Have you ever been a celebrity? Why are you writing about entertainment?

Yu Wei was completely unaware of Teacher Meng's series of brainstorming sessions; if he had known, he would have been utterly shocked...

There's no need for so many twists and turns. He chose "Unravel" mainly because he wanted something that would be popular and easy to watch.

Domestic listeners enjoyed it for fun, while netizens in Japan felt the same way, believing that everyone has a bright future.

As for the second song, which was the entry for the indigenous singer Xu Gao, it was a semi-assigned topic. After much thought, Yu Wei decided to arrange a song with a similar style.

He didn't experience hysterical pain, but he must have felt the pain of loss, so he chose the song "Funeral of Roses".

It is said that the song was written by Brother Xu for his deceased girlfriend, and Yu Wei also used this background story in his novel.

When the relevant plot was written a couple of days ago, readers exclaimed that Brother Xu was really pitiful. Of course, there were also many who "angrily criticized" Yu Wei for being inhuman, even killing a minor character.

The recently aired drama "The Myth" is still fresh in everyone's memory, and Yu Wei's role as the female swordswoman is already quite well-known.

The female supporting character is killed, the passerby is killed, is the next step going to be killing the female lead? You heartless author...

However, precisely because of this, the song received widespread attention as soon as it was released. Who says people can't resonate with it? Lü Su is their good girlfriend!

Many people are used to calling their favorite female characters "wife," and there are quite a few female viewers among them. Lü Su is undoubtedly everyone's "wife."

This makes perfect sense! Listening to "The Funeral of Roses" while watching Lü Su's character die has a unique charm. After listening, everyone just wants to shout: "Resurrect my love!"

Netizens suspect that this song is Yu Wei's way of "atoneing" for his sins. It seems that he also knows he was too beastly and specially wrote a song to commemorate Lü Su...

Since he knew he had repented, netizens had no choice but to forgive him.

"Funeral of Roses" may not be a masterpiece, but its unique "widowed" style is very rare. Even if you can't hear any discussion about loss, it is still a good song.

In fact, Yu Weixuan's two songs are very representative. The different market responses to the two songs, one before the other, fully reflect the cultural differences between the two sides.

Sakura listeners felt that "unravel" was more painful because the society there emphasizes collective order and forbearance, so listeners often suppress their emotions inward, and art needs to release them through extreme catharsis.

But for domestic audiences, this kind of pain is somewhat childish and is destined to become part of the entertainment.

Frequent periods of turmoil and reconstruction throughout history have made Chinese people more accustomed to transforming personal pain into a sense of shared destiny, rather than purely individual outbursts.

In contrast, domestic artistic expression focuses more on emotional connection rather than isolation and confrontation; to put it bluntly, it emphasizes human touch.

Yu Wei writes music exchanges, and while entertaining readers is one aspect, subtly helping them experience their own strengths is another.

He writes about entertainment and knows very well that one or two songs can't save the Chinese music scene.

Chen Ping's actions basically represent the limit of what an entertainment protagonist can achieve. He created an era with his works, but it seems he couldn't change anything.

Individual strength is insignificant. If the Chinese music scene wants to truly gain a foothold, it cannot do without everyone, whether singers or listeners; everyone needs to grow.

Yu Wei had considerable confidence in it, after all, China truly had a unique understanding of aesthetics, which was unparalleled in the world.

Perhaps because of this uniqueness, many times it seems like people in China are just playing by themselves, but with the advent of globalization, individuality is destined to become a new trend of the times.

Cultural reserves are like skills; having more skills is never a bad thing. Don't be fooled by the fact that having too many skills may seem useless in the early stages; you'll see their value in the mid-to-late game.

Just as Yu Wei was beginning to feel a sense of responsibility, a phone call interrupted his pleasant reverie... "Uncle, what's up?"

It was Meng Han calling again. After a few calls, Yu Wei was completely bewildered. Did this uncle have the weird hobby of calling people when he had nothing better to do?

"I'm in great health and have a great appetite."

He has learned to answer first, so as to avoid the other party asking any strange questions.

Meng Han nodded seriously upon hearing this. Of course he knew that; otherwise, he wouldn't have made that call.

However, this time he called not to confirm the situation, but to invite me to cooperate.

Having known Yu Wei for so long, he had long wanted to collaborate with him, but he knew Yu Wei wasn't in good mental health and didn't want to put pressure on him.

Now that Yu Wei is clear-headed, Meng Han is finally free of his worries. If they don't cooperate now, when will they?
"I'm going on a concert tour next month, would you do me the honor of being my guest performer?"

"Concert?"

Yu Wei has appeared on music variety shows and galas, released singles and albums, and filmed music videos, but she has never held a concert. It seems she is finally going to make up for that missing piece.

He actually had plans to hold his own concert, but he's been too busy lately and has no time, so he has to put it on hold for now.

It was a rare opportunity for Teacher Meng to invite him to be a guest singer, to broaden his horizons, learn from others, and gain some experience for his own concert.

To be honest, Yu Wei is getting a bit tired of singing in the recording studio for so long, so it would be nice to sing a few songs on a live stage.

With the accumulation of his works, even without relying on exchanging them, his singing skills are already quite impressive. Just thinking about the stage makes Yu Wei eager to try.

"That's great! Don't blame me for ruining your party later."

Teacher Meng is known for his rock music, so you can imagine how explosive his shows are; most singers might not be able to keep up.

Yu Wei had previously chatted with Lin Puyan during a break from filming. He mentioned that he had performed as a guest singer at Meng Han's concert, but the atmosphere was so lively that folk music was completely unsuitable for him, and he almost got asked to return his ticket...

Yu Wei doesn't have this concern. He has a wealth of rock music to offer, and it will definitely be worth the price of admission!

"I forgot to tell you, my opening song is 'Smog'."

Meng Han's sudden reminder successfully pulled Yu Wei back to reality.

"Smog" is Teacher Meng's signature song, so Yu Wei is naturally familiar with it because he wrote the song into his book. In the book's plot, the song even lost a competition, which caused quite a bit of controversy at the time.

Many netizens have been looking forward to this rock battle, but there hasn't been a chance for it to happen, so it has been postponed until now.

Meng Han suddenly brought this up for one purpose only: to use this concert to finish the competition!
He had long wanted to hear what this "Blue Lotus" song was all about, but after learning about Yu Wei's "illness," he couldn't bring himself to ask.

Now that Yu Wei has finally emerged from the shadows, why would he want to avoid war?
The once warlike Meng Han is back. Even though Yu Wei is no longer the same person he used to be, he only fuels the fighting spirit in Meng Han's heart.

As a major force in rock music, should I avoid his sharp edge?

"I'm not saying anything more, see you at the concert!" (End of Chapter)