Rebirth 1977 Great Era

Chapter 270 Half of the True Story, Goodbye Liu Zude (Monthly Ticket Plus)
The three-talent method of acupuncture first appeared in the Complete Works of Acupuncture and Moxibustion. Golden Needle Ode. The original text is:

"When the needle is first inserted into the skin, it is called 'tiancai'; when the needle is inserted a little further and penetrates into the flesh, it is called 'rencai'; when the needle is inserted further and penetrates between the tendons and bones, it is called 'dicai'."

In fact, the earliest dialect terms used for burning mountain fire and cooling the whole sky also used this three-talent method.

Here, the acupuncture points of the human body are divided into three parts: "heaven, man, and earth", with the skin as the "heaven", the flesh as the "man", and the tendons and muscles as the "earth", that is, the shallow, middle and deep layers, and acupuncture is performed in layers.

"Lingshu. Guanzhen" records: "The so-called three-puncture to release the valley qi is to puncture shallowly through the skin first to drive out the yang evil. The second puncture to drive out the yin evil is to puncture a little deeper through the skin to the muscles, but not into the flesh. If it has entered the flesh, the valley qi will come out. Therefore, the puncture method is: puncture shallowly at first to drive out the evil qi and bring in blood qi. Then puncture deeply to drive out the yin evil qi. Finally, puncture very deeply to bring down the valley qi."

Therefore, the ultimate goal of acupuncture is to expel external pathogens and preserve the vital energy.

Just like Ming Dynasty acupuncturist Xu Feng created the Shanhuo and Tianliang, Cheng Lao's Sancai acupuncture is also based on this concept. He created Cheng's Sancai acupuncture, including hands-on acupuncture, finger-solid wrist-empty needle holding method, Sancai needle insertion method, vibration replenishment and drainage method, and flying and spinning qi movement method. It emphasizes the continuity of movements, smooth operation, and rapid "circle, capture, flick, shake, rub, and twist."

It originated from the ancients but is independently innovative, achieving the characteristics of one acupoint with multiple targets and multi-level treatment.

It complements the theoretical basis he previously gave to dialects.

It can be said that what he showed Fangyan before were all internal skills, but this time he showed him fighting skills.

Fortunately, today he saw Fang Yan use some of his ideas to complete the treatment, which showed that Fang Yan had mastered the knowledge he summarized, otherwise he would not have used this method.

If you just learn the acupuncture method without the corresponding knowledge to support it, you will not be able to use it at all.

In addition, Master Cheng did not accept disciples, so there were almost no people who could learn all of his skills. Only Fang Yan, who was considered to have "super amnesia" in Master Cheng's eyes, could learn so much of his skills.

He applies what he has learned flexibly, as if he has mastered it for many years.

So Old Cheng couldn't help but think of something. Although he didn't accept a disciple, he still took out his most powerful trick.

Let people learn the dialect on their own first, and learn as much as they can.

By then, those who don’t understand the dialect will definitely come and ask him.

……

On the other side, when Fangyan returned home, he saw that there was still some time before he got off work, and his younger brother was still revising the manuscript, so he picked up the "Cheng's Three Talents Needle" that Mr. Cheng had just given him and started reading it.

He had never seen such a technique in his previous life, and it was very likely that Old Cheng did not take out anything at all.

Looking at the indentations on the book, Fangyan guessed that the book had been there for many years.

Maybe after so long, Mr. Cheng himself has forgotten it.

It must be said that Mr. Cheng is worthy of being a member of the Calligraphy Association. His handwriting is indeed beautiful. This handwritten manuscript written with a brush would probably be worth a lot if it were released to future generations.

Looking at the techniques used in it, Fangyan can immediately be combined with Cheng Lao's "One Orifice to Open Hundred Orifices Method", "Four Gates Opening Method" and "Eight-Acupoint Pain Relief Method" that he had seen before.

Fangyan believes that the "Fourteen Meridian Acupoint Pressing Method" he created later may also need to be used in conjunction with this method to achieve the best effect.

However, this technique places some high demands on the acupuncturist.

Just like burning the mountain fire and cooling the whole sky, he could quickly gain energy in the first level and stop many people.

However, these methods were like tailor-made puzzle pieces for Fang Yan, which just fit him perfectly.

The checkpoints that others would get stuck at are no problem at all for him.

In addition, he learned martial arts, which brought his subtle control over body strength and understanding of movements to a new level. He quickly finished reading the first part of the book.

Then the system prompt sounded as expected.

However, Fang Yan ignored it. It was just the sound of understanding. He still needed to put it into practice. Without thinking, Fang Yan pulled out the silver needle from his wrist and inserted it into his acupuncture point.

After the needle was inserted, Fang Yan performed the procedure according to the book, and soon the system prompt rang again, indicating that the first part of Fang Yan's Cheng's Three Talents Needle was successfully performed.

Fangyan continued to flip through the pages, and after each part he began to apply it to himself. After a while the system would "ding". It was the first time in such a long time that he had enjoyed the feeling of knowledge entering his brain so intensively.

With these methods, the immediate benefit you can get is that you can use fewer acupuncture points later.

The time spent on a patient will also be greatly reduced.

In this way, he has more time to rest.

The dialect continued to bless happily, but suddenly stopped while flipping through the pages, because in the last few pages, Mr. Cheng did not draw pictures, but used text descriptions, creating a stream of consciousness style.

Fangyan frowned and read the words carefully.

After reading for a while, he realized that these were new ideas but had not yet taken shape, which meant that the book was not actually finished.

All the dialects that can be learned have been learned now. Those that are not written down are either because Mr. Cheng really did not write them down, or because he memorized them in his mind and was waiting for Fangyan to ask about them.

Fangyan closed the book, feeling a little unsatisfied by what Lao Cheng had done.

I was thinking, why is it that Old Cheng wrote this thing like Old Fourth wrote a novel, with something to be continued?

However, the techniques I have now are sufficient to match Mr. Cheng’s previous theories.

It’s just that Fangyan intuitively feels that there should be more techniques, and he even thinks that if he calms down and studies it, he might be able to come up with a follow-up set.

Thinking of this, he was suddenly stunned and looked at the "Cheng's Three Talents Needle" in his hand again, wondering if this thing was used by Old Cheng for fishing?

Whenever I learn to the end, I can't help but ask him, and then he can take me to the research institute...

Soon Fangyan shook his head again, denying this guess.

The book has been kept for so many years, and at that time, Mr. Cheng might not even be a member of the research institute.

If Mr. Cheng had prepared the bait for him all those years ago, Fang Yan would immediately suspect that he was a time traveler.

After putting away the book, Fangyan glanced at the time and found that it was almost time to make dinner.

The younger brother hadn't finished revising the manuscript yet, so he didn't bother him.

He went out and took a look at the construction in the yard. They were still busy at work. Fangyan smoked a cigarette, said hello to them, and then rode his bike out to the pharmacy.

I am planning to make some medicinal food for my wife tonight, so I have to buy some things.

In addition, she needs to find me to talk to her about her anxiety disorder, so as not to put too much psychological pressure on the Queen.

Soon he returned to Tongrentang.

As soon as I entered the door, I saw the deputy manager Liu Zude whom I hadn't seen for a long time. He looked listless, with bloodshot eyes and an untidy beard, as he was writing something.

This is so miserable!

Fang Yan immediately greeted him upon seeing this:
"Hey, isn't this Deputy Manager Liu? Long time no see!"

PS: I got 100 more monthly votes, so after updating this chapter, I still owe you .

There is also in the afternoon

(End of this chapter)