The Best Actor in the Vase of Meiyu

Chapter 178 Brief Audition

Chapter 178 Brief Audition
One eye and ten lines——

Not to memorize lines, but to master the scene.

Of course, if Anson had a photographic memory, scanned it, performed it off-script, and presented the lines verbatim, he would be very amazing.

But think about it seriously, is such "stunning" enough to win a role?
the answer is negative.

The ability to recite lines is not directly related to the role or performance. At most, it can only leave a deep impression. However, Anson believes that the impression he has left so far is deep enough, so he should focus on the real thing next and show what he is capable of in the audition. What needs to be shown.

Rather than reciting the lines, it is better to understand the lines carefully and further demonstrate your interpretation of the character based on the character impression you have previously constructed.

Anson was ready to make full use of his advantages. In his previous life, he had watched the movie "Spider-Man". Although he could not remember the lines and the plot was a bit vague, he could restore the scene through the lines in front of him, grasp the essence, and make the performance vivid with his own understanding. stand up.

So, taking advantage of the short time to pack his backpack, Anson quickly scanned the lines.

It was a little surprising that this was the scene.

A thirty-second monologue in which Peter Parker looks at his crush, Mary-Jane.

In the original comics, Peter Parker's first love was Gwen Stacy. This pure love had a sad ending. During a confrontation between the villains, Peter failed to save Gwen and watched helplessly as Gwen... He died tragically before his eyes.

This scene is an innovative scene for the comics, because the superhero was not able to turn the tide, and it was his first love. When the comics came out, it caused a frenzy of controversy, but many years later, it was confirmed that it was the change of the superhero. A milestone for heroic comics.

Obviously, Sam didn't like this plot, so in this version, Peter's first love was his next-door neighbor Mary Jane, and Gwen didn't appear until the second version of "The Amazing Spider-Man", and in the second movie of the series The scene of Gwen's death is reenacted.

Between Peter and Mary Jane, Peter has been secretly in love with his neighbor, but the beautiful Mary Jane has a boyfriend, and the shy Peter has been carefully hiding his feelings.

The scene that Ian and the others chose for the audition was very particular:

A monologue from Peter, a confession of silently watching Mary Jane's back.

If it were just that, it would be just the admiration of an ordinary high school student for his crush; but the real hidden message in this scene is that Peter has gained superpowers.

In the movie, after Peter was bitten by a spider, he fell into a deep sleep when he returned home. After waking up, Peter found that his hearing and eyesight had become sharper. Not only did he take off his glasses, but he also found that his figure had improved. Although he had not yet discovered his superpowers, he also found that his body shape had improved. Without realizing what was going on, Peter's mentality and state had undergone subtle changes.

Otherwise, why would Peter, who had been secretly hiding his thoughts, suddenly muster up the courage to try to get close to Mary Jane and secretly tell his thoughts?

In other words, the point is that Peter changed from shy to slightly more confident, but he was not clearly aware of it for the time being, and then cautiously took small steps to try to comfort Mary-Jane, who was quarreling with her family, but was timid and stopped.

Confession is more than just a confession.

But the key is that Ian and the others didn't remind them of any background information.

So, what’s the reason for no reminder?
Perhaps, they just hope to see the actors' understanding and expression of the confessional mentality, so that to some extent they can see the actor's interpretation of Peter Parker.

Hidden mystery.

Anson's mind started working quickly.

At this time, Peter should still be shy. His emotional and subconscious impulses are still restrained by reason, but he can hardly control the intensity and heat of his emotions.

So, how should Anson behave?
Confession.

In his previous life, Anson had never confessed. There was no need to confess before the age of twenty-five, and after the age of twenty-five, he did not dare to drag others down. Especially later.

Standing in front of the person he likes, but because of his bad situation, he is worried about becoming a burden to the other person. Even he himself has no future, so what right does he have to hope for the future of a relationship? So he swallows all the words and carefully sorts out his emotions and hides them perfectly. .

I want to speak but I can’t hide it——

Secret love is such a feeling.

It only took a moment to pack the luggage. Ansen did not delay any time. After a quick scan, he quickly packed it with his hands and feet, but this little time was enough to give him some ideas.

Taking a deep breath, Anson picked up the line sheet and did not force himself to recite it. Instead, he browsed through it repeatedly to make himself as familiar with the words as possible.

Turning around to distance himself, Anson did not stop in the middle and continued to retreat, completely widening the distance, almost to the end of the room.

The fat woman chuckled softly, "Stop, stop, where are you going? We can't even see you anymore."

Anson turned around, raised his hand, and was still in the mood to joke, "Don't worry, I will do my best to ensure that you can see me clearly."

Ha ha.

Ian and the others couldn't help but chuckle, and the atmosphere relaxed before it became tense.

call.

Anson adjusted his breathing slightly, not only to calm himself down, but also to leave a short gap before the performance began.

One second. Two seconds.

Then, raise your head and take steps.

Anson moved forward slowly and thoughtfully. He just started to move forward but immediately stopped. An emergency brake was applied to control himself. His steps were slightly slow. He glanced forward, but couldn't help but lower his head. Move forward hesitantly.

However, with his chin lowered, his eyes quietly raised, watching quietly.

There was no sound in the room. Even the agent sitting in the corner couldn't help but look over. Now they finally understood what Anson meant -

Anson's footsteps have returned to the front, which is about three steps away from the long table. The emotions in his expression and eyes can be clearly seen.

Moreover, the most special thing is that Anson slowly approaches from far to near. When he comes out of the shadow, he first feels a subtle atmosphere and draws an outline in his mind, a hazy impression like smoke; then slowly Slowly it became clear, the smoke dissipated, and I could finally see those eyes clearly.

The whole look and feel, bit by bit, penetrates and invades, quietly catching the eye, making people unable to help but want to explore, explore the true emotions in those eyes and the emotional struggle on that face, confirm their suspicions, and watch. The person in front of him is describing the scene he is in bit by bit in his mind.

Throughout the whole process, there are no lines, but it firmly captures the attention.

This composure is already eye-catching. All eyes in the room are on Anson, and it seems that he can feel the focus of the camera shifting.

Performance is not just a performance, but also uses the performance to construct the lights, lenses, and space, so that the sense of the picture comes to your face.

 The fourth update.

  
 
(End of this chapter)

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like