Big names rise

The response of "Cold Heart 2" is very good. There is no trace of "Glass Heart" in this one. The use of elements is more intensive, blood plasma and screams make people dizzy, dizzying to hear, Eva Green's glamorous temperament is not much better than that of Scarlett Johansson, and it seems to be more suitable for horror movies. French young literary girls are beginning to be noticed by major Hollywood producers and directors. It seems that she does not only perform well in European literary films, she is also familiar with Hollywood commercial films.

For He Mu, who is also a foreigner, the audience's comments are mostly positive. If He Mu still has some fixed performance styles in Chinese movies in the first part, which is not completely Hollywood-like, then this one, why not? Mu's performance has eliminated these performance habits that are not suitable for Western audiences, but it has retained its own unique characteristics and has not been fully Westernized. This makes people look comfortable and has a sense of mystery, let alone his For the amazingly talented action scenes, I am afraid that even with the help of high technology, it would be difficult for Hollywood stars to perform such difficult and aesthetic moves.

He Mu's performance has won the praise of many overseas filmmakers, and American producers and directors have begun to ask about He Mu's schedule. A Chinese international superstar from China seems to be on the rise, and the domestic media will definitely be there. Some of the experiences here are slightly exaggerated and sent back to China. After all, it has been a long time since Chinese male stars have been able to stand out in the international arena.

"Cold Heart 2" will continue to compete in the North American Halloween schedule in October, facing "Ghost Story 10" head-on.At the same time, the film will be released simultaneously in China and Japan, after all, the first film did well at the box office in both countries.As for how it will be released in China, this is still a question to be discussed, and the quota for split-account films is not so easy to get.And for the "Cold Heart" series, splitting accounts is not necessarily the best choice, because the share of split accounts is only 3% of the box office in the mainland, and most of the profits belong to China Film Group or Huaxia. The Rubik's Cube can even triple the 13%, and how the two companies will divide the spoils will be a later story.

As for "Zi Bu Yu".He Mu also successfully sold it to EMI Films, a century-old French company. Its age can even be compared with the age of movies, although after the rise of Hollywood.The center of world film has shifted from Europe to the United States, but EMI is still one of the few non-American film companies with global distribution capabilities, and has offices all over the world.

EMI's influence in Europe is one reason why He Mu chose them, and another. The buyout price of 300 million euros is also an important factor.The European market is not as good as North America, and the price that can be paid is also due to the success of "Zibuyu" in North America.

In addition, at the Toronto Film Festival, the domestic thriller film "Zhang Zhen Tells Ghost Stories", which created a miracle of 2.33 million box office in mainland China, was favored by Japanese and Korean film distributors respectively. Tao Quduo relied on two "Art School Girls" and The popularity of "Glass Heart" in these two Asian horror film powerhouses has finally exploded at this time. Many horror film fans are willing to buy for his movie. In addition, the most popular Asian actor and director He Mu plays more than a dozen of them. Mizuki sold the film for a good price thanks to the passionate performance of the characters.This is also the first time that Tao Quduo's films have entered the Japanese and Korean theater markets on a large scale, and they used to sell DVDs.Or sell movies online and order them on TV stations.

For entering the Asian market headed by Japan and South Korea, Li Wenhua's Tiandi Media has gone further than Shuimu Forest. Now many Chinese books in the Japanese and Korean markets are masterpieces of Tiandi. Li Wenhua acquired some small Japanese and Korean publishing companies, advertising The company translates some works that meet the tastes of Japanese and Korean readers, or novels with a certain film and television foundation, and puts them into the market for promotion. It can be regarded as the forefront of domestic private publishing companies.

Previously, Tiandi Media has already occupied a place in the publishing and media industry in Hong Kong, Taiwan, Singapore and other regions and countries where traditional Chinese characters are prevalent through mergers and acquisitions of publishing houses, newspaper offices, and websites. The second step is to enter neighboring countries such as Japan and South Korea, which are deeply influenced by Chinese language and Chinese culture. As a private company, coupled with official support, Tiandi Media has achieved what many state-owned media groups cannot do. He also now has the embryonic form of a large media group.

Of course, Tiandi still has a long way to go from those international publishing giants, not to mention Pearson Group and Bertelsmann Group (top ten in the world), let alone the Japanese publishing groups Sanjie Shueisha, Shogakukan, Kodansha (the top 40 in the world), even though there are many state-owned publishing groups in China that dominate Tiandi Media, the most powerful higher education publishing house in the Mainland is only ranked around 3.6 in the world , with an annual revenue of [-] million US dollars, so Tiandi Media still has a long way to go in publishing.

Li Wenhua is clear that, limited by the constraints of relevant mainland policies, it is impossible for private publishing companies to develop and grow like Guozihao Publishing House. If they want to expand, they must actively go abroad relying on superior assets. The future prospects and profits are also very impressive.

The game in the international publishing market is all big money. Even Japan has three publishing groups that rank among the top [-] in the world. If they want to infiltrate and achieve certain results, Tiandi Media is still too weak, and He Mu has also sprouted. The ambition to engage in overseas distribution, I hope to try to a certain extent, so the two brothers hit it off, and it is expected that Tiandi and Mizuki will jointly establish an overseas media company with book publishing and film and television distribution as the main business. Dumping explorer.

However, in a short period of time, Mizuki will still choose to cooperate with reliable Japanese film companies in order to maximize the benefits of several films that Mizuki is interested in the Japanese box office market. It will take some years for this overseas media company to exert its strong energy. Okay, Anle Films has been doing overseas distribution for decades before it has the influence in the Eurasian region today. These achievements cannot be achieved overnight.

At this year's Toronto Film Festival, many Chinese film businessmen came to seek gold. Mizuki's "The Expendables" and "Cold Heart" stimulated them a lot. Many people saw the business opportunities and tried to distribute their films by buying out A windfall, including even big companies like Bona, but He Muzhi is not here. He hopes to sell more Chinese-language movies instead of buying movies from other countries.

Cultural exchanges and interactions are very necessary. Without the stimulation of foreign films, Chinese films would be a stagnant pool. However, China Film and Huaxia have done enough, and he hopes that his company's films can be responsible for other stagnant waters. Make some ripples, don't just bask in the homegrown splendor. (To be continued..)