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Chapter 123 Crane Dance

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In high-frequency form, sharpness is important.

In low-frequency form, what matters is penetration.

Therefore, the former should use a fast sword to exert its power.

As for the latter, one should use a heavy sword to better demonstrate its characteristics.

Although I figured out the reason.

But Wu Wen did not go on to create the fourth and fifth swords, namely the fire and earth swords.

Because in his conception.

The thermal radiation of the fire element is a way of electromagnetic induction heating, turning the sword in the hand into a completely red fire sword.

The electromagnetic field of the Earth Element can restrain all metal weapons, and at the same time can perform all sword moves related to electromagnetic abilities at will.

Neither of these two swords could be wielded by him right now.

So, the process of creating his sword technique was temporarily stopped.

Instead, he began to study the first sword, the Gold Element, again.

The Metal Element, with high-frequency vibrations, forms an extreme speed and then exerts a sharp power.

Although Wu Wen has initially mastered the Golden Sword, there are still many areas that can be refined and improved.

Electricity surged in his body, and the sword emitted a faint blue light.

The high-frequency vibration of the sword became more and more intense. Wu Wen swung the sword and the sword light cut through the air like lightning, making a sharp and crisp sound, and its power was even greater than before.

However, Wu Wen did not stop there.

The real sword technique not only pursues the power of the sword, but also pays attention to the flexibility and variability of the sword.

So, he began to try swinging the sword at different angles and strengths, observing the changes in the sword's light and the fluctuations in its power.

After several days of hard training.

Wu Wen became more and more proficient in the use of the Jin Xing Sword.

He can flexibly adjust the power and angle of his swordsmanship according to different combat environments, making the Golden Sword unpredictable.

However, Wu Wen also noticed a problem.

That is, as the speed of the sword in the hand becomes faster and faster, air resistance, a factor that was not previously a concern, has now become a problem that cannot be ignored.

If you want to perform sword techniques fluently, you must coordinate them with body movements.

The sword in Wu Wen's hand can be sharp enough to break through the air against the wind, but he himself cannot.

If one's body movements cannot keep up, then the upper limit of one's swordsmanship will also be limited.

Therefore, Wu Wen now has to consider this issue.

Air resistance is a very profound subject. It belongs to the research category of aerodynamics and studies the force characteristics of objects in relative motion through air, the flow laws of gases and the accompanying physical and chemical changes.

If you want to fully unleash the power of the Jinxing Sword, you must create a body movement that matches it.

This body movement technique must not only be able to reduce air resistance, but also be able to flexibly respond to various combat environments, complementing the sharpness and speed of the Jinxing Sword.

to this end.

Wu Wen began to study aerodynamics, exploring how to reduce air resistance while moving while maintaining body balance and stability.

This has touched upon Wu Wen's weak areas of knowledge, so he can no longer directly apply the knowledge he has learned as he did before.

Therefore, he needs to explore and learn on his own.

First, of course, is observation.

Observe some creatures in nature, such as flying birds and swimming fish, and see how they adjust their body shape and posture when moving, thereby effectively reducing resistance and increasing speed.

Half a month.

He was observing and recording.

Based on these observations and the collection of my own body data.

Wu Wen used mental space to simulate and analyze his body shape, movement trajectory and air flow.

A detailed human body model is built, and different motion scenes are set up, such as sprinting in a straight line, turning sharply, jumping, etc.

During the simulation, he carefully adjusted various parameters, such as the body tilt angle, arm swing amplitude, leg force method, breathing rhythm, etc. He observed the impact of these changes on air resistance and movement speed, and recorded a large amount of data.

By analyzing these data, Wu Wen gradually deduced a set of optimization solutions to reduce air resistance.

In order to verify the accuracy of the simulation results, Wu Wen tried to adjust his body movements in actual practice.

Follow the optimization scheme in simulation.

Practice keeping your body streamlined as you move, reducing the amount of air resistance created by protruding parts.

Practice adjusting your breathing and posture at different speeds and angles to better align your body with the flow of air.

……

After repeated attempts and corrections.

It took another full month.

Wu Wen finally created a unique body movement technique of his own: the Crane Dance.

This body technique not only focuses on the flexibility and coordination of the body, but also incorporates the principles of aerodynamics.

It optimizes the trajectory of movement, reduces air resistance, and makes movements more efficient and energy-saving.

The greatest feature of the Crane Dance is its fluidity and flexibility.

It allows Wu Wen to maintain his body balance while moving and minimizes air resistance.

When making sharp turns, you can also flexibly adjust your body posture to maintain stability in speed and direction.

When jumping, you can make full use of the buoyancy of the air to achieve higher and farther jumps.

The body technique has been mastered.

Then the next step is to cooperate with the Golden Sword.

In the small courtyard, Wu Wen used the Golden Sword.

His figure was as fast as lightning and his sword was as bright as a rainbow. Wherever he passed, the air seemed to be torn apart, making bursts of sharp and crisp sounds.

Finish work.

Wu Wen put away the sword in his hand.

However, at this moment, a group of people gradually approached outside the courtyard.

Wu Wen looked carefully and found that the leader was none other than Ge Mi Po of the Miao ethnic group.
He opened the gate, walked out and kept them out.

"What are you doing here?" Wu Wen asked.

Ge Mi Po said with an unhappy look on her face: "The method of refining the cowpox vaccine you gave me is fake."

Hearing this, Wu Wen chuckled and said, "What I give you is real. If you can't make it, don't say my things are fake."

"How can you prove that your things are real?" Ge Mi Po asked.

"Then how can you prove it is fake?" Wu Wen asked back.

"I tried it myself, and the concoction I made had no effect at all!" said Ge Mi Po.

"That's your own fault, don't blame it on the wrong thing!"

What Wu Wen gave was the real thing, and he would not put himself in a situation of self-incrimination just because the other party said it was fake.

"If you can refine it in front of me and prove that it is real, then I will believe that you did not lie to me." said Ge Mi Po.

"I don't have the time." Wu Wen replied.

"It seems that I have to ask you to go there!" Ge Mi Po said in a low voice.

As they were talking, a group of seven people from the other side slowly stepped forward, preparing to surround Wu Wen.

"I advise you to think it over carefully," Wu Wen warned.

He had just mastered the Golden Sword and Crane Dance, and his strength had more than improved to a higher level. He could kill all of these useless creatures in front of him in less than three breaths.

I am a good person, and I really don't want to use force to solve problems unless it is necessary.

Ge Mi Po slowly retreated backwards, and the seven opponents surrounded her closer and closer.

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(End of this chapter)