Lord: Sequence Overlord

Chapter 4 The Miraculous Spiritual Paintings

Chapter 4

After clicking the entertainment icon to enter the interface, Rosen discovered that viewing the content also required consuming spiritual energy.

Novels require an incredibly high level of spirituality, followed by TV series, with movies and animation requiring the least.

Movies of the same length can consume vastly different amounts of spiritual energy.

Rosen took a quick look and analyzed it against some of the anime and movies he had watched. Generally speaking, the grander the scenes in the movies and anime, the more spiritual energy was consumed to activate them. Conversely, the smaller the scale of the scenes in the movies and anime, the less spiritual energy was consumed.

The spirituality required to activate a multiverse anime worldview, similar to Marvel movies and Pokémon, is astronomical.

However, movies like Saw and Escape Room, which are limited to a few buildings, require very little spiritual energy to activate. He only needs to accumulate spiritual energy for a few days to activate a movie.

Without hesitation, Rosen chose Saw, the movie with the least demand, as his first target, which would also be the first virtual realm he created.

Exit the interface and click the third icon. This is a drawing software program, which is also a dedicated software for creating virtual spirit realms.

Rosen picked up a drawing board and began to draw based on his vague memories of Saw 1.

However, he soon ran out of drawing. Although awakening spirituality would improve memory, the 3 points of spirituality at Sequence 9 were clearly not enough for him to remember a movie he had watched many years ago.

Therefore, it is still necessary to accumulate spiritual energy, prioritize activating the right to watch the movie Saw 1, and then draw according to the movie.

Activating Saw 1 requires 10 points of spirituality, which takes about five days to accumulate.

Based on the rate of spiritual recovery, under the premise of ensuring that no spiritual energy is consumed, a maximum of two points can be consumed and two points can be recovered each day. If one insists on squeezing out the last bit of spiritual energy, the consequences will be severe headaches and drowsiness, or even worse, loss of control of the extraordinary source energy and backlash.

Five days is neither a long nor a short time, so Rosen decided to stay in the mysterious study and not go out.

There are enough snacks in the refrigerator to last him for ten days to half a month.

Going out now would only make us helpless victims, with our lives hanging in the balance.

Those rich and beautiful women who let him live off them weren't actually looking for men because they lacked them.

Although Rosen is good in bed, he's not good enough to attract so many wealthy women.

Little Rosen knew what those noblewomen wanted: they wanted him to give birth to a daughter after his job change, so their sons could marry their daughters and have a third generation. Then they could get rid of Little Rosen and inherit his hereditary title of nobleman with minimal cost.

Because there were too many wolves and not enough meat, those noblewomen had to compete fairly for their jobs.

Whoever Rosen spends the most time with will ultimately inherit the title of hereditary lord.

In the end, there are winners and losers. Little Rosen failed in the process of awakening his spirituality. The materials used in the awakening ceremony were problematic. It is possible that the noblewoman who lost the competition and her family behind her plotted against Little Rosen out of a mentality of destroying what they could not have.

Rosen opened the refrigerator in the study and prioritized eating foods that wouldn't keep for long.

After eating and drinking his fill, he began to hone his painting skills little by little.

There are boxes of painting brushes in the study, so he will not lack painting supplies for a while.

However, when he laid out the drawing paper and was about to put pen to paper, he hesitated a little.

Having spent over a decade studying painting in his previous life, he was confident in his solid foundation. However, to make a living, he spent his years drawing either custom-made sketchbooks or various landscape and beauty paintings, focusing all his painting experience on how to make them look good.

However, if we want to draw Saw five days later, it needs to be dark, terrifying and scary enough.

He hadn't studied this kind of painting in depth; he only remembered drawing a few 3D Sadako pictures when he had nothing else to do. Rosen thought about it carefully, then prepared various colored paintbrushes to practice with a 3D Sadako painting.

However, just a few minutes later, Rosen's heart raced and his scalp tingled as he looked at the finished product on the paper.

It normally takes several hours to paint a 3D Sadako picture, because I haven't painted in a long time.

In just a few minutes, he had already finished drawing with incredible speed.

Even this is due to a lack of experience; drawing the final product several times can speed up the process.

"Is this the extraordinary sequence?"

Rosen gripped the four paintbrushes between his fingers, his excitement palpable.

A normal painter needs to conceive a plan, make a preliminary sketch, and gradually draw the outline and add color.

To draw successfully on the first try, you first need to accumulate experience through many failures.

But this time, the moment he put pen to paper, the extraordinary essence of the painter's sequence merged into the brush in his hand, so that the brush became one with him and his body in that instant, even perfectly synchronized with his mind, giving him the incredible talent of having both mind and hand.

Moreover, through spiritual flames, he can directly conjure up the Sadako he imagines using spiritual flames.

This is equivalent to using spiritual fire to create a draft, and then using the paintbrush in your hand to perfectly print it onto the paper like a printer.

Rosen never imagined that drawing could become so easy.
He took out four paintbrushes again, holding four brushes in each hand, and took out another sheet of paper. His ten fingers deftly twirled the eight paintbrushes in total, and in less than two minutes, he had created a lifelike 3D replica of Sadako.

"It shouldn't be like this!"

Rosen lowered his head thoughtfully.

If you only switch to the painter class, you can immediately become a human printer.

So why did those nobles who were supposed to be painters have to study various painting techniques so diligently?

Rosen sensed the innate extraordinary ability spiritual attachment contained within the extraordinary source essence. This is the most core and fundamental extraordinary ability that all painters must possess at Sequence 9. It seems he will have to delay accumulating more spirituality for another day.

As a unit of spirituality was infused with extraordinary essence, he picked up a paintbrush and prepared to paint an egg.

However, this time, with the activation of the spiritual attachment, the paintbrush in his hand felt as heavy as Mount Tai. Every stroke that landed on the surface of the paper seemed to tremble slightly. It took him a full half hour to draw even the simplest egg.

No matter how well or realistically an egg is drawn, it will still look fake at a glance if you look closely.

A fake is still a fake. Those paintings that seem so indistinguishable from the real thing are only possible if the viewer doesn't observe them carefully. Anyone who observes carefully will be able to tell the difference between real and fake. This is the limit of painting skills.

But when Rosen looked down at the egg on the drawing paper, he really couldn't tell if it was real or fake.

This is spiritual attachment, giving life to inanimate objects by imbuing them with spirituality.

He reached out and grabbed the egg on the paper. Even though it was drawn on paper, he felt like he was actually holding an egg. He tapped it on the table, and the eggshell cracked, spilling out the egg white and yolk. He could even smell a faint eggy smell.

I bent down and licked it; it tasted and felt exactly like a raw egg.

A few seconds later, the broken egg in my hand disappeared, as did the egg yolk on my hand, but the taste of raw egg remained in my mouth. Only the egg on the drawing paper lost its realism and became just an ordinary drawing.

PS: Thank you to Jing An Yi for the donation, thank you to the Refiner of the Mortal World and Book Friend 151123191253865 for the donation, and thank you to the 195 readers who followed, added to favorites, gave monthly tickets and recommendation tickets on the first day of the new book.

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(End of this chapter)