Trinity Traitor: From One Person to the Other

Chapter 715 Liang Ting got the prefabricated talisman
"According to this calculation, Liang Ting's success rate in drawing talismans should be at least 70% of that of the Tongtian talisman in the hand of Lu Jin, who randomly scattered talismans in the original novel. Of course, the speed and efficiency are still far behind."

Why do you emphasize that it is 70% of Lu Jin's level of Tongtian Talisman? Even if Lu Jin uses Tongtian Talisman incorrectly, his success rate in drawing talismans is still 100%. Can't you just say that Liang Ting's success rate in drawing talismans is 70%?
It's not that simple.

The 70% of Lu Jin mentioned here refers to the 70% in combat. At the same time, he also meets the conditions of "being severely disturbed", "restless", "large amounts of Qi are gushing out or exhausted", and "drawing talismans quickly on the battlefield". Even so, Liang Ting's success rate in drawing talismans is still 70%.

After all, he is the grand master of the talisman school.

But of course, except for bug-level skills like Tongtian Lu, no talisman master from any talisman school can do such a thing, not even the elderly Zhang Zhiwei.

Drawing talismans before a battle is already ridiculous enough, but with a skilled talisman master and teammates supporting him in the front, it is not impossible for him to use meditation spells to calm himself down and block out the influence of the front-line battle and then draw the talisman.

But if you don't have teammates, you have to fight others on the battlefield, and you have to deal damage, resist damage, and dodge all by yourself, and you have to draw talismans at the same time, which is impossible to do with traditional talisman drawing.

Not to mention the guaranteed success rate.

Of course Liang Ting can't either.

However, he changed the way of drawing talismans according to his own characteristics. First, he abandoned the yellow paper, cinnabar, and brush painting method and used a special talisman paper that could circulate qi. He did not need to open an altar, circulate qi, or fast and offer sacrifices.

The essence of talismans is to communicate with heaven and earth and borrow power from ghosts and gods, but the patterns they draw are themselves a way of praying to heaven and gaining resonance. As long as the talismans are drawn correctly, whether the altar is opened or not, whether fasting and offering sacrifices are performed or not, is secondary.

The method adopted by Liang Ting is very familiar to the catering industry in later generations, prefabrication.

He first drew the patterns on the talisman paper that he had prepared with Qi, and when he really wanted to use it, he used Qi to complete the final pattern, and it became a real talisman. Normally, it is impossible to do this. The pattern drawn on the talisman paper must have "Qi" and "God" to communicate with heaven and earth.

If the time is too long or the pattern is not complete, the Qi will be lost on the spot, and even if it is corrected and completed, it will not have the ability to trigger. This is why the success rate of drawing talismans is very low.

But Liang Ting was different. The talisman paper he made had the effect of isolating the induction of heaven and earth and locking up the Qi and the spirit. This was his greatest achievement and innovation as a talisman master. It blocked the induction of heaven and earth, making it impossible for them to detect that this was a failed talisman paper. It would be much easier to just lock up his own Qi and spirit.

He Songling also roughly analyzed this principle, which is nothing more than "deceiving the heaven". Let the gods and ghosts of heaven and earth think that this talisman paper is not unfinished, nor is it drawn wrong, but it has not been finished. As we all know, the gods will not make things difficult for a novice.

In this way, a semi-finished product is prefabricated. Afterwards, the most important and indispensable strokes are directly outlined with Qi in the way of "finishing touches", and those scattered patterns are connected, so that it becomes a complete talisman.

It has to be Liang Ting. Others make pre-made dishes, but he makes pre-made talismans. But of course, without encountering miracles and immortals, and without violating the rules of mortal Qi refining, Liang Ting can't make all the talisman painting rules like Tongtian Lu. Fortunately, he doesn't need much, he just wants practicality.

Liang Ting has no use for other fancy talismans. The talismans he needs to use are generally just a few kinds of talismans to enhance his strength and speed, increase the flexibility, hardness, sharpness and length of the ink tendon and soft bone mechanism, and a few auxiliary talismans for easy control.

After years of research, he has been able to make these talismans into prefabricated semi-finished products, which can then be "finished" when needed.

Liang Ting's main means of fighting the enemy is his black tendons and soft bones, which has been demonstrated in the battle of Mianshan. He uses talismans to assist the mechanism, which is a step further.

With clear focus and orderly division of labor, Liang Ting has taken different innovative routes in both fields. He truly deserves the title of grandmaster of both fields.

"He used a combination of talismans and equipment refining to shrink the Ink Tendons and Soft Bones, and at the same time he was able to improve their quality before the battle. But to put it bluntly, this still depends on the quality and quantity of Qi, that is, the cultivation of life. The more Qi injected and the higher the quality, the stronger the Ink Tendons and Soft Bones will be."

He Songling casually swung the ink tendon soft bone in his hand and said to Zhang Xuan: "Liang Ting's maximum distance should be more than fourteen meters, but considering the distribution and recycling of Qi in actual combat, the actual combat distance is only twelve meters. As for the strength... the attack and hardness are both better than ordinary rifle bullets."

This statement is absolutely true, as evidenced by the Japanese soldiers killed by Liang Ting on Mianshan Mountain.

"Fourteen meters?" Zhang Xuan curled his lips twice, and then exerted all his strength, but the length of the black tendons and soft bones that were stretched out was just over twelve meters. He knew that Liang Ting was a man of many evil deeds, and when he met an enemy, he would often be besieged by a group of people.

Therefore, it is impossible for Liang Ting to choose a very energy-consuming way to fight with others. When he fights with others, he probably only uses 60% of his strength each time. 25% is reserved for endless circulation, and 15% is used to prevent sneak attacks from nearby.

Even if he was ruthless, it would be impossible for him to exceed 80%. Just like He Songling said, in the Battle of Mianshan, even if he did not care about the cost, he would not completely give up defense and early warning, otherwise he would have died at the hands of the Japanese, and Gao Yingcai would not have died with him at night.

This means that even if Zhang Xuan tried his best, he still couldn't reach the length that Liang Ting used in the fight, and the strength would probably be much worse.

"In the past seven years, apart from going to school, I have never relaxed my practice of Qi. In addition to studying modern engineering and machinery, and integrating and verifying what I have learned with my own body, I think my strength has increased extremely terrifyingly. Even my master is far from my opponent. I didn't expect that he is still so far behind Liang Ting."

"Normal. Who is Liang Ting? He is a grandmaster of two sects. Looking at the history of the cultivation of extraordinary people, his strength ranks at the top. You came out to learn modern science, and compared with the ancient worldview, you naturally have a groundbreaking improvement.

But you can learn by analogy and use the knowledge gained from others to polish your own jade. That’s all. It doesn’t mean you can dominate the original system. You still have a lot of room for growth.”

(End of this chapter)