The rebirth of the national movie queen

Chapter 85

Mi Xiaoxi stayed by Si Yue's side for a long time, and Jin Yinyin, who was waiting for her assistant to help her tidy up her clothes, went crazy again and yelled and shouted several times.

"Why are you crying? Did I hit you or scold you? The company didn't give you money for me to pay for you. You can't do anything well, and your elbows are still turning outside. Only I can bear it." With your little temper, look at other people's assistants, who is as ignorant as you?" Seeing that his play was about to start, he was not ready yet, and the whole person kept being irritable.

Mi Xiaoxi's body was trembling, and everyone else was used to it. Acting is not as exciting as reality, and it's not like Jin Yinyin has never seen someone like this before.

In the next few days, Jin Yinyin was like an aunt, and her mood was still unstable.

But others are not much better.

There are too many action scenes in Diao Weiya, and the intensity is a bit unbearable.

"Attention everyone, this scene is more important, cooperate with each other, and the expressions must be in place..." As soon as the scene started, the director began to stir up everyone's emotions.

"Director, our Xinxin has been feeling unwell for the past few days. Can you see if you can use a stand-in to make up for her in the end?" Tang Xin's manager came here specially today, and began to lean in front of the director and said.

Tang Xin's complexion is fair, and his exhausted appearance does seem to be uncomfortable. The director glanced at him: "Can't hold on? You have to know that if you do this kind of play yourself, it will also be a kind of damage to your acting skills and your own ability." hone."

"Director...I'm sorry, how about I try my best. It's just that I've been a little uncomfortable today. If I turn around and affect others..." After Tang Xin finished speaking, he gently covered his stomach and bit his lip, but his eyes were a little firm and contradictory .

The director let out a sigh of relief: "Forget it, let's replace the body, you touch up the makeup, and touch up the camera later."

"Okay, thank you director." Tang Xin thanked quickly.

Jin Yinyin was so jealous that she was a little bit dissatisfied, but Tang Xin had already used the trick of showing weakness, and Tang Xin was indeed special, so no accidents could happen, so he had to forget it.

This scene is one of the most important action scenes in the whole play. The men and women, as well as the sister and confidante next to the hero, are all there, being besieged by people and then showing their special abilities.

Although the setting of "Shenxiang" involves the court, but very little, it is actually a Jianghu drama, and the martial arts in it are also flying up and down. Even the little beggar Queer played by Si Yue, although it is a three-legged cat kung fu, But there will also be some low-level lightness skills, so this scene is a must.

Not only that, Si Yue also has a lot of emotional scenes in this scene.

Because a group of people were in danger, the heroine and Que'er were restrained by the enemy at the same time, because the heroine kept asking the hero to give up on himself, causing the enemy to become angry and attack the heroine, and the hero also desperately went to save the heroine. Abandoned his sister.

It was also at this point in time that Que'er turned black, and since then opened the way to frame the heroine.

So she must capture this emotional change clearly. If the acting is good, her darkening will make people feel sad. If the acting is not good, then her blackening will look like a psychotic attack to others.

Now that Tang Xin hangs up and uses a double, it's not necessarily a bad thing for her.

After all, the photo-like close-ups that will be added later may not be as good as when you are on the scene.

"Attention all units! Start!" As soon as the director's voice fell, everyone entered the state.

Si Yue was also flown up and down by Wia, but although there was Wia, she had to rely on her weak waist to maintain a perfect posture in the air, which was a matter of strength.

When the weapons meet, the martial arts instructor also looks carefully to avoid unqualified postures.

Jin Yinyin and Si Yue are back to back, and the two of them in the play can be regarded as comrades-in-arms at the moment, and a short-term cooperation is necessary.

(End of this chapter)