Huayu: I'm reborn, but you still force me to be a scumbag?

Chapter 62 Chen Nuo's Literary Drama

Before this, it was not just a problem of camera position. Yu Min and Zhang Jizhong both felt that Chen Nuo seemed to be out of shape.

Of course, for them, this is actually very normal.

Most actors need to go through a period of adjustment with their roles before filming. Therefore, when most TV dramas are just starting to shoot, they will not shoot the opening scene, but will choose to shoot the middle scenes. They want to shoot the most important opening scenes in the best condition after the adjustment, so as to attract the audience to watch. It is the same as the first three chapters of online novels.

Zhang Jizhong and Yu Min are both experienced directors, and the monitor shows very clearly, so it is easy to tell at a glance whether an actor is in good condition or not.

Zhang Jizhong nodded, but did not agree with Yu Min. "I just hope his back is okay. Anyway, we're shooting here for more than a month and more than 100 scenes. He will find his form sooner or later. Health is the most important thing."

The first scene between Liu Yifei and Chen Nuo was the day after Chen Nuo fell off his horse.

It's not a major highlight. It's about the story that after Xiaolongnu and Yang Guo escaped from the ancient tomb due to Li Mochou's pursuit, they built a small wooden house on a meadow outside the tomb, where they lived and practiced martial arts.

Liu Yifei sat on a swing built on site. In the distance were snow-capped mountains, nearby were green meadows, and winding blue water was flowing not far away. There were green pines above her head and flowers blooming under her feet.

They are just fake plastic flowers.

Chen Nuo sat on the steps outside the wooden house and said happily: "Aunt, the wooden house has been built. In ten days or half a month, when your injury is healed, we can go down the mountain."

Liu Yifei said calmly: "But we haven't finished practicing the Jade Girl Heart Sutra yet."

Chen Nuo was stunned for a moment, revealing a thoughtful expression, and then a complex emotion emerged in his eyes, and he whispered: "Then... let's practice the Jade Girl Heart Sutra before going down the mountain."

Liu Yifei said calmly, "Since we have the Nine Yin Manual in the ancient tomb that is better than the Jade Girl Heart Manual, if we don't practice it well, what will we do if we meet a master when we go down the mountain?"

Chen Nuo said: "Then let's practice the Nine Yin Manual before going down the mountain."

Then he looked up, his eyes knowing: "Aunt, do you not want to go down the mountain again?"

Liu Yifei said calmly, "I have never been down the mountain before. I am a little scared. I don't want to see outsiders."

Next to the monitor, Yu Min said into the intercom: "Okay, click. Take a break." Then he asked Zhang Jizhong: "Is it not possible?"

Zhang Jizhong said thoughtfully: "...not very good."

"What should I do?"

Zhang Jizhong didn't know what to do.

Because it was a crushing pressure, and not just any pressure, it was a crushing pressure. Chen Nuo was like a mountain pressing down on the top of her head, crushing the 18-year-old Liu Tianxian into pieces.

Zhang Jizhong now hopes to go back to the time before Chen Nuo fell off the horse, not only for Chen Nuo, but also for Liu Yifei. At that time, Chen Nuo did not seem to find his form, and it would have looked much better if he and Liu Yifei were acting together at that time than now. The picture on the monitor now looks really ugly.

"Did you ask Chen Nuo to act like this?" Zhang Jizhong thought for a moment and asked.

Yu Min smiled bitterly and said, "Yes. In the script, Yang Guo was originally building a house with his bare chest, talking to Xiao Long Nu while walking, but Chen Nuo just fell yesterday, and I couldn't ask him to carry wood today? If I used foam props, it would be too fake. So I changed the scene to a pure literary scene. Who knows! It seems that this guy is best at literary scenes." The so-called literary scenes are scenes that do not contain large-scale actions or fighting, but focus on dialogue and emotional exchanges between characters. Because literary scenes have no actions, the character's personality, relationship and story development can only be conveyed to the audience through the actors' language and facial expressions, so the camera position for shooting literary scenes is generally very close to the actors to capture the subtle changes on the actors' faces.

In Yu Min's opinion, Chen Nuo is really strong in this kind of lens. He is worthy of his filmmaking background.

In his opinion, among the actors in TV dramas, except for a few veteran actors, he has never seen anyone else who can perform three or four emotional changes in one sentence.

When Liu Yifei said, "...what if I meet a master when I go down the mountain, what should I do?"

In his answer, when he said "then...", his expression froze for a moment, and then his eyes moved, obviously thinking about something. Then, he thought of something, so he showed a little pity, and perhaps a little relief, and then said the next line: "Let's practice the Nine Yin Manual before going down the mountain."

This is very Yang Guo.

A person who has been looked down upon and grown up in the book, bullying and exclusion, should be very sensitive to other people's emotions, and be very careful and concerned about every word, especially to the woman he loves most.

When Xiaolongnu made those evasive words, he should have been able to feel some emotions.

Yu Min thinks this version of Yang Guo is more correct than the shirtless Yang Guo in the original script. Yang Guo shouldn't be shirtless and showing off his muscles, smiling silly and asking Xiao Longnu, "Aunt, do you want to go down the mountain?" That's called a big fool.

Yu Min could only sympathize with Liu Yifei.

Let the paralyzed heroine who can only show one expression from beginning to end act with such a person? He didn't know what to do, so he could only continue to ask the chief producer Zhang Jizhong, "Then... how about we continue to let Chen Nuo carry the wood and shoot more medium shots?"

Zhang Jizhong stroked his beard and said unhappily, "Then let Chen Nuo stay in the hospital and we can go back to our homes?"

"What do you think, Mr. Zhang?"

Zhang Jizhong said, "Go and explain the play to Liu Yifei."

"what?"

Although she was a little uncomfortable with the male lead, Liu Yifei felt that she had acted quite well.

She was very satisfied with herself for the first scene today. She was familiar with the script in advance, so she was very fluent in the lines, paused where necessary, expressed the necessary emotions, and most importantly, the smile at the end, which she thought must have looked very beautiful in the camera.

So, when Yu Min came over and said she wanted to tell her about the play, Xixi was a little confused.

"In this play, you should follow the emotional rhythm of your opponent, and don't immerse yourself in your own world." Yu Min stood beside Liu Yifei, showing great patience and speaking in a very gentle tone, "At this time, Xiaolongnu has a progressive emotional process, from not wanting to go down the mountain at the beginning to accepting it in the end. The change in between is because of Yang Guo. So you should always focus on Chen Nuo, and you must really listen and watch."

Yu Min talked to Liu Yifei for five minutes. At the end, Liu Yifei remembered one sentence: she should focus her attention on Chen Nuo.

Well, as a junior student at Beijing Film Academy and the heroine of several plays, she understands the principle of really listening, really watching and really feeling... But she is unhappy with Chen Nuo and she didn't really look at him just now.

In the past, these were all trivial matters!

It’s so annoying. Why is the director so strict in this first scene?
(End of this chapter)