squeezing force coming from his body, which cut off his breathing. His internal organs seemed to be crushed. He suddenly raised his head and looked at Doctor Octopus.

Their eyes met.

Although one was wearing sunglasses and the other was wearing a mask, their eyes could not be seen at the moment; but at this moment, a brief collision caused sparks, and strong emotions burned in the air and collided violently.

Tension, spread.

"Card!"

Sam's voice came, interrupting the filming again.

The breath was stuck in my chest and I couldn't exhale. My muscles were completely stiff, the atmosphere was stagnant, and a feeling of depression and irritability was stuck there. I didn't even have time to feel depressed before I fell into a state of powerlessness.

This shoot was smooth and completed in one go.

The wire work, stunt work, and the two actors Anson and Alfred were all in place, working in perfect harmony, and the scene was about to be completed.

The results of it--

what happened again?
This scene has not been filmed yet. According to the plan, the wire will pull Anson into the air again, showing that the tentacles are lifting Spider-Man up. Then the mechanical tentacles will slam Spider-Man into the door of the train, and Spider-Man will break through the door and fall into the carriage.

This is the end.

This small part of the fight ends here for now, and then moves on to the next small part.

however!
Seeing the "relay supply point" right in front of us, we were intercepted by the director again. Do we have to start all over again? So what happened this time?

Everything is perfect and everything goes smoothly, so how could the director not be satisfied?

There were fifteen NGs, and it was difficult physical and technical work. Even though the air-conditioning was turned on to the maximum, the entire studio was still sweating profusely. Irritability and fatigue were intertwined, and everyone was a little irritable.

Swish, swish, swish. All eyes were focused on Sam.

Sam didn't notice, completely lost in his own thoughts.

"Wonderful."

Everyone: Huh? What happened?

"It's wonderful! Beautiful! Perfect! Everything is just like that!"

"That's how it should be!"

Everyone: Director, if everything is perfect, then why are there NGs? Is it really okay to cut a scene off before it is finished?

"We need to adjust a bit, just follow the feeling of the shoot just now."

"I like the detail of the fist exchange, where Anson hits Alfred, and then Alfred hits Anson, and the fists collide at the same time. I need your head movements to pause for a moment, so that the audience can feel the impact of the force bursting out in the cheeks."

"And, Anson, a perfect performance."

"In the last fight, he was in a reckless and fully committed state, but was ambushed by his opponent. When he was about to launch a counterattack, he found that his opponent had secretly laid a trap."

"I like the state here. I need your body language to be clear. Give me a little surprise and shock. Just one second. No, no, no. Half a second. Half a second is enough. A brief frozen moment."

"I need to fragment all the scenes here, just like in a comic book, with each action and each scene being a separate picture. Through editing, everything is disrupted, and the continuous output is dazzling and overwhelming, while hiding countless details, so that the audience will be swept into the storm without a break, and feel the excitement of fist-to-flesh again."

Inspiration, full burst -

According to the original plan, Doctor Octopus' mechanical tentacles were powerful, and his strength, flexibility, numbers, etc. all overwhelmed Spider-Man. This should have been a confrontation in which he had a complete upper hand. Until the very end, Spider-Man was unable to suppress Doctor Octopus with force and could only defend himself.

In the end, Spider-Man avoided the disaster of destroying New York by awakening Doctor Octopus's reason and conscience and making him come to his senses.

But now, Sam had an idea.

Without changing the framework, on the one hand, Spider-Man's confrontational nature is increased. He can find opportunities to counterattack in the storm of attacks and is not unilaterally at a disadvantage. On the other hand, Doctor Octopus' intelligence is increased. He not only relies on force to suppress, but also knows how to use tactics and layout, and still knows how to use his brain during the fight.

Will this have any impact on the film?

No, it won't.

But this can make the fighting scenes more exciting and more exciting. Based on Sam's idea, it further makes the climax fighting scenes more interesting.

Sam was a little excited.

Sure enough, Sam had reason to admire Anson. Anson always brought surprises, and the charm that inadvertently permeated into the character was eye-catching.

Even the fighting scenes are no exception.

His mind was in a storm, and Sam poured out all his thoughts in one go.

Then, look in the direction of the actor.

"Anson, can you do this?"

It was not a condescending command, but a pleading request.

Anson:......

The entire crew was filled with anger, and for a moment, they were dumbfounded and speechless.

Originally, the director is the most important person in the crew if the producer does not show up; and Sony Columbia was very satisfied with Sam's work and had signed a sequel cooperation agreement with Sam before "Spider-Man" was released. After the movie box office exploded, Sony Columbia handed over the entire creative initiative and decision-making power to Sam.

Although producers and film companies would still reject some of Sam's proposals, such as some script changes, there was no doubt that Sam had absolute power in the crew.

Now, Sam's word is law, so naturally everything depends on Sam's opinion. Everyone dares to be angry but not to speak, and can only hold back their anger and annoyance.

Perhaps, the only hope is Anson?

(End of this chapter)