I am a historical film director in the entertainment industry.

Mei Ting had been to South Korea before and knew about certain things in the South Korean entertainment industry; it was practically impossible for female artists to survive.

The entertainment industry in South Korea is controlled by conglomerates; its fate is entirely in their hands.

Mei Ting had heard that on the day of a South Korean female celebrity's father's funeral, she was ordered by a chaebol to accompany guests.

Furthermore, South Korea has the highest suicide rate among female entertainers in the world, which reveals just how tragic the South Korean entertainment industry truly is.

Similarly, when it comes to South Korean films, their content is among the most explicit in Asia and even the world.

School bullying, child abuse, wealth inequality, etc.

There's nothing that South Korean films won't film, only things that audiences dare not watch.

Therefore, some people joked: Go ahead and film, go ahead and expose social problems, I'll admit defeat if I can change anything!

Korean idols and stars enjoy a very glamorous life on stage.

However, if you look at the history of Korean female celebrities, you will find that it is filled with the words "playthings".

A South Korean director even made a film based on the experiences of a female celebrity, reflecting the unspoken rules of the South Korean entertainment industry.

The movie is called "Plaything".

Although the fig leaf of the South Korean entertainment industry has been torn off, exposing its darkness to the sunlight.

But the South Korean entertainment industry has not changed at all.

South Korean entertainment industry: Go ahead and film, film all you want, see if I change anything.

People then realized that they had greatly underestimated the darkness of the South Korean entertainment industry.

The darkness in the South Korean entertainment industry is not the darkness of a few individuals, but rather stems from the darkness of the chaebols (conglomerates).

The power of South Korean conglomerates in South Korea can be glimpsed by observing the South Korean entertainment industry.

Some people have said that a South Korean is born in a Samsung hospital, eats Samsung food, uses a Samsung-made phone, lives in a Samsung-built house, and works for Samsung.

This shows the influence of chaebols in South Korea.

It wouldn't be unreasonable to say that the chaebols are like local emperors in South Korea.

Therefore, for a local tyrant, it's perfectly normal to not only sleep with a few female celebrities, but also to harass women in the street.

For most female celebrities in South Korea, being a celebrity is both a halo and a curse.

This identity can bring them both fame and the opportunity to make money.

But it also became a curse on their lives, a path to hell and closeness to the devil.

They appear glamorous in public, but who can they tell about the hardships they endure behind the scenes?

It's just like the saying goes: the gifts that fate bestows always have a price tag attached.

Fortunately, although the entertainment industry in China is chaotic, it is still within acceptable limits.

Mei Ting understands this best, because as long as she is not tempted, no one can force her to drink and sleep with others.

Directors like Cheng Sheng, who maintain high moral standards and refuse to engage in any form of sexual harassment with female artists, are extremely rare in the entertainment industry.

Mei Ting was truly envious and jealous that her best friend had won her over.

If she were ten years younger and unmarried, she would definitely try to steal her best friend's boyfriend, since men like Cheng Sheng are practically extinct in this world.

On stage, Zeng Li and the other four did not immediately begin singing. Instead, Zeng Li took the microphone and slowly said, "The wheels of history roll ever forward."

Zeng Li's voice contained an unusual and irrepressible excitement.

"Each generation has its own Long March, and each generation has its own responsibilities."

"Next, we will dedicate a song about 'wish fulfillment' and 'inheritance' to you."

"The song is called 'As You Wish'. It tells the story of our journey here and our journey home."

As Zeng Li finished speaking.

Snapped!
The main stage lights went out instantly, leaving the audience in a breathtaking darkness.

One second, two seconds...

Just as silence enveloped the square.

A beam of pure white spotlight descended suddenly like a ladder to heaven, precisely enveloping the five women.

Under the pure white beam of light, five beautiful figures dressed in dazzling and sexy oriental red.

Their makeup was exquisite, but at this moment there was no seductiveness or coquettishness; instead, their brows exuded a captivating respect and strength.

Jiangsu Ying stood at the very front, slightly turned to the side, her gaze sweeping across the entire audience with an almost sacred tenderness and gratitude.

Jiao Junyan stood beside her, her hands lightly holding the microphone in front of her chest, her heroic and spirited demeanor making her look like a female warrior in battle.

Tang Wei's face was cold and aloof, but that coldness was not aloofness, but rather a surging emotion that was about to break free from its cocoon.

Zhang Xiaofei stood on the other side, her height giving her an outstanding figure and a frank look.

Zeng Li stood slightly behind in the center, her aura the most powerful. It wasn't the majesty of a queen, but a grand sense of conviction that encompassed heaven and earth and connected with history.

Her gaze was fixed straight ahead, seemingly meeting the gaze of the enormous stone monument in the distance, engaging in a dialogue across time and space with the spirits that stood upon it.

There was no warning, no prelude.

A soothing and heartfelt piano melody flowed out slowly, and the almost crystal-clear notes fell gently, instantly making everyone feel a surge of sadness welling up from their hearts.

The strings quietly join in, like a gentle stream flowing into the long river of history, distant and slightly melancholic, yet full of warm and steadfast power.

Before the song even began, some of the more perceptive audience members seemed to see their ancestors waving goodbye to their families for the sake of the country and the nation.

Although this imagery arose in their minds, it also genuinely touched them.

The next moment, Jiangsu Ying slowly raised the microphone to her lips. Her voice was ethereal and warm, with a tone of reminiscence and narration, as if she were gently turning the pages of a thick history book, or seeing a Red Army soldier resolutely embarking on the life journey of walking across grasslands, snow-capped mountains, and traversing mountains and valleys to begin the Long March.

"You are the long road, the light in the thick fog of the mountains, and I am a child! Walking in your eyes."

Jiangsu Film's gaze is gentle and far-reaching; it has already seen the thorny path it came from and the ancestors who guided it with lamps in the fog.

Cheng Sheng was instantly captivated by Jiangsu Ying's emotionally charged singing.

Compared to when she was in the practice room, Jiangsu Ying's singing had improved at this moment, especially in terms of emotional expression, which she handled very well.

It must be said that the singing ability of Jiangsu film and television singers is quite good.

In another timeline, Jiangsu Ying was not only a top student and actress, but also a very talented singer. Her album, "Jiangsu Ying's Red Lips Speak," once topped the search charts. However, this album wasn't actually a true musical work and didn't fully showcase Jiangsu Ying's singing abilities; it was more like a broadcasting/hosting album. Nevertheless, it didn't dampen the enthusiasm for Jiangsu Ying's album. (End of Chapter)