Odd Containment Specialist.

Chapter 792: Root Sea Museum
[I will use an easy-to-understand metaphor to explain the relationship between Moyusi and all the gods. Let us temporarily regard the Root Sea as a huge museum and the gods as art lovers.

Then, the Blood God is an art lover who likes life as the theme, while the Scissors of Splitting is an art lover who prefers splitting as the theme. Every god is like this and has his own preferences. They jointly own this private museum and are considered shareholders here.

However, at the beginning, this Root Sea Museum was empty and had nothing in it.

Therefore, in order to satisfy their hobby of appreciating art, the gods began to look for artists they admired to create artworks with customized themes for them.

To this end, they set up luxurious accommodation, delicious food and generous rewards to attract the attention of homeless artists.

As a result, artists attracted by these favorable conditions flocked to the art museum and used their expertise to please these powerful art lovers.

Most of them were unable to create works that met their aesthetic standards, so they were driven away. Although some people failed to create works of art that were impressive enough, they had already demonstrated extraordinary creativity and imagination, and their untapped potential had begun to emerge.

Although these people still have a long way to go, the gods, as the masters of the museum, are very tolerant of these talented young people. In order to prevent them from wasting their precious talents, the gods allow them to live in the museum and concentrate on creation and learning.

In addition to this group of people, there are also true artists, artistic geniuses who can create stunning works. The works created by these geniuses are enough to capture the eyes of gods and are worthy of being hung on the walls of museums, placed in glass cabinets, and appreciated at any time.

Of course, these people were also invited into the museum, and the gods asked them to teach those young people who were talented but not yet successful.

In this story, the masters whose works are worthy of being collected are the agents, while the talented apprentices who are appreciated for their amazing potential are the named ones.

The works of the agents are an era and a period of time created by their own efforts. This history is made into a continuously cyclical model and collected in the museum in the most perfect state.

Turning a period of history into a cyclical space-time is like framing a world-famous painting or putting up guardrails and glass covers for statues.

In order to preserve the history that the gods love, Mo Yusi arbitrarily transforms time and permanently preserves the perfect time and space that best fits the creative theme. This is what he does.

Of course, Moyusi’s duty is not only to create cyclical history, but sometimes it also needs to destroy cyclical history, because the shareholders of the museum are not fixed, and sometimes one shareholder will be expelled by another shareholder.

The Beast King was killed by the Blood God, and the Beast Cage was born from the Beast King's remains by the Tailor, and then killed by the Shears of Splitting, which was like being expelled.

Art exists for enthusiasts. When a shareholder who loves a certain subject is expelled (killed), the works he once collected will become completely worthless. Placing them in a large museum will only take up space and increase maintenance costs.

At this time, Mo Yusi should go and clean up the collection.

This is pretty much the responsibility of the Moyusi. The gods have endless desires that need to be satisfied, so when a period of history is too good and perfect, it will be fixed in a cycle, constantly producing abundant desires.

For example, during the Blood Dynasty of Rosa, it was a feast for the Blood God, and the Blood God's desires reached their peak. This dish, which was themed on absorbing the lives of others, perfectly suited the Blood God's taste, and did not compromise with any other diners at the table. In this dish, the condiments preferred by other gods were pitifully few, and it could be said that it was customized exclusively for the Blood God, so the Blood God wrote it on his favorite menu and built an assembly line factory to repeatedly produce this dish. (The pattern of cyclical history is like the continuous reproduction of an assembly line)
The Moyusi serves all gods, or it can be said that the existence of the Moyusi itself is a tool created by the gods in order to more perfectly maintain this system of constantly regenerating desires. It does not obey the orders of any god, but what it does is beneficial to all gods and maintains an order that will satisfy all gods in the long run.

The gods have enjoyed this desire throughout history, and this never-ending feast is also called the Feast of the Gods.

This is what Lao Ji told me, and Lao Ji learned it from you. 】

"So... Mo Yu Si... can be said to serve all gods, or it can be said that there is no god to serve." Xia Shou took a deep breath.

[Yes, and precisely because this secret involves the feast of the gods, Canyue and Momi are particularly powerful in keeping the secret. The gods tacitly approve the power of Canyue and Momi, overwhelm Moshi and the secret transmitter in this message. Even Moshi and the secret transmitter admit this degree of concession.

The secret of cyclical history is not difficult to imagine, but no one has ever established a theory of the feast to the gods. In the long history, the theory of the feast to the gods has been circulated only a few times, and the time when the secret was exposed to the world in the long time was like a flash in the pan.

But it is not that there will be no exposure, because the personnel of the Black Jade Division also need to be replaced. Even gods will die, and the Black Jade Division is of course no exception. When there is a vacancy in the personnel, the secret will be spread. At this time, the magic poem and the secret spreader will have the upper hand, and this new sect will appear out of thin air in the world. 】

"But now many people know about Moyusi, and many people in the clock tower should know about it."

[The Black Jade Division itself is not top secret, but the God Feast is. The Black Jade Division has always been circulated in a limited manner, and the political environment in the Black Jade Division is much more complicated than you think. The term you are in charge of is probably the most united and friendly term in the history of the Black Jade Division. I have to say that you still have some personal charm.]

Xia Shou frowned slightly, somewhat dissatisfied with the attitude of taking notes.

In the past, he didn’t know his true identity, so being ridiculed and mocked by the notes was fine. It could be seen as the notes wanting to hide the secret and not wanting him to find out.

But now that he knows that he was once the head of the Moyu Division, shouldn't the Death Recorder show an attitude of being rude at first and respectful later?
What does the "ok, not bad" attitude between the lines mean?
"So what did you do when you were alive?" Xia Shou asked.

[I won’t tell you.] The Death Note wrote.

Then, a new ritual rune was written below, which meant that the other party did not want to continue this topic.

Xia Shou asked unwillingly: "Is that all you can say?"

[No matter how much I say, it is only to satisfy your curiosity and dispel some of your doubts. You should ascend as soon as possible.

I have a feeling that there will be more and more people like Van Cleef, and I have been thinking recently that there is something wrong with Van Cleef's appearance... How can they use the "Great Dream Possession Method"? 】

(End of this chapter)