Sorcerer

Wu Maxi brightened the dim oil lamp a bit, and looked through her luggage with the oil lamp, as well as the memories of the past.

In the corner of the package, there are several books of different sizes bound, among which there is a thread-bound book with six seal characters of "Analysis of Three-dimensional Structure" written on the page.

This book is the only harvest from my great-grandfather Wuma Shisan's trip.

This book has caused great controversy in history.This book was excavated 120 years ago. It is said that its excavation site is a tomb site in the Wanliu era, and its signature is Shi Qinglan.This person is a famous master of artistic conception in the Wanliu era, and has written many theoretical works on artistic conception.

Although the status of three-dimensional structure is declining at this time, but with Shi Qinglan's name, this book immediately became popular in the world.

In the last chapter of this book, there are several research results of artistic conception, which were never seen in the realm of spirituality at that time.

Then many realm cultivators practiced according to that research result, and more than 6000 people died in the practice in ten years, many of whom were venerable and master-level figures.

But because Shi Qinglan's name is too big, and those research results seem to be very reasonable, so the cultivation world at that time was still full of confidence in this book, thinking that it was impossible to practice.

A few years later, a tomb thief dug up the tomb of Lan Min, the master of astronomical phenomena, and found her diary, and the truth finally came to light.

It turns out that the real author of this book is actually Lan Min, and those so-called research results of Shi Qinglan are just some speculations of Lan Min.Due to his limited reputation and difficult promotion, he had no choice but to borrow Shi Qinglan's name, and wrote, directed, and acted such a farce.

In addition, there is a very dishonest news, Lan Min himself practiced those guessing results to death.

Immediately, there was a lot of scolding in the realm of cultivation.

The book was banned for decades thereafter.

Since this book still has some merits, especially the part about the three-dimensional structure is really brilliant, it was reprinted after many years, but the author's name was changed to Lan Min, and all the cheating speculations behind were deleted.

As for the book in Wu Maxi's hand, the author's name is still Shi Qinglan.

This book is Wu Maxi's only textbook on artistic conception theory.

Influenced by the stories of her great-grandfather, Wu Maxi has been full of curiosity and longing for Jingxiu since she was a child.But it is only when you start to practice that you realize how difficult it is.

The first artistic conception of Wumaxi's practice is the wind disk.

Compared with other artistic conceptions, this artistic conception is very simple.But for a novice in artistic conception, especially for a six-year-old child, it is too difficult. Recording the six-view of the wind disk is the simplest six-view, but it is still not much smaller than the six-year-old Wumaxi .

Wu Maxi lay down on the six views and memorized the lines bit by bit, often remembering the latter and forgetting the front.

This kind of homework took up all of Wumaxi's free time, and in the third month, Wumaxi finally memorized this artistic conception proficiently and began to practice.

But the first time I practiced, I became obsessed.

The wind disk has been passed down in the Wuma family for thousands of years, and time has already proved the reliability of this artistic conception.Obviously, the reason for the madness is that Wu Maxi's artistic conception is not accurate enough.

This madness almost made Wu Maxi crippled, her legs were paralyzed for three months.From then on, Wumashu did not allow his son to try to cultivate artistic conception.And Wu Maxi's homework became this "Three-Dimensional Structure Analysis".

Hundreds of years ago, before the invention of the Italian Jane, the artistic conception was recorded on the six views. To accurately weave an artistic conception according to the six views, it generally required the basis of three-dimensional structure, so at that time, the three-dimensional Structural science is also one of the important courses of environment repair.

In recent years, due to the popularity of simplified English, three-dimensional structure has become less and less important. It has changed from a compulsory course to an elective course, and from a half-year course to a three-month course.

The Wuma family didn't care about this thing, and the curse of expelling corpses and the wind disk are all recorded on the six views.But because the Wind Pan is a two-dimensional artistic conception, and due to the lack of textbooks on three-dimensional structure, for many years, the Wuma family often ignored the three-dimensional structure course when they started.

Because of this accident of going mad, Wu Mashu regarded this course as extremely important, and it took up almost all of his son's free time.

The special study of "Three-Dimensional Structure Analysis" lasted for a full year.

The study of basic theory is boring and cumbersome for a child.But because of his father's supervision, and because of his own desire to cultivate the artistic conception, Wu Maxi studied very hard, and soon became immersed in it.

During that time, Wu Maxi's mind was full of spatial lines, even when dreaming, all kinds of monsters in the dream were composed of lines.

It can be said that this book killed his childhood.

This year of study has been extremely fruitful.A year later, when Wu Maxi saw the six views of the wind disk again, the lines on it were no longer so messy, and these criss-crossing curves became clear and organized in his eyes.Almost within half an hour, he remembered this artistic conception accurately and clearly.

But Wumashu was terrified by that obsession, and he didn't believe that his son had clearly remembered this conception, so he still didn't allow him to start practicing.

So Wu Maxi spent an hour redrawing the six views of the wind disk.

The so-called six-view, the full name is four-dimensional six-view.Generally, it is composed of views from six perspectives, up, down, left, right, front, back, and front, and then the time dimension is marked with color.The three dimensions of space plus the dimension of time are four dimensions and six views in total.So it is called four-dimensional six-view.

In history, the four-dimensional and six-dimensional view occupies an extremely important position. It is its invention that frees Jingxiu from the spell of obsession. It is the key to the prosperity of Yijingology.

The wind disk is just a two-dimensional artistic conception, so it has only one view, plus the time dimension, to be precise, it should be called a three-dimensional one view.

Wumashu carefully compared the two six-view images of the wind disk, and they were exactly the same, and finally agreed to Wumaxi's training requirements.

From then on, Wu Maxi began to practice using the wind disk artistic conception. That year, he was only seven years old.

The process of cultivating artistic conception is very boring, especially when using an inefficient method of cultivating artistic conception. After practicing for several hours a day, you still can't see much progress after half a year of persistence. Stay away.

After cultivating for more than half a year, he still couldn't see any improvement in his artistic conception level. Wumaxi had already lost the longing mood at the beginning. He began to get bored with cultivation, and became very irritable before each practice.

But the daily practice is unavoidable. On the one hand, it is because I am still full of yearning for the life of cultivation, and on the other hand, it is because of the persistence of my father Wumashu.

Although Wumashu has no hope for his son's future, he has very strict requirements on cultivation. The three hours of cultivation time per day will never be broken. The first thing is to cultivate.

The obsessive practice continued for about half a year, and the boredom gradually disappeared, and practice seemed to have become a part of his life. Three hours of practice every day seemed to be a natural behavior, just like eating and drinking water.

This habit of cultivation has continued, even under the harshest conditions, without interruption.On the day of his father's death, his heart was so empty that he stood on the top of the mountain and looked around in a daze. He was so confused that he wanted to die with his father. The only way he could think of was to practice.

Wu Maxi exhaled lightly, and the oil lamp in front of her eyes became a little flickering.His eyes fell on the seemingly gentle flame, his eyes gradually became blurred, and the motionless flame seemed to also become blurred.

When he was seven years old, there used to be a bonfire in the Yiren Mountains.

Sitting around the bonfire were Youjingxiu, a businessman, a narrator, a scholar who had gone to Beijing for the exam, and the father and son Wuma who had handed over their bodies.At that time, the father and son were refugees and were preparing to go to other places to seek refuge with relatives and friends.

It was the beginning of the month, and the sky was full of stars but there was no moon.A group of people gathered around the bonfire and listened to the narrator's "Biography of Master Jingwei", which told the story of a generation of Jingwei master Jingwei.Everyone was eating barbecue, interrupted by applause from time to time, and the scholar shook his head and recited poems to add to the fun.

At that time, Wumaxi was pink and cute, and it was rare for a long time to be hugged by a female Jingxiu.It was in that gentle embrace that Wu Maxi saw the magic of artistic conception for the first time. In that slender hand, various light and shadow changes and flowers bloomed and faded.

On that poetic night, what fascinated Wu Maxi was not only the magical artistic conception, but also the gentle embrace and beautiful face of the female Jingxiu, which was similar to the taste of a mother.It was many years later that Wu Maxi realized that besides herself, the person who was fascinated by the female realm cultivator at that time should also be the handsome scholar who secretly glanced at her from time to time.

One day half a year later, Wumaxi found out that the female realm cultivator at that time intended to accept her as an apprentice, but Wumashu refused.

In a ruined temple, when the father and son were preparing dinner by the bonfire, Wumashu accidentally mentioned this matter.Wu Maxi's heart was full of grievances and resentment towards her father.He has been introverted and withdrawn since he was a child, and he is completely ignorant of children's tricks and cheating. He just sulks alone.But this sulking was completely unnoticed by the careless father.

In retrospect, my father has always been so dull.In memory, that face full of wind and frost, the sad expression has almost been frozen on it.Of course, I have seen other expressions on that face, but in my memory, this scene is so far away.

When I was five years old, I followed my father's corpse for the first time, and saw my father being beaten.Three or four big men surrounded Wumashu and stomped on them.The young Wumaxi stood a few meters away, weeping in fright.

When those people left satisfied, Wumashu got up from the messy ground, covered his face with dust and grass clippings, and made all kinds of funny faces in front of his son, but still couldn't stop Wumaxi choked up.It wasn't until Wu Mashu handed a large bunch of hawthorn candied haws to his son's eyes that his tear-stained little face finally showed a smile again.

At that moment, Wumashu cried.