The Best Actor in the Vase of Meiyu

Chapter 2114 Glib Talk
Anson's eyes revealed a faint smile, and it was clear that Michael in front of him was not a fan of Johnny Depp at all.

Furthermore, the possibility of a personal grudge is very high.

Michael noticed Anson's smile and thought he had flattered him in the right way. "He's not you, single-mindedly focused on the film, genuinely passionate about the job, and he can never be you."

what!
So, he has now become synonymous with "noble"?

No, no, no, Anson isn't that hypocritical, and he certainly doesn't believe he can single-handedly overturn the entire Hollywood. "Friends," "The Princess Diaries," and "Spider-Man" are all works that conform to and flexibly utilize Hollywood rules, and Anson neither denies nor needs to deny that.

Naturally, Johnny Depp can also take advantage of his rules.

Perhaps the only difference is that Anson believes that being an actor is more than just standing in front of a screen and reciting lines.

However, Anson wasn't going to discuss his work philosophy with Michael. He chuckled to himself, seemingly amused, and said, "You're very good at your job, aren't you?"

"However, there are quite a few works with apocalyptic themes, including zombies, loneliness, comedy, and horror. Have you seen the British film 'Shaun of the Dead' from last year? It's a different kind of film. Audiences are becoming more and more discerning, and ordinary works can no longer meet their expectations. What makes this film different?"

Dazzling, overwhelming—

Partners like Ansen are the most troublesome. They are not only professional but also knowledgeable. Simply put, they are not easy to fool and will not be easily deceived.

Compared to Hollywood actors and producers whose minds are full of straws, Anson is the ultimate test.

But who knows? Perhaps that's why Anson can turn lead into gold; he knows his job and can accurately identify the potential of a work.

Michael had already prepared for this, "There's a scene like this in the movie."

"Robert Neville finds a painting in an abandoned museum and stares at it for a full minute. This is almost impossible in a commercial film, but it is crucial here. He doesn't say a word, but the audience can feel that things are not so simple."

"In that painting, he saw everything he had lost: family, friends, a normal life, and the meaning of life."

"This is not a work that relies on action scenes to carry the show. At its core, it is about people, humanity, hope, and proof. It is about how a person finds the meaning of life in desperate situations."

“We have top-notch directors—of course, you can also participate in the selection process—and the visual effects will be next-generation, but without an actor who can inject energy and soul into the character, it’s all just empty talk, and the entire film project cannot be established.”

"Anson, we need you."

The last sentence was concise and to the point. Michael stared intently at Anson, as if Anson were their savior, their only hope.

Eduardo, who had been standing by and on high alert, couldn't help but glance at Anson again. Even though he kept reminding himself to be wary of sweet talk and sugar-coated bullets, and that the producer in front of him was glib and full of lies and not trustworthy, he was still inevitably moved at this moment.

So, what about Anson?

Anson remained calm and focused, his expression revealing little. Cannes, gradually awakening, was embracing a new day with vitality.

The pause was brief, seemingly only two or three seconds, yet it felt like an eternity.

Anson's lips curled into a smile. "I admit, it's certainly an interesting idea, but precisely because it's interesting, the filming process will obviously not be easy." "These kinds of roles may require giving it your all, and can even be exhausting."

Imagine Lucas's expression when he saw the script project; Anson knew something was terribly wrong.

Michael let out a long breath, nodded, and said sincerely, "I won't lie to you, this role definitely requires you to put in 100% effort."

"This character is in almost every scene, and his solo scenes make up half of the film. You have to carry the emotional weight of the entire movie by yourself, which is even more difficult than 'Walking with a Song' and no less challenging than 'Cast Away'. But it is precisely because of this that this film has the opportunity to become a true classic."

“Think about ‘Taxi Driver’, think about ‘Apocalypse Now’—those roles pushed the actors to their limits, but they also shaped their careers.”

“Anson, we have a chance to create a miracle.”

“Once upon a time, the Oscars were brave and bold. Films with huge commercial potential, such as ‘Forrest Gump,’ ‘Cast Away,’ and ‘Titanic,’ could still win nominations. Tom Hanks even won an Oscar for ‘Forrest Gump.’ But now, those days are gone.”

"The Oscars have become a game, a public relations game, a competition of good students' homework, and the charm of the films themselves is gradually being lost."

"People seem eager to draw a line between commerce and art, making them irreconcilable, and forcibly separating the attributes of works, forgetting that the essence of so-called commerce and art still needs to return to the work itself. The Oscars should reward excellent works, not works that conform to their personal pride and self-esteem."

"The opportunity is right in front of us."

Michael stared at Anson, a hint of madness in his eyes.

Anson didn't hide his surprise. "You mean, get an Oscar nomination with this movie?"

Michael, "Why not?"

"This work has the potential to become 'Cast Away,' all the spotlight and all the glory are on you. Let's work together to create a classic. I guarantee that I will become another peak in your career."

Bold and arrogant, Michael still has some guts, daring to imagine and break the mold. Behind his seemingly crazy fantasies, there is a certain logic.

Anson's eyes revealed a hint of admiration.

Putting the project script aside for the moment, Anson initially thought Michael was just a middleman, a bit cunning and good at scheming. But now it seems that speaking is indeed an art. Michael is able to grasp the key points and the main thread, hitting the nail on the head. Even if he doesn't have real talent, he definitely has some skills.

Anson glanced at Michael. "You chased all the way to Cannes just for this project? To be honest, this obsession surprised me. Edgar won't like it."

what!
Michael laughed. "Sorry, I didn't mean to ignore Edgar."

"This project has been circulating in Hollywood for a long time. It first appeared in the early 1990s. The male lead was chosen to be Arnold Schwarzenegger, and the director was Ridley Scott. Everything was on track, but unfortunately, due to the high budget and high risk, both of them withdrew from the production. After all, at that time, Hollywood was cautious about investments of more than 100 million US dollars."

"I searched for three years and finally found this project. We may need to change some content to adapt to the changing times, but there is no doubt that this project has all the conditions for success, especially after the success of 'Cast Away'. But I need an actor to carry the show."

“For two years, I’ve met countless actors, but none of them could fit the role. Until you came along, the image of Robert Neville gradually became clear in my mind, and I knew that this role was perfect for you.”

(End of this chapter)