Zuo Dao Becomes a God Starting from American Horror

Chapter 62: Harmful and Evil Paganism
After reading the three methods, the next step is the more important chapter on strange arts.

Three unusual techniques.

① The art of animal creation: an extremely vicious and dark art, which was first created by some evil people who combined Taoist magic with witchcraft for profit. It is very convenient for abduction and trafficking, and later spread among the lower nine classes. It was absorbed and widely used by beggars among the thousands of thieves, beggars and prostitutes. It is an evil art among beggars with a status no less than the secret art of cutting up living beings.

The entry-level technique requires an animal hide, breaking the recipient's joints. If necessary, the recipient can be poisoned and silenced. Then, hot water is poured over the recipient's skin, a secret medicine is applied, and the animal hide is placed over the skin. The person is then raised as an animal for a period of time, allowing them to deeply integrate with the animal hide and become accustomed to the animal's way of walking. This technique is only used by those without cultivation. (The success rate is low, and those who fail will die.)

The subsequent skilled and mastery levels require the practitioner to have a high level of cultivation or sacrifice their lifespan before they can be used. At the mastery level, only a small amount of animal fur is needed to transform a living person into an animal. (Mostly used on women and children)
Note 1: This method is extremely harmful to the world and morality, and is already a magic technique. If discovered by the righteous, they will surely rise up and attack it.

Note 2: This method goes against the laws of nature. If there is an underworld, it will definitely damage your virtue.

Note 3: Even if one has mastered this method to a high level, one must not drink water, as it will break when in contact with water.

Louis looked at the spell in a trance, as if to warn the inheritor that this page of inheritance contained not only textual records, but also many illusory processes.

Blood, screams, wails, flesh and bones torn apart, limbs torn apart, dogs and men...

The bloody and cruel scene was so intense that even Louis couldn't help but take several deep breaths before he could recover, feeling quite depressed.

"Ancient human traffickers... no wonder they were sentenced to death. They deserved it."

As for why the Min Dian turned it into image data, Louis could probably guess the reason. After all, this was the Left-Way Min Dian, not the Magical Law.

Louis rubbed his eyebrows, relaxed for a moment, and then looked at the next strange skill.

② The art of marrying off disasters: a strange and changeable technique, its source is related to the ancient Book of Changes. Later, a sect among the monks worked hard on this art of fate in order to change their fate. In order to obtain enough practice resources and experimental products, they even used it on secular people with power and wealth who needed to change their luck or even their fate.

Fengshui changes fortune, tombs change fate, changing fate, stealing dragon veins, stars responding to fate...

The most successful one was even close to artificially affecting the change of dynasties during its heyday, so it was strictly banned and suppressed by wise monarchs of all dynasties and quickly declined. Only some talismans for eliminating disasters, bringing good luck, and solving problems are still circulated in Buddhism, Taoism, and among the people, and the art of marrying off disasters is just a minor technique among them.

As the name suggests, "blaming disaster on others" means passing on one's own disaster to others.

When you feel that you are unlucky or have a serious illness, burn incense and take a bath, take a piece of cinnabar paper and draw the Bagua diagram, arrange your birth date and time in a special order according to the Bagua and drip blood on it, then take a piece of underwear or item, burn the cinnabar paper over it, and then throw the item away.

As long as someone picks it up, your bad luck will gradually transfer. In contrast, the other person will be unlucky, and even more unlucky than you.

Note: Luck is a dynamic balance and unpredictable, so use with caution!
Looking at this technique, Louis found it very interesting. In traditional studies, changing one's fortune and destiny has always been very popular, and Feng Shui masters who can indirectly interfere with these have become popular in modern times. Even the rich have to flatter and fawn on them.

Coincidentally, Louis felt that his luck had not been very good recently, otherwise he would not have encountered Mammon, the devil of hell.

Although, the other party didn't even know who Louis was...

"I'll have to give it a try after a while, but just try it once to get the hang of it. After all, the two words 'use with caution' at the end seem like a warning, so I have to listen to them."

Louis thought so.

After making the decision, he looked at the last strange skill and his expression suddenly showed a strange look.

"Did Zoroastrianism come here in ancient times? Did it even spread its religion? Did it become part of the local traditional culture?"

③ Poisonous Fire Technique: Originated from Zoroastrianism, also known as Zoroastrianism, etc. It is an exotic Persian religion that respects the dualism of good and evil. It was introduced during the Southern and Northern Dynasties, flourished during the Tang Dynasty, and Zoroastrian temples were built. It was completely banned when Emperor Wuzong destroyed Buddhism, but traces of it have always remained. The last place of its existence was in Henan Province, and it has become a local custom today.

The poisonous fire technique is a special technique created by Zoroastrians by integrating the local Taoist legends of the underworld and hell to punish evildoers. It uses the burning of evil souls as the source of the technique to erupt with powerful flames.

The more vicious the soul, the longer it burns and the stronger the fire.

This flame is extremely powerful, capable of incinerating souls and instantly igniting anything it touches. It has special attacks against evildoers and ghosts, such as a thorn in the flesh. It is extremely toxic, but its physical temperature is relatively normal. Note: Using this technique requires internal judgment. The stronger the sense of guilt, the greater the backlash.

Looking at this technique, Louis exclaimed in admiration.

"Amazing! They even have pagan magic."

In fact, this is normal. That land has existed for too long, and many foreign religions have tried to preach there. Although few have succeeded, traces have been left.

The three techniques are all unique.

The art of creating animals is harmful to nature, the art of shifting disasters is treacherous and changeable, and the art of poisonous fire burns the soul.

None of these three spells can be spoken openly. If someone sees you performing them, you will most likely be treated as a wizard or a demon.

However, these techniques are just right for this land.

It couldn't be more appropriate.

It’s a pity that I came a little late. If I had come earlier, I would have used the animal-making technique on those little beasts.

But it’s not too late. There are plenty of materials for drug addicts, murderers, hooligans, serious criminals...

Well, I'll call my uncle later and ask him to bring some more human traffickers, drug dealers and the like over here. He has plenty of such people anyway.

Louis thought for a while and was just about to look at the last three remaining techniques, which was also the newly opened Miao and Dai Gu technique chapter.

一声刺耳的尖叫声划破天际。

The voice seemed to carry some kind of power and was extremely penetrating.

Louis was frightened and looked out the window. The source of the sound was right next to the house and didn't seem to be far away.

next second.

The door next door opened, and Carrie's mother Margaret actually pushed a girl out.

Take a closer look.

It’s Emma!
Behind Margaret, Carrie was pushing constantly, trying to get out, but she didn't dare to use too much force, after all, it was her mother who was standing in front of her.

"Bitch! You have no shame! Get out of my house!"

Margaret yelled at Emma.

Emma didn't say anything, but just looked at her coldly, her eyes slightly turned away, as if looking at Carrie behind her.

Carrie quickly called out, "Emma, ​​I'm sorry!"

Before he could finish his words, the door slammed shut, blocking out the sound.

Only a vague and indistinct sound could be heard.

Apologies, hysterical roars, banging on the wall...

(End of this chapter)