My life is like walking on thin ice

Chapter 632

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The First Emperor, inheriting the ambitions of previous Qin rulers, unified China, but also bore the brunt of criticism from the six former states and later generations.

On the high platform, he pointed his sword and demarcated the boundaries of the world, making the princes and nobles of the six kingdoms grit their teeth in envy.

Under the eaves, he strategizes and plans, mending the fragmented land and attempting to gradually resolve the discontent in the hearts of the people with lofty ambitions and sound systems.

The ideal of national unification was not just the Xianyang Palace and the magnificent Epang Palace standing before him, but the "big house" in the hearts of every Qin person.

To quell a fierce and ruthless army, sweeping away thousands of troops, is to show no mercy to the enemy; to give Jing Ke a grand funeral, honoring the chivalrous spirit of righteous men, is to show respect to the enemy.

He sculpted terracotta warriors with the faces of fallen soldiers, fulfilling his wish for "a world where peace lasts for ten thousand generations" from birth to death.

The wind howls, the Yi River is cold. This scene depicts the tragic heroism and righteousness of Jing Ke's assassination attempt on the King of Qin.

On the dark rooftops, shadowy figures moved about, leaping and bounding like shooting stars. The sounds of the pipa from "Ambush from Ten Sides" and the urgent drumbeats of "An arrow on a bowstring, ready to be released" transported the listener to that dark, windy, and perilous night.

Jing Ke came from the Yan state, one of the six states defeated by Qin. Knowing that this journey was destined to be a one-way trip, he still hid the dagger in his bosom and resolutely sneaked into the night.

With a pure and sincere heart, I will repay the country's kindness and fulfill the trust placed in me by the people of Yan.

Although the assassination attempt on the King of Qin failed, his heroic spirit and tragic ode sang of the indomitable spirit of the Chinese nation.

The woman in question is named He, the daughter of the master craftsman Yi. Although she cannot speak, her unfathomable eyes, as deep as autumn waters, hold the essence of the Qin Dynasty's daughters' character. Playing music and zither is her way of communicating with the world.

"He" walked through the reeds, his footsteps crushing the morning dew, his gaze soothing the cold frost, but he never reached the gentle shore on the other side.

"How can we say we have no clothes? We share the same robes." The final scene is a group of sculptures, forged in the heat of battle, depicting the fierce courage and heart-wrenching moments of life and death, creating an eternal and tragic spectacle.

Every face that stands guard in the soil was once a formidable force of armored warriors, or an ordinary body of flesh and blood.

In life, they were vibrant and proud, living in this world with names and surnames. After their deaths, we can only recognize where they came from through their silent yet resolute faces.

In the drama, the feelings of patriotism and family in the hearts of ordinary people are poignant and moving.

The name comes from an inscription on a broken tile at the ruins of the Epang Palace.

In the heart of Master Craftsman Yi, the palace he had meticulously built over the years was the "Great House" he had constructed for all the people of Qin, a pure "craftsman's spirit" that has been passed down through the ages.

Guanli Xi was the recorder of a large number of bamboo slips unearthed at Shuihudi in Yunmeng, which has great archaeological and historical value. Although he was a minor official, he recorded the details of the Qin Dynasty day and night, and had a high degree of recognition and expectation for the Qin Dynasty's inclusiveness and the spirit of "rule of law".

The bamboo slips, which have been unearthed, tell the story of the Qin civilization that was previously unknown. This is thanks to Xi, and even more so to Xi's unwavering commitment to the nation and the world.

What is the meaning of family, country, and the world? What is the backbone of a great nation? It is these ordinary people living on stage 2000 years ago who became the cornerstone for the Qin Dynasty to stand tall in the world.

"How can I say that I have no clothes, but I share the same robe with you?"

This is the most moving and resounding line in "The Mighty Qin Dynasty," which chronicles a glorious and tragic chapter in the history of the Chinese nation.

The play vividly interprets the characters and their personalities through dance, with a dance troupe of over 100 people participating. The stage changes constantly in every scene, and the three-dimensional scenery above and below complements each other, presenting the story's visual effects and emotional intensity in a comprehensive and multi-dimensional way.

The audience sits on a movable stage, moving in and out with the projector's camera, creating a first-class immersive experience.

The wind howls, the Yi River is cold. This scene depicts the tragic heroism and righteousness of Jing Ke's assassination attempt on the King of Qin.

On the dark rooftops, shadowy figures moved about, leaping and bounding like shooting stars. The sounds of the pipa from "Ambush from Ten Sides" and the urgent drumbeats of "An arrow on a bowstring, ready to be released" transported the listener to that dark, windy, and perilous night.

Without a unified and strong nation, there can be no peaceful and prosperous life for the people.

The stage scenery, imbued with the ancient charm of Qin Dynasty and Chinese aesthetics, is exquisite and presented in a way that unfolds alongside the storyline.

The night was still young, and the torches in the courtyard shone brightly—this scene took place in a palace with flowing tiles and green pillars.

The palace maids, dressed in black with red ribbons, moved in a single file, their delicate dance steps winding through the towering pillars of the palace. Their steps resembled those of the First Emperor, who sat on his throne behind them, as he strived to unify the world.

The First Emperor, inheriting the ambitions of previous Qin rulers, unified China, but also bore the brunt of criticism from the six former states and later generations.

On the high platform, he pointed his sword and demarcated the boundaries of the world, making the princes and nobles of the six kingdoms grit their teeth in envy.

Under the eaves, he strategized and pieced together the fragmented country, using his ambition and systems to try to gradually resolve the discontent in the hearts of the people.

The ideal of national unification was not just the Xianyang Palace and the magnificent Epang Palace standing before him, but the "big house" in the hearts of every Qin person.

To quell a fierce and ruthless army, sweeping away thousands of troops, is to show no mercy to the enemy; to give Jing Ke a grand funeral, honoring the chivalrous spirit of righteous men, is to show respect to the enemy.

He sculpted terracotta warriors with the faces of fallen soldiers, fulfilling his wish for "a world where peace lasts for ten thousand generations" from birth to death.

The wind howls, the Yi River is cold. This scene depicts the tragic heroism and righteousness of Jing Ke's assassination attempt on the King of Qin.

On the dark rooftops, shadowy figures moved about, leaping and bounding like shooting stars. The sounds of the pipa from "Ambush from Ten Sides" and the urgent drumbeats of "An arrow on a bowstring, ready to be released" transported the listener to that dark, windy, and perilous night.

Jing Ke came from the Yan state, one of the six states defeated by Qin. Knowing that this journey was destined to be a one-way trip, he still hid the dagger in his bosom and resolutely sneaked into the night.

The reeds are green and lush, and the white dew has turned to frost.

This scene is a beautiful tale that took place on the banks of the Wei River, when the frost was heavy and the moon was cold.

On the stage, it was a misty, shimmering morning.

The woman in question is named He, the daughter of the master craftsman Yi. Although she cannot speak, her unfathomable eyes, as deep as autumn waters, hold the essence of the Qin Dynasty's daughters' character. Playing music and zither is her way of communicating with the world.

"He" walked through the reeds, his footsteps crushing the morning dew, his gaze soothing the cold frost, but he never reached the gentle shore on the other side.

"How can we say we have no clothes? We share the same robes." The final scene is a fiercely tempered, breathtaking display of courage and resilience forged in the face of life and death, creating an eternally tragic and magnificent group of sculptures. Every face watching over the earth was once a formidable force in armor, now an ordinary body of flesh and blood.

In life, they were vibrant and proud, living in this world with names and surnames. After their deaths, we can only recognize where they came from through their silent yet resolute faces.

In the drama, the feelings of patriotism and family in the hearts of ordinary people are poignant and moving.

Master Craftsman Yi's name comes from an inscription on a broken tile at the ruins of the Epang Palace.

In the heart of Master Craftsman Yi, the palace he had meticulously built over the years was the "Great House" he had constructed for all the people of Qin, a pure "craftsman's spirit" that has been passed down through the ages.

Guanli Xi was the recorder of a large number of bamboo slips unearthed at Shuihudi in Yunmeng, which has great archaeological and historical value. Although he was a minor official, he recorded the details of the Qin Dynasty day and night, and had a high degree of recognition and expectation for the Qin Dynasty's inclusiveness and the spirit of "rule of law".

The bamboo slips, which have been unearthed, tell the story of the Qin civilization that was previously unknown. This is thanks to Xi, and even more so to Xi's unwavering commitment to the nation and the world.

What is the meaning of family, country, and the world? What is the backbone of a great nation? It is these ordinary people living on stage 2000 years ago who became the cornerstone for the Qin Dynasty to stand tall in the world.

"How can I say that I have no clothes, but I share the same robe with you?"

This is the most moving and resounding line in "The Mighty Qin Dynasty," which chronicles a glorious and tragic chapter in the history of the Chinese nation.

The play vividly interprets the characters and their personalities through dance, with a dance troupe of over 100 people participating. The stage changes constantly in every scene, and the three-dimensional scenery above and below complements each other, presenting the story's visual effects and emotional intensity in a comprehensive and multi-dimensional way.

The audience sits on a movable stage, moving in and out with the projector's camera, creating a first-class immersive experience.

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This city, full of ancient charm and historical flavor, is not only the center of China's politics, economy and culture, but also the starting point of the Silk Road.

The Terracotta Army of Qin Shi Huang's Mausoleum, one of the "Eight Wonders of the World," showcases the city's magnificent and profound historical and cultural heritage.

Xi'an's long history and rich cultural heritage have earned it the reputation of a "natural history museum." The variety, quantity, and value of its cultural relics and historical sites are rare in China and world-renowned.

"Profound" is the most fitting adjective to describe Xi'an. Its rich cultural heritage, long history, diverse stories and legends, and deep-rooted folk sentiments all add to the city's weight. Even the leisurely drifting clouds in the sky seem more serene in this ancient city, like a faded ancient painting, still vibrant despite its age, or a jar of aged wine, becoming more fragrant with time.

As evening falls, strolling along the city gate on the north side of the Bell and Drum Tower Square, you can see the city wall, which has withstood thousands of years of wind and rain, still standing tall. The bustling night market stalls around it add a touch of liveliness and vibrancy to this ancient city.

The bricks and stones of the city wall are gray, and the occasional exposed, unrepaired sections, with their yellow earth color, appear even more ancient and weathered.

Beneath the city wall, lush green trees provide ample shade, with a few ancient trees occasionally clustered together, adding to the weight of history.

Strolling along the city wall, one can almost hear the echoes of history and feel the vicissitudes of time.

When talking about Xi'an, how can one not mention Qinqiang opera?

This folk song and dance art, which originated in the ancient Shaanxi and Gansu areas, gradually took shape on the ancient land of Chang'an through the creation of generations of people.

Its soaring, passionate, intense, and rapid characteristics allow listeners to experience a profound shock and spiritual cleansing.

In Xi'an, Qinqiang opera is not merely a theatrical art form, but also a cultural heritage and a vessel for emotions. Rooted in this fertile land, it has absorbed a long-standing cultural heritage, gradually taking root, sprouting, and flourishing, ultimately blossoming with unique charm in the garden of Chinese opera.

The melodious and beautiful tune is like a gentle breeze, lightly brushing against the cheek, bringing endless tenderness and charm. Listening to it for a long time, one can almost touch the purity and tranquility deep within the soul.

Especially the painted-face roles, who sing at the top of their lungs, which locals jokingly call "breaking their heads," prompting outsiders to joke: "To sing Qinqiang, the stage has to be sturdy enough to avoid collapsing; the actors have to be physically strong to avoid exhausting themselves; and the audience has to be brave to avoid being frightened."

It is vigorous and powerful, and even the cheerful melody reveals a kind of perseverance.

Some have likened it to the mindset of people seeking hope in adversity, remaining steadfast and unwavering.

Is it Qinqiang opera that shaped this character, or is it that we feel its power while appreciating it?
This uniqueness is like the character of the people of Northwest China: rugged and bold.

They cherish Qinqiang opera as if it were an ancient treasure, passionately pursuing every note of it.

Throughout its long history of development, Qinqiang Opera has followed its own inherent rules and steadily matured.

It reminisces about history while looking to the future, weaving its own dreams between classic and modern elements.

Thus, the warmth of the past is preserved in dreams, and new art finds its home in reality.

Qinqiang Opera makeup and makeup: Qinqiang Opera, this spiritual treasure of the Shaanxi region, has been integrated into the blood of the local people.

Whether it's a festival celebration or a day of leisure, every village has its own folk music troupe, and everyone can hum a few lines.

In the hearts of the people of Qin, Qinqiang opera is not just a grand opera, but also an outlet for emotions and a resonance of the soul.

Whenever the banhu sounds and the gongs and drums clang, the high-pitched singing seems to pierce the clouds, showcasing a unique sense of heroism and grandeur.

The people of Xi'an, who have lived through the long history of the Zhou, Qin, Han, and Tang dynasties, are fascinated by Qinqiang opera not only because of its ancient sounds and sentiments.

More importantly, the earth-shattering roars and tearing sounds of Qinqiang opera can most profoundly express their inner desires and tremors.

The shock that reaches the depths of one's soul is beyond words and cannot be fully described in writing.

In this city, the imperial tombs and temples exude a heavy yin energy, while the masculine energy of Qinqiang opera is like a raging storm, able to balance thousands of years of accumulated gloom and achieve harmony between yin and yang, and between strength and gentleness.

Although Qinqiang Opera lacks the melodious and rhythmic quality of Peking Opera, the tender and refreshing style of Yue Opera, and the delicate and lingering charm of Huangmei Opera, it has attracted countless audiences with its unique majestic, profound, and unrestrained style.

In Qinqiang opera, people can understand profound and delicate emotions and feel the tragic spirit of the valiant Qin people as if they were there.

It not only cultivates our character, but also, with its magnificent and elegant style, settles our minds and elevates our temperament.

Today, Chang'an, though lacking the splendor of the Daming Palace, welcomes visitors from all directions under the name Xi'an. This ancient capital's rebirth is nurtured by intangible cultural heritage such as Qinqiang opera, giving it an even more captivating charm.

(End of this chapter)