Qingyunxian

Chapter 263 I'll tolerate you
The essence of the person in the painting is the power of Taoism plus the illusory cloud patterns that capture the mind. As long as these cloud patterns are not destroyed, they can be peeled off completely and sent into the fist print.

The reason Liu Xun chose this painting was because there were two people in it.

Being a man is about strength, and also about a little bit of the rhythm of strength, which can be combined with the rhythm of strength in the fist print to bypass the destruction of the fist intention.

The woman in the painting who has nothing can be used to hold the golden thread of marriage.

Isn't this the perfect combination of the two?

The only price he paid was the destruction of the precious Yunbao scroll. To Liu Xun, there was nothing to regret.

It is not easy to get the person in the painting to come out. The man in the painting can use his strength and Taoism to lure it out.

There is nothing about the woman in the painting, just a pattern.

The only thing related to it is the illusion supported by the phantom cloud pattern.

The cloud patterns are not as powerful as the rhyme of Tao. Once the scroll is damaged, the powerful rhyme of Tao can still be retained, but the illusionary cloud patterns will be completely useless.

"Using the golden thread of marriage as the skeleton and redrawing the illusionary cloud pattern, I should be able to preserve the illusion related to the woman!" Liu Xun was very interested and his hands moved faster.

Even if the path of marriage conflicts with the path of illusion, the illusion will eventually collapse and will not affect the final result.

Liu Xun was just using the illusion as a transition.

Most of the soul energy was consumed, and the power and rhythm of the cloud treasure in the scroll were drawn out, attached to the outline of the man in the painting, and was about to leave the scroll.

However, the man in the painting was just a hair's breadth away from leaving the scroll, but this step could not be completed.

There was a hint of hostility in Liu Xun's eyes, and his past experiences in refining treasures emerged in his mind.

Suddenly, Liu Xun turned his head and looked at Hou, his eyes so indifferent that it was terrifying.

Hou has been carrying this scroll for too long, so long that even if he is not a celestial being, occasionally a trace of his mind will enter the scroll.

He has developed a subtle connection with the man in the painting.

It is this connection that prevents Liu Xun from photographing the person in the painting.

"Hehe." Liu Xun laughed.

When Hou saw this, he was shocked and felt an inexplicable sense of crisis. Just as he was about to say something, he saw a one-eyed little man flying over.

That was thrown by Liu Xun.

Hou, who was tied up, had no way to dodge. When he was touched by the illiterate man, his eyesight gradually became dull, and finally he turned into a confused and dazed person.

The illiterate man was about to fly away but was intercepted by Liu Xun.

He controlled the ignorant man who had swallowed up Cen Hou's talent, and glanced at the remaining nine familiar men with a cold expression: "Since this happened, you can no longer use them."

Hou was turned into a wild animal by him, and the nine people looked at him with hostility. Although it was not obvious, Liu Xun would not let this trend continue.

Liu Xun called over the illiterate beasts he had raised and turned the nine people into wild animals. He then threw them into the wilderness and left them to fend for themselves.

It is difficult for people whose talents are devoured by illiteracy to recover.

Therefore, no matter how the ten savages, including Lian Hou, were educated after becoming savages, they would never escape from their state of ignorance and confusion.

If it is useless, it will naturally be discarded.

Liu Xun had no sympathy for these people and continued with his unfinished treasure refining work.

Hou has established a connection with the man in the painting, so he strips away his talent and sends it into the fist along with the man in the painting.

Liu Xun did this without any hesitation.

Without the interference of Hou's weak connection, the man in the painting was finally completely separated by Liu Xun.

The essence of the man in this painting is the strength and rhythm attached to his outline, which supports his appearance in front of people.

His flat hands grabbed the illiterate man and plunged him into his fist.

Both are like candle flames swaying in the wind, which will be extinguished by the fist if you are not careful.

But Liu Xun used a special method to refine Yunbao to amplify the traction between the power and the rhyme.

The man in the painting was quickly led to the rhythm of power in the fist print.

The illiterate creature could not withstand the impact of the fist intent, and subconsciously wanted to swallow the fist intent when he was about to die.

But so many of its kind could not do anything to it, and this one alone naturally could not do it either. However, this act of swallowing built a bridge between the ignorant and the boxing spirit.

On the other side of the bridge is the unshakable Immortal Fist, and on this side of the bridge is the man in the painting.

After roughly completing this step, if you want to succeed in the end, you need to complete the other half before the man in the painting collapses.

The golden thread of marriage outlines the fantasy cloud pattern, and this operation is not complicated.

Although Liu Xun is not proficient in the way of illusion, there are similarities between the paths.

It's just a simple copy. In his previous life, Liu Xun could ensure that the copied and outlined phantom cloud patterns would be exactly the same.

If someone else were to do it, they might not be able to do it.

Four or five golden lines of marriage appeared together, outlining a pattern of a lovely woman, exactly the same as the one in the scroll.

Liu Xun snorted lightly, and the remaining soul energy violently invaded the scroll, trying to pull out the illusion hidden in it.

It was just a tiny illusion, far inferior to the big illusion like Wu Miao.

Even with the strength of Sanlian Baizun, he can move it.

The essence of Yunbao's painting lies in its power and rhyme. The illusion is just an auxiliary sense of rhyme. Now that the power and rhyme are gone, the illusion has nothing to rely on. It was shaken so violently that it almost burst like a bubble.

Fortunately, Liu Xun's control over the soul energy was so meticulous that the illusion of the scroll was not destroyed.

Liu Xun finally took out this tiny illusion that could not withstand any great disturbance wrapped in his thoughts.

The moment it was taken out, the illusory cloud patterns on the scroll dimmed, and some of them even disappeared.

Without the cloud pattern to fix it, the tiny illusion will slowly shrink and disappear.

But now with the illusionary cloud pattern outlined by the golden thread of marriage, the illusion has a place to go.

When the two met, the illusion sank directly into the golden line pattern, temporarily avoiding the risk of destruction.

Seeing that the time was ripe, Liu Xun sent it into the shaft of the stone pillar.

The man in the painting stopped at the fist mark, and the woman in the painting removed the pillar. One represents the power and rhythm of Taoism, and the other represents the golden thread of marriage, which is the combination of the two that Liu Xun wanted.

Among them, there are even illiterate people who subtly connect the man in the painting with the meaning of boxing, all of which are waiting for Liu Xun to proceed to the next step.

Liu Xun's eyes moved slightly, and mandarin duck fire emerged from his hands, wrapping the entire stone pillar.

Because of the existence of the fist intention, the flame did not come into direct contact with the stone pillar.

Liu Xun used a treasure refining method called [Chuan Suihuo].

This treasure refining technique was acquired by Liu Xun during his travels in his previous life. Since it can give Yunbao an extra tenth of Taoist rhyme, Liu Xun has been using it until this life.

It is said that the flint fire uses a special method to turn the flame into the shape of a flint drill, penetrate into the inner part of the cloud material, slowly forge the cloud material into one, and stimulate the Tao rhythm in the cloud material to become more active, finally forming a complete cloud treasure.

Liu Xun is now going to use the flint-fire technique to forge the person in the painting, the illiterate, the boxing spirit, and all of that into one.

The soul essence gradually couldn't keep up with the consumption, and Liu Xun had to swallow cloud essence to maintain the refining of Yunbao.

Liu Xun did not confront the fist head-on, but used the means of attachment to slowly form the golden thread of marriage into a whole with it.

The medium here is the two people in the painting.

As the fire forging method progressed, the Immortal Fist Intent remained motionless, but the man in the painting and the illiterate man with the talent of Cen Hou were all attached to the edge of the Fist Intent.

Due to external pressure, the two were unable to change their boxing skills and could only merge first.

The illiterate flesh and blood collapsed, and invisible talent fell into the body of the man in the painting, and his eyes seemed to come alive.

If he could see, Liu Xun would find that the expression in those eyes was similar to Hou's.

The man in the painting turned his head and looked at the fist intent. Instead of continuing to fight with it by banging his head, he threw himself into it like a moth to a flame.

If you can't tolerate me, then I will tolerate you.

In an instant, a new person in the painting was born.

The man in the painting is the skin, and the fist is the bone. His eyes have changed again, becoming arrogant and majestic, as if the owner of the fist has returned.

Unfortunately, it was just an illusion, and the owner of the fist had long passed away.

(End of this chapter)