Sorcerer

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Yu Yuchi, the ancestor of Jing, took in a total of twelve apprentices, who were honored as the Twelve Sages of the Yu Sect by later generations, and Yu Zhiao was the last among the Twelve Sages of the Yu Sect.The famous historian of artistic conception, Laucia, recorded in his book "Tracing the Origin of Artistic Conception" that Yu Zhiao was talented and charming, and was considered the most likely disciple to inherit the mantle of Jingzu. record".

From the preface of this "Origin of Artistic Conception", we can know that Yu Zhiao used to meditate in the Yuan of Chaos, but I don't know whether it was before or after he went into the fire.The chaotic environment is extremely dangerous, Yu Zhiao's ability to meditate here shows that he has achieved a lot.

The creation of Jingzu is the origin of Yijing in 3000 years. Due to the long history, the stories of that year have long been lost in the long river of time. Lao Xiya spent a lot of time exploring the history of the origin of Yijing, but most of the time, only Guessing and groping from myths and legends, it is difficult to distinguish the authenticity from the false.

Almost every realm cultivator has longed for that era, from myths and legends, from some vague texts, and these incomplete records have cast a layer of mystery on that era, making people yearn even more.

Naturally, Wu Maxi had longed for that era. Now that she saw this "Origin of Artistic Conception", one can imagine the excitement in her heart. She turned the pages of the book solemnly and solemnly, and read it with a pilgrimage from the first chapter. .

"In the beginning, my master walked on the mainland and saw the vast land of hundreds of millions of miles. Cultivators either tempered their bodies or forged their spirits. It was difficult and difficult. However, there is no one in a million who can enter the artistic conception and obtain supernatural powers. I The teacher made a vow to create a unique learning, so that all practitioners can achieve the supernatural powers of artistic conception. After that, my teacher traveled all over the mainland, and went to all the strange and ordinary places under the world, observing all kinds of things in the world, and observing the subtle physics. There is something in the end, which is the method of weaving the creative environment.

"The method of weaving has just been completed, and it is always beneficial to try it. It is like the mighty power of heaven, and it is like ten thousand beasts destroying the city. The great master Chi Heng said that this technique should open up a prosperous age of thousands of years of practice. However, the words of denial are also followed From then on, the master Mei Zihua said that artistic conception is a spiritual thing. The method of weaving is bound by silk, and its spirituality cannot be relaxed. How is it different from a dead thing? Master Tan Sanhuai also disagreed, saying that the method of silk weaving , It is bound to stylize the artistic conception, this is evil way, and it is not enough. Afterwards, the son of Master Ledu tried to learn the weaving method, but it was not what he wanted, and died of madness. Ledu blamed my teacher. Fortunately, Master Chi Hengda protected us The teacher is safe and sound, but thousands of people criticize him, and the words of denial are like raging waves. My teacher is in it, and it is difficult to find peace all day long.

"The following year, my teacher was watching the sunrise on the shore of the East China Sea. Suddenly, he got a feeling, so he went out to sea by boat to find the source of the sunrise. This journey has traveled hundreds of millions of miles, traveled through the mysteries and vastness of the world, and experienced all kinds of dangers and hardships. Sixteen Afterwards, the method of weaving was completed, and we returned to the mainland. At the same time, all the monks held a grand meeting in Lanchi, and my teacher was invited by Ledu to appear on the stage, defeating all the masters, and Master Chi Heng called him the No. 1 monk in the world. The method of artistic conception weaving is famous in mainland China.

"When I was fifteen years old, I began to aspire to the realm. I learned the method of artistic conception weaving from my teacher. At the beginning, I entered the realm very quickly. At thirty, I made some small achievements. I traveled to the mainland, visiting monks from all over the world, and discussed the gains and losses. Then Over the past few years, the progress has been slow, the mind has become more and more confused, but the sex has become more and more impatient. I have repeatedly tried too hastily. My teacher said to me that the method of weaving artistic conception is meticulous, and the slightest difference can lead to thousands of miles. You must be cautious and careful. Because, don't rush forward rashly. However, my heart has lost its rein, and I don't change my routine. At forty, disaster suddenly strikes, and I am suddenly disabled.

"Once I was a fairy god, but at dusk I fell into the mortal world. My loss can be imagined. I am decadent and sloppy, and I almost want to die in the world. My teacher is sad about my depravity, and takes me back to the old road of the past. After ten years, my mind has become clearer and clearer. Standing on the shore of the East China Sea, my teacher asked me, what is the most beautiful thing in my memory? I replied, when I was a child, I walked on the path of summer night , the fragrance of the rice fills the nose, the stars are like words, and the fireflies dance in front of me, as if playing with me. This scene is as clear and unforgettable as yesterday. Jade, the artistic conception is complete, but my master's body has declined. On April 240rd of the Bingshen year, he emerged in the Zhulu in Haijiao and died at the age of [-].

"After my teacher's death, I guarded the mausoleum in Haijiao for nine years. Afterwards, I took off my plain clothes and walked the old road again. My footsteps were steady and my mind was pure. At the age of eighty, I settled in a hut in a chaotic place. As well as my teacher's voice, face, smile and appearance in the past, I recorded them one by one, thinking that I miss them. May my teacher's heroic spirit be at ease, and I also hope that my teacher's excellent learning will continue to be talented, and he will live forever."

This is the end of the first chapter of "The Origin of Artistic Conception".

Wu Maxi hid her scrolls and thought, with ups and downs in her heart.

Looking at Yu Zhiao's words describing Jing Zu, Wu Maxi thought of Tai Yin, the two of them also went through hardships when they were teenagers, and taught their apprentices in their later years, they were erudite and kind.However, Yu Yuchi lived to be 240 years old, but Tai Lao only lived to be 68 years old.

Wu Maxi leaned on the back of the chair, and it took a long time for her mind to calm down.

Empty these sad thoughts, take Xia Ye Yingyu from the elephant ring, and stand on the table.

It's unbelievable that this small stone strip is actually made by Jingzu, a 3000-year-old relic.

This Xia Yeying language must have been brought out by those witches and curses from the Chaotic Realm. It is impossible to imagine what kind of story God directed to make this thing come into my hands.

Wu Maxi exhaled, maybe this is a kind of fate!

Calm down, put Xia Yeyingyu away, and continue to read.

From the second chapter, Yu Zhiao began to record the words, deeds, encounters and stories of Yu Yuchi, the ancestor of Jing, with simple but vivid language.Gao Qianhu would occasionally insert some notes, as if paying tribute to his predecessors.

It can be seen from the records that Jing Zu Yu Yuchi is also a very interesting person.

When he traveled to the Southwest in his early years, he was almost caught as a door-to-door son-in-law. Later, he painted his face black and pretended to be a sheep herder before finally escaping.This should be a very embarrassing thing, but Jingzu is not ashamed but proud. When chatting with his apprentice, he proudly praised himself for being smart, and at the same time he did not forget to show off his handsomeness.

This was the first time Yu Zhiao saw Yu Yuchi. At that time, the fifteen-year-old ignorant boy looked at the complacent teacher-to-be, and the image in his mind like a bright moon on a high mountain collapsed, and it was not until many years later. gradually reshaped.

Seeing this, Wumaxi smiled, and couldn't help but think of the first time she met Tai Lao.

For the following chapters, Wu Maxi just skimmed through them quickly, and finished most of the book in a short time.

In the second half of the book, Wu Maxi discovered a very familiar thing, Ningsiqian.

According to Yu Zhiao's records, this Ningsi pull was discovered overseas in a place called Hanging Island, and Yu Yuchi called it Han Ningjiao.Judging from the description, it is definitely the so-called Ningsi Qiang, but judging from the pattern in the book, this Han Ningjiao has edges and corners, but it is quite different from the Ningsi Qiang that Wu Maxi saw.

However, when thinking of this pattern, it was first said from the mouth of Yu Yuchi who likes to boast, and then passed through Yu Zhiao's painting and Gao Qianhu's copy, so it is normal to have such a little distortion, after all, every day When I write, I always have to do some artistic processing according to my own imagination. The angular Han Ningjiao is undoubtedly much more powerful than the earthworm-like Ningsi.

By the time I finished reading this book, it was almost time to get off work.

Wu Maxi kept this notebook as a treasure.

I don't know what kind of mood Yu Zhiao left this note, but it is undoubtedly a note of great value.

There are many descriptions and opinions about the artistic conception in the notes. These insights come from the era when the artistic conception originated, from Yu Yuchi, the ancestor of the artistic conception, and it is likely to be closer to the original insight of the artistic conception.At the same time, there are many descriptions about that era and the whole world in the book, which are extremely beneficial for expanding Wu Maxi's horizons.

There has always been a voice in the world of realm repair, which wants to follow the river of history and explore the origin of artistic conception.

But this kind of backtracking often reaches its exhaustion in the Wanliu era.In the earlier night travel era, most of the inheritance was lost in the long river of history due to the unsystematic record of artistic conception.As a result, the research on the artistic conception of night travel has always been difficult to scale. Just like the Chili Research Institute, the Wanliu artistic conception research room is the dominant one, but the artistic conception research room of the night travel is an unpopular research room.

This book comes from the original era of Yijing, and extends the tentacles upward for 1000 years. As long as you study hard, you will definitely gain a lot.A Xiaye Yingyu left by Jing Zu changed Wumaxi's living conditions drastically, and what kind of miracle will this book bring to Wumaxi?