Reborn as a great painter, with a system, you can be willful

Director Guo found a staff member of the art museum and led Jiang Zhe into the warehouse.

The art museum has many warehouses, which store works and other items in different categories.

Because the art museum often hosts cultural activities, it also has a variety of painting supplies.

When the staff heard about selecting seal stones for Jiang Zhe, they introduced enthusiastically: "Since the establishment of our art museum, there has been a group of teachers in charge of art appraisal who have consciously collected various seal stones.

In the past, Tianhuang stone and chicken blood stone could be used for creation. However, the value of these stones is getting higher and higher, and even ordinary materials are put into collections.

However, there are still some good old materials left in the warehouse, you can take a look."

He led Jiang Zhe to several wooden storage cabinets.

Jiang Zhe was greatly enlightened.

There are several large grid cabinets that extend from the floor to the ceiling, and in each grid, there are different materials for seals and ornament carvings.

The seal materials are mainly square in shape, but there are also seal materials of other sizes and shapes.

Jiang Zhe visited some shops that specialized in selling seals. Many of these shops had a wide variety of merchandise, but compared to this place, they were nothing.

The staff member intentionally did not introduce the types of seal stone materials, but Jiang Zhe was able to distinguish these materials, which were mainly Qingtian stone, Shoushan stone, Changhua stone, and a small amount of Bahrain stone.

The most important thing is that there are some old seal materials and some very rare large-sized seal stones. Stones that are more than 20 cm square are already very expensive outside, but there are a lot of them here.

Jiang Zhe picked up a seal with a Canglong Jiaozi seal button. The seal button was obviously hand-carved, unlike the seal materials sold on the market, most of which were machine-carved or semi-hand-carved.

He saw some nice materials and was a little tempted, so he tried to ask: "Can all of these be used?"

Teacher Guo signaled to the staff with his eyes.

The staff smiled and said, "We have detailed records of seal materials with good materials and good carving. You can use them here, but you can't take them away."

However, you can take these ordinary materials without carving away after carving.

We just need to record the consumption and that’s it.”

Jiang Zhe understood.

His eyes first turned to the area where Qingtian Stone was being interviewed.

Among Qingtian stones, the most famous varieties are Fengmenqing and Dengguangdong.

The light was cold, there was none here. He saw a few nice pieces of Fengmenqing.

Fengmenqing is green in color and has a mellow texture, like jade, and it feels great when carved.

The entire body of Fengmenqing is frozen, and the color is pure, which is very rare.

Jiang Zhe saw a few nice pieces of frozen stone in there, but unfortunately they were slightly mixed with other colors and textures, so they were not particularly pure. However, they are very rare in the market.

Good seal stone material cannot be bought just by having money; it requires luck.

Although Jiang Zhe mainly creates oil paintings, since he has acquired the skills of Chinese painting and seal carving, he has paid attention to collecting information and consumables in these areas.

The seal materials in the Provincial Art Museum are both beautiful and easy to use, and the stone quality is stable.

Twenty years later, as the old materials were consumed, stone merchants continued to look for new mines. Later, Indian stone, Lao stone and even stone from Italy and South America appeared.

Those new seal materials are also good, but their carving feel and beauty are different from traditional seal materials.

Jiang Zhe unceremoniously picked out two relatively pure pieces of green frozen stone for sealing the door.

One is 2.6cm square and 7cm high, and the other is nearly 3cm square and about 5cm high.

The staff member said: "Teacher Jiang has a really good eye. He came up and picked out the best ones."

Jiang Zhe smiled and said, "If it doesn't fit, I'll put it back?"

Director Guo smiled and said, "Just feel free to pick one."

Since he said so, Jiang Zhe went to look at Shoushan Stone. There are many types of Shoushan Stone, the most famous of which is Tianhuang, which is not available here.

Jiang Zhe didn't expect to find Tianhuang stone here.

There are too many fake Tianhuang stones, and most of them are small pieces, not big ones. In addition to Tianhuang stone, his favorite type of Shoushan stone is Furong stone.

He glanced around and found several pieces of white and yellow hibiscus stones of good quality.

Pick it out, hold it in your hand and observe it.

These are also old materials. They are large in size and have a smooth texture. Although there are no engraved seals, they look thick and generous. The only drawback is that they are mixed with some other colors.

Jiang Zhe likes these pieces of material very much.

New materials of hibiscus quartz can be bought on the market, and can still be bought twenty years later, but many of the materials that can be used to make seals are small materials, and the new materials have cracks and are impure in texture.

He selected repeatedly and picked out two white hibiscus jadeite stones. Both pieces were close to 3cm square.

Jiang Zhe felt that these few were enough, and if he picked out more, it would appear that he was willing to take advantage.

When he was about to finish selecting, he saw a large seal material that was about ten centimeters square and had a seal button.

He leaned over to observe. This is Bahrain stone, and some of the frozen stones are close to the color of bloodstone, but not as rich and bright, but it is interesting and has the feeling of splashed ink.

He looked at Director Guo and asked, "Teacher Guo, should we carve a commemorative seal?"

"We welcome you to carve it. However, if you use this big seal to carve a seal, the museum will collect it."

"Okay." Jiang Zhe thought that if he had the opportunity to create something and use good materials for free, he could leave the completed work in the art museum for collection. Why not?

He added: "If they think my carving is not good and the museum is unwilling to collect it, I will buy it with my own money."

"Don't worry, the art museum will definitely be willing to collect it," said Director Guo.

Jiang Zhe pointed at the big seal and said, "Choose this one. These are enough."

Teacher Guo smiled and asked the staff to take notes. While the staff was taking notes, Jiang Zhe returned to the calligraphy meeting with the selected seal materials.

Seeing Jiang Zhe bringing a few seals, many people gathered around.

People who create calligraphy and painting, whether they can carve seals or not, all like seals.

Jiang Zhe plans to make a seal to stay in the art museum first.

While preparing the manuscript for printing, several guests including Director Zheng returned to the writing session.

Jiang Zhe asked a few people to decide on the specific content of the seal engraving.

This made the guests and Director Zheng feel involved.

After discussion, the seal left in the art museum has the following inscription: Collection Seal of *× Provincial Art Museum.

The content of the side seal is: In commemoration of the 11th Provincial Art Exhibition. With this as a foundation, Jiang Zhe can freely express himself with the other four seals.

The seals in the collection are large in size, so the layout of the seal text is intended to be steady and comfortable.

Read the error-free version at 69shuba! 6=9+shu_ba is the first to publish this novel.

Jiang Zhe is preparing to carve a white-text seal.

After the transfer, use a large carving knife to start engraving.

A knife hits the stone and it breaks into pieces.

The seal made of this old material feels smooth to carve and you will quickly become immersed in it.

Jiang Zhe carved a large-sized seal on the spot, attracting the attention of many viewers.

Onlookers saw Jiang Zhe cutting along the hard draft, mainly using the punch knife and using the cutter at the turning points of the strokes. Before he finished carving one character, he had already started carving the characters next to it.

The seal material is large and cannot be rotated at any time like a small seal, so every time the seal is turned, all the strokes that can be taken care of must be engraved.

After Jiang Zhe finished carving each part, he would observe the effect and make adjustments if necessary.

Soon, the first pass was completed.

He used a small brush to brush the stone powder from the strokes on the seal into the trash can.

Wipe the seal surface clean and use a small mirror to observe the effect of the seal.

After noticing the problem, I revised it again. After repeating it twice and feeling satisfied, I slightly damaged it and then carved the side mark.

He then asked for ink, spread the ink evenly on the seal, and carefully stamped it on a piece of seal album on continuous history paper.

Everyone held their breath and watched Jiang Zhe move the seal away, leaving a bright red seal on the history paper.

Jiang Zhe examined the work and found that the seal was mainly in a stable style, with a strong flavor of bronze and stone. The characters were stretched and powerful, and the layout had a strong contrast between sparse and dense.

Seeing Jiang Zhe finish his creation, some viewers applauded and some praised him.

Several guests began to pass the seal around.

A guest said to Director Zheng: "Your unit is really amazing. You have collected another treasure."

Director Zheng liked the seal very much: "Jiang Zhe, on behalf of the museum, I would like to thank you for your efforts. We collect this seal, but we cannot take your work for free. In addition to collecting the certificate of honor, we will also give you a set of seal tools as a thank you."

"It's a great honor that the art museum is willing to collect my works." Jiang Zhe was very happy. Now, he could legitimately leave his favorite seal.

Next, he carved two more seals.

One of the seals has the inscription: May the flowers grow beautifully, the moon be round and people live long. It is a corner seal created by teachers and students. There is also a seal with his own name. He was reluctant to carve the other two pieces of material.

Since you are giving it to yourself, you can't waste it.

At this time, the creation of teachers and students of Binhai Art Academy has been completed.

The painting is dominated by pine, cypress and several auspicious flowers, with decorative embellishments such as flowers, plants, strange rocks, and birds and insects.

After appreciating it, Jiang Zhe felt that this painting was not as consistent as his personal creations, but a painting like this one required a lively atmosphere and one could not demand too much.

The teachers and students agreed on the location of the signature.

Jiang Zhe wrote the four characters of "Eternal Green" in regular script. Another teacher wrote the origin of this creation.

Next, all creators signed their names.

Teachers and students majoring in Chinese painting all carry their own seals.

Jiang Zhe also used the newly printed name seal and corner seal.

This creation won warm applause.

Some people may have opinions about the painting, but the guests applauded and others followed suit.

This painting was also selected for the museum's collection.

Teachers, students and guests took photos and received collection certificates.

Jiang Zhe received a certificate and a gift.

The art museum not only gave him seal materials, but also a set of Chinese painting tools.

It includes a set of brushes (customized for this event), a Taohe inkstone with good carving and materials, and a bottle of pine soot ink.

The staff of the art museum carefully found two wooden boxes to store the tools and seal materials.

Students majoring in Chinese painting were envious of the gifts Jiang Zhe received.

At this time, Jiang Zhe received a call from Professor Qin, asking him to return to the oil painting group as soon as possible.

There is also a group photo session. (End of this chapter)