Have you ever been a celebrity? Why are you writing about entertainment?

With more than half of the album released, the data for the five songs has been freshly released. In the table compiled by Sister Liu, "All the Way North" still has the highest overall data.

As the first single, it was of high quality and got off to a great start. Even after five days, its popularity has not waned, living up to its reputation as a top hit.

The other four songs each have their strengths and weaknesses, which helped stabilize the situation, but it must be admitted that the album's popularity is declining.

The price of starting strong is that you're prone to losing momentum and failing to surpass the first song, and the expectations of netizens will naturally fade away.

"That's a problem."

"Twenty Two" is bland, "Romance of the Three Kingdoms" is a hodgepodge, "Four Seasons" is niche, and "500 Miles" is an English song with limited reach.

Upon closer examination, each of these songs has its own problems, and none of them are clearly worthy of being considered masterpieces...

For an album to be a bestseller, it needs at least three hit songs. This kind of approach isn't going to work.

The pressure is put on the next five songs.

Coincidentally, most of the remaining works were not done by Yu Wei herself; Tong Yulu and the others who were in charge of works 6, 7, and 9 felt immense pressure.

I thought it was an employee benefit, but it turned out to be a performance review. If anyone's song goes wrong, they'll definitely be in big trouble.

What if this directly triggers the last-place elimination system...

Fei Hong and Tong Yulu's breathing quickened. Qi Yuan was an outsider, Yu Ting was the town's treasure, and Shen Yutong, who was behind them, hadn't even started working yet.

These three can't move, so if they keep fiddling around, won't only the two of them be left?
This is so true. It looks like a performance evaluation, but it's actually all about connections. Only these two are being genuinely evaluated. This time, it's not just about ranking, but also about life and death.

Now that things have come to this, they're not going to pretend to be good colleagues anymore. They'll do everything in their power to avoid being last in the class.

Wong Fei-hung: [As the sixth brother, I'll start by offering my humble opinion.]
LuLuYouWei: [Oh, not at all, I guess I'd only be able to eat your exhaust fumes.]
They're all very polite to each other, but secretly they're hoping the other's song will flop. You're right, but I can't be last.

The two seemed to be at loggerheads, and an internal competition concerning the studio's status quietly began after the sixth song was released.

Fei Hong, "Rain in June".

The main reason Yu Wei chose this song for him to sing was because the song was simple and focused more on emotion than singing skills.

After all, the original singer wasn't a professional singer. Fei Hong, who came from an acting background, was just right to sing this song. It wasn't difficult for him, and the emotional tone was also appropriate.

Fun fact: Fei Hong and Zhou Mumu were able to get together thanks to a "June rain," and Yu Wei was a witness to it.

Zhou Mumu's avoidance during their relationship perfectly aligns with the song's meaning: "Your indifferent expression will hurt me."

Let him sing this song; it's a perfect match.

The only pity is that there were no scenes from the Legend of Sword and Fairy series, and the theme song "Rain in June" was a little lacking.

Consider this a bonus scene; it will seamlessly connect with the show after "The Myth" finishes airing.

To be honest, when the audience saw that the singer was Fei Hong, they were somewhat casual, after all, everyone knows his skill level.

Everyone was scrolling through their phones, heads down, replying to messages, but when the clean guitar intro started, they still paid attention to the song.

It seems surprisingly good...

"A rainstorm trapped me here"
Your cold expression hurts me.

Fei Hong's sincerity stirred the hearts of many who had initially just been "listening and observing," causing them to lean forward slightly from their relaxed chairs.

"The rain in June is like your merciless heart."

Every little thing that happened struck my heart.

This song is easy to sing and easy to understand. It depicts the protagonist's state of mind after their lover's indifferent departure, trapped in memories and pain. The four words "June rain" themselves constitute a damp and verdant image. It is not overwhelming, but like the plum rain in Jiangnan, fine, long, and all-pervasive.

The song title is quite fitting; the feeling of loving someone you can't have is inherently bittersweet.

I have not given up on you and I will not leave you.
Even if we have to part ways, I will still wait for you.

When the chorus arrives, the melody rises simply, but the emotion presses down heavily.

In an era where everyone is adept at calculation and skilled at cutting losses in time, this declaration of "never giving up" seems both naive and so precious that it makes one's heart ache.

Without a doubt, Fei Hong is such a person who can pursue so-called true love in the entertainment industry, a cesspool of corruption. His clumsy stubbornness is worthy of respect.

In the latter half, the emotions build gradually, yet the story maintains a restrained and measured approach throughout.

This actually gives the listener the most space. This song is not simply a story of "two people". It allows the observer to be present briefly and immerse themselves in a shared melody.

After listening to "June Rain," everyone's first feeling is that this song is perfect as background music. A video of waiting paired with this background music is simply amazing.

Many industry insiders immediately recognized the potential of this song. Its somewhat tragic love elements are very versatile in film and television works, and this song has great potential.

Compared to the previous five songs, which were quite well-made, this kind of song, which knows how to leave blank spaces and has a certain amount of room for imagination, is definitely more conducive to becoming a carrier of visuals and storylines.

That evening, the studio received many collaboration offers. These people weren't very good at filming dramas, but their aesthetic sense was still on point.

Yu Wei could not possibly agree; he still had a use for the song, a great use for it.

Seeing Fei Hong's impressive performance, Tong Yulu is already eager to try her hand at it. While "Rain in June" is certainly good, her "Sunny Day on July 7th" is no less impressive.

They're all months, so who's afraid of whom?
She's an idol by profession, someone who has formally studied music and performed on stage, making her far superior to Fei Hong, who is a crossover artist, so naturally she has nothing to fear.

It's worth mentioning that "July 7th, Sunny Day" is also a theme song for a TV series. Not only are the months close together, one is rainy and the other is sunny, so in a way, they are evenly matched.

Yu Wei also wanted to see who had made greater progress and which song was better.

There are also differences among the studio members. Since they were recruited, it seems that there has never been a proper selection process. This is a good opportunity to see who is an outstanding employee and who is just a nobody.

The one at the bottom isn't necessarily eliminated; the studio will pay for him to ride the 360° pendulum ride and experience weightlessness...

If he can't take you flying, then you should voluntarily go and achieve physical ascension.

On the same day of the seventh day, amidst Tong Yulu's trepidation, "July 7th, Sunny Day" was officially released online.

She wasn't going to fight unprepared; she immediately forwarded a link and held a giveaway for her fans. Even if it meant spending a lot of money, she couldn't be last!
Fei Hong immediately shouted that it was unethical and quickly followed suit, not only forwarding the message himself but also calling on Zhou Mumu to join in.

"Damn it, I still suffer from not having a partner in the end."

This sixth brother is really something else, why is he even bringing in outside help?

Tong Yulu also wanted to find someone to help her, but the first person that popped into her mind was Chi Leying, so she had to give up on that idea.

If you let her share it, she'd practically be betraying the enemy and helping them spread propaganda...

Forget it, her song is of high quality and has catchy lines, she doesn't believe she can't beat the couple on the other side.

As a member of Fishwell Studio, she can't just take the benefits without learning. She must learn the boss's excellent qualities, such as his ability to take on two opponents at once.

"One against two, the advantage is mine," that's their corporate culture.

"I specialize in killing these lovebirds." (End of Chapter)