My art is too advanced.

Chapter 191: Poke a hole in the sky! (Monthly ticket requested!!!)

Since Lin Luoyu published the article, this matter has turned into an uncontrollable shock.

This paper has had a huge impact on the contemporary literary academic community.

Many scholars of the older generation have spoken out.

soon.

A chat record was released.

"What is Pingzhou University doing? They are setting up a training base for online literature. Do they want to bring online novels into the literary world?"

"You're still teaching people to write this kind of online works. Isn't this misleading? What's so good about writing online novels? What's the use? Is there any value at all?"

"Or maybe some of their scholars are running out of ideas and want to bring online novels in as a new research direction?"

"It's ridiculous. I've actually read online novels, such as the Soldier King and the Campus Beauty. They can take thousands of chapters to finish. But do you think that kind of thing can be compared with those contemporary literary themes that depict the great changes in rural areas?"

"It's so shameless!"

"Ping Da really taught us a lesson. They used other people's things to develop their own opinions. They really made fun of us."

"Online novels, let's just talk about novels, what about online literature?"

“Are online novels literature? When did literature become equal to words? Moreover, the threshold for online novels is so low that people who can read or not can write them, and some can even make money from them. But do any of them really understand what a literary work is? Do they know what ideological connotations are?”

"Thousands of years later, will others regard "The Mortal's Journey to Immortality" as a guiding principle?"

"I really thought that anyone could write a work, and that everything could be called literature."

This discussion has far-reaching implications.

Even if it is Pingda.

I also began to bear the pressure from the academic community.

This chat record is very long.

But every sentence is an accusation against Pingda.

Obviously, that person's low position is very high.

Even the students who posted the article did not make any accusations, but instead started attacking Pingda directly.

To be honest, Pingda’s online literature training base is of no use at all.

However, this chat record made many people agree.

"Teaching others to write online novels? College students writing novels part-time? Let's not talk about whether you can make money. As far as I know, online novels are almost the industry with the least prospects. Even the top authors are not as good as the middle-level ones in other industries."

"You can't make money, you have no social status, and the industry is unstable. Pingda wants to train full-time writers. Are you trying to lead everyone into the ditch?"

"Online novels have been able to enter the literature with dignity. If it is about ghost stories, then I have no objection. If it is other online novels, I don't think there is anything worth studying."

"How much money did Yuedong give you to be able to teach online novel writing in college?"

"It's simply misleading young people!"

"..."

There are overwhelming voices of doubt.

Lin Luoyu completely lost his temper. This was the first time that Pingzhou University had been subjected to such overwhelming criticism.

To the point that I was a little overwhelmed for a while.

However, a response was given immediately.

"First, we set up this online literature training base to let more people know about online literature, and some children can publish some works on online literature to relieve some financial pressure."

"The website offers a full-time salary of 600 yuan, or even a basic salary, which is enough to allow some children to not have to live in such a tight financial situation most of the time. And it's a part-time job created with their own hands, so we don't think there's anything wrong with it."

“Secondly, we don’t think that studying online literature as a subject of contemporary literature is a cheap act.”

"For example, the recently popular 'New Northeast Writers Group', too many people have not read their works, and the spread of their works is not even as good as those online novels. You say that it expresses the lower-class characters, the theme of the great changes in the mountainous areas, and the avant-garde nature of contemporary literature. There is nothing wrong with this, but judging from the dissemination channels and the understanding of the audience, the proposal of a new field may only support some scholars in literary research."

"For example, some of the schools of thought proposed before, such as the Baiyangdian School, some authors themselves did not even know that they had been included, just because of some geographical reasons. Do you think their writing styles are the same? Maybe not exactly the same."

“I think these things are even more worthy of discussion than incorporating online novels into the field of literary research.”

"Third, among contemporary literature, at least 60% to 80% of the top works are written by writers who are not trained in professional literature. We are from the Chinese Department, and the first lesson we learn in the Chinese Department is that we do not train writers, but only elite readers."

“There are very few good novelists who can come out of the Chinese department.”

"One last point. You have been emphasizing the elegance and vulgarity of popular literature. It is undeniable that online literature has gradually become better. Even high-level talents like Professor Zhou Yue have created online novels and have achieved remarkable results. In terms of commercialization, they have even completely surpassed some top traditional writers. The fact that readers can accept them is a clear proof."

"Furthermore, what we want to say is that the culture of short, flat and fast content is still popular nowadays. It is not just novels. This form of online literature seems to be an inevitable trend of the times."

“So, commercial literary writing is not the cause, but the result!”

As soon as this statement came out.

The entire academic community was almost silent for a moment.

What is Pingda doing?
They want to poke a hole in the sky, right?
This is a transition from being questioned as to whether online literature is literature to directly tearing off the fig leaf of contemporary literature?

Contemporary literature-friendly work?

Have!
This is beyond doubt.

But there are only a few good works.

Is it worthy of being listed as a separate subject and discussed by so many scholars?

As for other branches, schools, writing styles, writing characteristics, and some regional genre analyses, although they are worth discussing, they are not worthy of so many people's attention.

But there is no way, so many scholars still need to eat.

Pingda’s idea is very simple.

Didn’t you say that online literature has no value?
Then how many books in contemporary literature are of real value?
It is said that all kinds of people are writing online literature.

Zhou Yue, vice-president of the School of Architecture at a top university, is he a high-level talent, a so-called elite?

This one example alone is enough to slap me in the face.

//
I recommend a friend's book, here is the link: "2013: Starting from Being Black Wukong"

The story tells about the protagonist who traveled from 2043 to 2013 to start a company to make Chinese-style 3A games and become a world-class game manufacturer. The author used to be a professional game developer at Tencent, so his professionalism is guaranteed. He has completed 17000 high-order game articles.

(End of this chapter)