Idle game leads to another world.

Chapter 712 Anti-Humanity Key

In the recycling business, luck is undoubtedly the most important thing, followed by vision and connections.

Although Alyssa had never heard of the Creation Machine. Divine Crystal, she immediately realized that it was definitely a treasure.

Of course, don’t forget that the ruins Alyssa visited before were left by the Church of Genesis. It would be strange if there was no connection.

But then again, sitting in a shuttle that is completely out of control, especially when you don't know what is controlling it, is not a very good experience. It always feels like a space ghost.

Just as Alyssa was thinking about what the alien machine was, another line of words appeared on the screen.

'System configuration completed, import the main body data immediately'

"Where can I find the original information for you?"

The shuttle stopped in front of the airlock door, as if to say, "If you don't continue the installation, I will stay here and not move forward."

There is more than one shuttle on the ship. If Alyssa escapes by shuttle, Carlos will definitely send people to chase her by shuttle. Alyssa can almost hear the sound of the pursuers' engines.

At this moment, she suddenly remembered, could it be the information in the main console in the base?

If the engine sound she heard just now was an illusion, then now Alyssa really heard the roar of the engine coming from behind.

Looking at the rearview mirror mounted on the side of the cockpit, two shuttles had already started their engines.

There was no time to think about it, Alyssa pulled out the memory stick, and immediately found that the interface on the panel did not match.

"What a troublesome old antique!"

With a complaint, Alyssa quickly inserted the memory stick into the personal terminal and pulled a cable from the arm of the protective suit.

When the interface is close to the input end, it automatically deforms like melted mercury and is inserted tightly.

The cable has a universal plug made of magic mercury that can adapt to almost all interfaces.

But being able to plug it in and being able to use it are two different things, and this also involves the issue of data protocol.

A rotating pattern is displayed on the panel of the personal terminal, indicating that reading is in progress.

Alyssa worshipped all the gods she could worship in her heart, and at this moment she heard a ding sound.

'Data installation complete, Genesis Machine. Divine Crystal activated'

Then another line of words appeared on the panel:

'No one can stop God's progress'

The airlock door that was originally sealed suddenly opened. This was not opened by Alyssa's machine soul, but was forcibly activated. Large sparks could be seen coming out of the gear structure on one side of the airlock door.

There are a total of three airlock doors, which are usually opened in sequence according to a fixed procedure and follow the procedure of balancing the air pressure to prevent the precious oxygen in the starship from leaking out.

But as soon as this shuttle passes by, all the airlock doors will be opened.

The gas inside the starship quickly escaped into the void, mixed with a large amount of debris and mechanical parts. The shuttles parked in the hangar were likely to be blown around in this strong wind.

However, this shuttle, which had already started, remained motionless under the manic attraction, as if the air flow was flowing around it.

Alyssa knew what the miserable situation was in the hangar without even looking, but she really wasn’t in the mood to feel bad about her property.

When the shuttle flew out of the starship, the machine spirit of the starship seemed to have finally regained control of the airlock doors and quickly closed the three doors to prevent the disaster from further expanding.

The good news is that the pursuers can no longer catch up with us.

Bad news, Alyssa is sitting in a shuttle that is completely out of her control. –‐‐——–‐‐——

On the other side, Li Chengxi's mood was obviously not as turbulent as Alyssa's. He pressed the keys on the keyboard to control the shuttle to fly out of the airlock.

Almost at the same time as the shuttle came out, the perspective changed.

At the beginning, it was the same as Viola and Yang Yiyi's, with a 45-degree top-down perspective, but after flying out of the starship, it became a rear-end perspective. In other words, it became a third-person perspective, and now the rear end of the shuttle was facing Li Chengxi on the screen.

Moreover, whether it was Viola or Yang Yiyi, Li Chengxi's observation had no Z-axis, 2D high-definition pixel style, and actions such as jumping looked like paper people moving to Li Chengxi.

And this time, it has become a 3D high-definition pixel style.

If you look at it from a gaming perspective, the modeling and materials are rather average, but the 3D high-definition pixel-style graphics do have a unique flavor.

At this time, operation prompts appeared on the screen again. Li Chengxi tried it. Because there was an additional Z-axis, it became 3D, and the operation became a lot more troublesome.

W changes from moving forward to pressing the nose down, S changes to raising the nose up, AD is rolling left and right, QE is swinging the fuselage left and right, ZC is turning the engine on and off, and the up and down buttons are used to control the engine output.

And that's just the keys that control movement.

The mouse wheel can open the function disk, the left button confirms and the right button cancels, and moving the mouse is just a simple cursor and has no effect on operating the shuttle.

It's a bit anti-human, this key position...

It is definitely a lot simpler for actually flying a plane, but it is not very friendly for players to get started.

Li Chengxi simply tried the operation, then moved the mouse while maintaining the engine output, wanting to right-click on the shuttle to check its properties.

Fortunately, he was just trying it out. After all the operations, Alyssa in the cockpit was almost shaken to death.

The pop-up panel showed that this shuttle was called the Manta Ray Universal Shuttle, and below it was a long list of dizzying data, such as the length, width and height, engine power, body structure material, etc.

You know what, this thing really does look a bit like a manta ray.

Viewed from the back, this shuttle is X-shaped, with two engines on each side being hit on the wings of the variable mechanism. The central body part looks wider. After all, there are living areas and cargo holds, so it cannot be too narrow.

If you look at it upright, its appearance is very similar to the manta rays you've seen in aquariums.

Just when I was trying to figure out if there were any other operations, suddenly a red reminder lit up on the edge of the screen, and a series of vertical lines seemed like attack prompts.

Li Chengxi turned the shuttle's perspective so that it could fly side by side with the starship. He could now see a series of icons framed by squares in the dark background of the universe in front of the starship.

Based on Li Chengxi's experience in playing driving simulation games, this probably means that an enemy is approaching.

"Interesting, this time it's a vehicle simulation FPS."

Viola's is a strategy SLG, and Yang Yiyi's is a development RPG. The types of each script are more or less different, but they are all under the same big framework.

The box in the picture is approaching the location of the Manta Ray shuttle, but it's not a big problem.

Li Chengxi stretched his fingers and put them back on the keyboard, full of interest.

Since he opened a convenience store after graduating from university, Li Chengxi's choice of games has become more Buddhist. Although he has a lot of free time, you can't always say to customers who come in, "Wait until I finish this game."

There is a lot of time, but it is all fragmented time, so after graduating from university, Li Chengxi mostly plays card games that can be paused at any time, or a round of games does not take much time.

But before that, his game selection wasn't like this.

(End of this chapter)