Coquettish Rebirth

Jia Hongjian's solution to such a problem was very simple.If Batman's mask hinders his acting skills, take it off!What?Make Batman take off his mask?That's right!Although Batman's mask has a built-in discharge function, he used to do everything possible to prevent others from taking off his mask, but the problem is that he used to do that to prevent others from recognizing him. Create a feeling that "everyone can be Batman", of course, is also to protect the ones you love.But the problem is, the girl in front of him has already found out that Batman is Bruce Wayne, so why is he hiding it?So at such a time, what Jia Hongjian arranged was for the girl to pick up the crossbow again, and then loaded another crossbow arrow, then shot it at Batman's head!

At such a time, Batman himself was still staring at the girl in a daze, and he never came back to his senses, and such a crossbow arrow directly shot through the position of a bat ear on the top of Batman's mask, and then Fly with the whole mask on!At this moment, Batman's entire face was exposed!Then the girl snorted coldly, "It really is you, I knew it!" The emotional girl didn't have 100% confirmation before!Look, through such a small plot change, wouldn't Batman's mask be separated from Bell's face in an instant?Wouldn't that immediately allow Bell to show his acting skills and use his entire face to show multi-layered inner drama?

Speaking of the inner drama, Jia Hongjian felt that his impression was that he acted well. If we talk about domestic actors, they would be Zhou Runfa and Liang Chaowei.First of all, let’s talk about this week’s Runfa. Brother Fa’s acting skills in his early years were still a bit limited.At the earliest, after he came out of the Unlimited Performing Arts training class, he co-starred with Zhao Yazhi in a film such as "Shanghai Bund", which was really popular in Hong Kong, Taiwan and Southeast Asia at that time.As a result, he suddenly found that his acting path was fixed. No matter who asked him to act, the roles given to him were all similar to Xu Wenqiang, and there was no other category!So no matter how he plays, he always revolves around such a role!Finally came a "True Colors of Heroes".In such a film, he played a rebellious and unruly character.A mighty and unrestrained villain who would go through fire and water for his brother and forget his life.As the leader of a certain counterfeit banknote group, he is a well-known figure in the underworld. He and Song Zihao are brothers who have been born and died for many years. The son was betrayed by his subordinates.He had to turn himself in and go to prison.

After entering the prison, the gangsters in Dawan wanted to take Song Zihao's father as a hostage because they were worried that Song Zihao would reveal their affairs, but who knew that during the fight, Song Zihao's father died in an accident up!After finding out about this, brother Xiao Ma was directly going to avenge his brother's father, but who knew that he was shot in the leg during the shootout, and he became a cripple after healed.And during the few years Song Zihao was in prison.Because Brother Ma became lame, his status in the counterfeit currency group plummeted.In the end, it basically belonged to being kicked out of the gang, and living in an underground garage to clean cars for a living!As for Zhou Runfa, in such a movie, the arrogance and arrogance of Brother Xiao Ma were vividly and vividly expressed, and then the downcast and passers-by in the back were also expressed like a dream. In the end, Song Zihao came out of the prison.I came to look for Brother Xiao Ma, and I saw that Brother Xiao Ma, who was in a suit and leather shoes back then, is now sitting in a shabby sofa eating boxed lunch... After the two brothers met, they really had a million words in their hearts but couldn’t say them. Come out!At that time, Zhou Runfa really interpreted this kind of scene and mood vividly!

From this point of view, Zhou Runfa's interpretation of the inner drama of the characters is quite good!And then when I worked with Wang Jing on "God of Gamblers".That's where the strong acting skills are shown.First of all, just after he lost his memory, he fell to the point where he lived with Liu Dehua.This Liu Dehua didn't know that he had picked up a God of Gamblers, he thought he had picked up a fool!Later, Liu Dehua took Zhou Runfa to the underground gambling stall opened by Sha Biao to gamble, but in the end it turned out that Zhou Runfa came to gamble instead.During the betting process, Fa Ge had a demented and stupid expression on his face, but when a piece was about to start filming, his eyes immediately shot out!Comparing the ejaculate light in the eyes with the demented expression on the face, it's absolutely amazing!

Besides such a scene, there are other scenes of powerful inner drama in "God of Gamblers"!For example, Wang Jing once said such a thing in a later interview - when the God of Gamblers regained his memory, when he saw Long Fang for the first time, he was Gao Yi, the cousin of the God of Gamblers.Because Wang Jing wants the audience to be able to confirm a suspense here-whether the God of Gamblers recovered or not!Because the audience knew that Long Fang had killed his sister-in-law Zhang Min, but the God of Gamblers recovered and did not recover his memory, did they know about this?So in the movie, Wang Jing arranged for the God of Gamblers to not know about it on the surface, but in fact the God of Gamblers already knew it, and he just pretended not to know.So Wang Jing knew at the time that this scene must be complicated!But because this scene was not arranged like this before, it was added temporarily, so I got it in the ward of the hospital, so I handed over a complicated inner scene to Chow Yun-fat, and it turned out that Chow Yun-fat played better than Wang Jing Even better than imagined!That really made Wang Jing still remember it fresh after more than ten years!

On the other hand, Liang Chaowei's acting skills are said to be awesome by everyone!On the one hand, he has a good image, and on the other hand, his acting is really good.In Jia Hongjian's view, Liang Chaowei's acting skills are inseparable from his experience - when he was 7 years old, he became a child of a single-parent family. He stepped into the society early, worked as a newspaper boy, and sold home appliances.Spending his supposedly carefree youth in pessimism made him feel inferior, and turned to the opposite of unruly. At the age of 15, by chance, he applied for an artist training class organized by TVB, and since then embarked on a completely different path.The first job I received after graduation was to be the host with Zhou Xingchi in the children's program "20 Shuttle".

The first TV role I received that was more expensive was Ying Ziqian in "The Prodigal Son of Fragrant City".Soon Liang Chaowei got the chance to play opposite big-name stars such as Zhou Runfa. He became famous after playing the cunning boy in "The Deer and Ding Tale", and then filmed "Xin Zha Senior Brother".These two films are the beginning of his fame as a young man, Wang Tianlin, an actor of the older generation in Hong Kong.That is Wang Jing's father, when he commented on Liang Chaowei at that time, he said: "Everyone knows Wei Xiaobao".At that time, the combination of "Wireless Five Tigers" composed of Liang Chaowei, Liu Dehua and other four TVB red stars was even more popular. At the age of 23, he started filming. In 1985, he took over the filming of "Youth Mission House" and "Hua Xin Hong Xing".As a young student who is highly praised by Wireless, his future seems to be going smoothly.And only he himself knows that the helplessness and bitterness behind the simultaneous start of the three sets of plays, his glory seems to be a wireless gift, and all he can do is to sign the extremely inhumane contract, day after day. He was overloaded and couldn't close his eyes for several days.During that time, everyone saw him as dazzling, but he was the only one who could taste the bitterness in his heart.and nowhere to escape the predicament.

Good thing he walked into the movie.Participated in the movies "Tale of the Strange Guy" and "Underground Love", the director's handwriting is not bad, and it is such a seemingly accidental opportunity that logically introduced him to an open world.The vast amount of acting experience he has accumulated in TVB has been richly appraised and improved, and the melancholy hidden in his eyes gave him the opportunity to break through the previous jumping and flying TV dramas and create some completely different characters.Guan Jinpeng said: "His eyes made me see melancholy. Even if he plays "The Deer and Cauldron", as long as he sinks, the melancholy will immediately surface."So he became Zhang Shuhai in Guan Jinpeng's movie, and was nominated for Best Actor in the first Academy Awards.

In 1987, "The People's Hero" won him the first Academy Award for Best Supporting Actor in his life. "Killer Butterfly" got him second, but then he got another blow in the face with "Blood on the Street." After seeing the premiere, he shut himself up at home and cried for three days.He saw that his performance was just a kind of "performance". He didn't see the character, but only saw himself who was trying to perform but couldn't penetrate into the heart of the character.This feeling made him extremely depressed.His skills have gradually become an obstacle to performance, and all he can do is to face and overcome. "Days of Being Wild" gave Liang Chaowei a chance to be reborn.Although at the beginning of filming, facing Wong Kar Wai's belittling and meanness, he once fell to the bottom of depression.He kept ng and was stopped by the director more than 20 times.He thinks he has a wealth of acting experience. When a role is handed over to him, he is even sure to use a hundred methods to shape it, but what Wong Kar-wai wants is the most direct one, and this kind of performance was exactly the way he was at that time. What he lacks is that he is so good at "acting" that he loses his natural charm.

Wong Kar Wai gave Tony Leung Chiu Wai the most precious consonance, and it was from "Days of Being Wild" that Tony Leung's acting skills took a qualitative leap.It can be said that at such a time, he really came into contact with the so-called method acting!The so-called method acting, also known as "method acting" or "method acting", is a film and television drama performance technique, born out of the realism performance system created by the former Soviet dramatist Konstantin Stanislavsky The training mainly digs out the complexity of human nature and human heart through the actor's external body and expression.It requires the actor to maintain the same mental state as the character in front of the mirror and behind the scenes.Later, it was introduced to the United States, and after another interpretation, it was renamed "method acting".

"Systematic performance" is divided into two parts, that is, the self-cultivation of actors and the creation of roles by actors. Method acting is a performance method that allows actors to fully integrate into the role. In addition to the actor's own personality, it is also necessary to create the character's own personality and life. Try to play the role realistically.Method acting was advocated by Konstantin Stanislavsky, a master of Russian drama, the author of "The Actor's Self-cultivation" in Stephen Chow's movie. Observe the facts, try to figure out the behavior in real life, and also have a basic understanding of psychology, imagine the psychological state of the acting role, and play a new meaning of the word "e". Stanislavsky has spent many years exploring and experimenting with new method, trying to find the secret to let people without artistic talent burst into creative inspiration, so as to achieve a real performance realm.

To put it bluntly, he asked the actors to act, which cannot be done in the exaggerated way of traditional stage plays.Because the stage plays in the past were performed on the stage, and there were no big screens back then, so when the audience saw the drama, they could be dozens of meters away from the actors!In such a situation, if the actors' actions are not exaggerated, the audience can't see it, okay?For example, if you want to perform an inner scene on stage, if the actor does not express it with exaggerated movements, but only with the slight muscle shaking on the face, the ghost can see it?Therefore, the performance style of this stage play has always required excessive force and exaggeration!As for Stanislavsky, he proposed to be natural, to figure out the role, to use psychological analysis, to substitute such a role, and to interpret such a play with such a role in the most everyday and natural way. ! (To be continued..)