Rebirth Lord of Time and Space
Chapter 336
Chapter 336
Kong Ru and Zhang Dingshan are similar in age, but Zhang Dingshan is an authority in academics, while Kong Ru is an absolute authority in the field of calligraphy and painting because of his intensive study of calligraphy and painting.
At the same time, everyone admires his contributions to the Chinese calligraphy and painting circles, and his integrity and selflessness, so he has won the respect of everyone.
When Kong Ru saw Zhang Dingshan, he also said politely:
"Mr. Zhang, you're welcome. I'm just a loafer now. I'm used to being leisurely. I came to Hangzhou to go boating on Xizi Lake, following in Mr. Dongpo's footsteps. Such two shocking works are really a great blessing in life!"
Both of them are Confucian scholars of the time, Taishan Beidou, although they don't know each other deeply, they have long admired each other.
After chatting for a while, Kong Ru said seriously:
"These two paintings were exhibited by you, Mr. Zhang."
In addition to the collections brought out by the museum in the calligraphy and painting exhibition, the contact information of the collectors is generally marked under the rest of the exhibition works. This is for the convenience of mutual communication, and also provides contact information for those who want to buy and sell works. And the contact person under this work is Zhang Dingshan.
Zhang Dingshan nodded, looked upright, and proudly said:
"These two works were made by my master."
Kong Ru shook his hands, trembling, and shouted:
"What did you say? These two works were made by your master? I don't know where the respected master is? The younger generation must visit!! No, I wonder if the respected master is still willing to accept apprentices?"
The people around were shocked when they heard this. Most of the ancient painting methods have been lost. Many of the modern people draw ancient paintings using the techniques of modern paintings. Therefore, in today's modern times, it is difficult to come up with the kind of astonishing masters.
At this time, they were shocked to hear that this shocking work was actually painted by today's people.
I didn't expect that the society can still cultivate such a grand master, how can it not be shocking,
For a while, the exhibition hall that was supposed to be quiet became noisy.
Zhang Dingshan nodded, thought for a while, and smiled wryly:
"This... my master is a bit arrogant. He has just finished this work. I borrowed it for a period of time to exhibit. I hope it can open up a new learning path for friends in the painting and calligraphy circles."
After a pause, Zhang Dingshan said again:
"My master is very different from everyone's imagination, a little young..."
Kong Ru shook his head again and again, and directly interrupted Zhang Dingshan's words:
"Mr. Zhang, what you said is a bit rigid. The way of calligraphy and painting is mastered as a teacher. Even if you are younger, it doesn't matter."
Kong Ru made up his mind to worship Lin Fei as his teacher.
The bitterness on Zhang Dingshan's face became more and more intense, and he thought to himself: "You don't have a back pain when you stand and talk. If you really see Mr. Lin, you will only be surprised if you are not shocked."
Kong Ru couldn't bear it any longer, and urged:
"Quick, quick, quick, who is the respected master? How did I not know that there are such brilliant people today!!"
Zhang Dingshan said with a smile: "I can't name a famous one. It's just an old friend of mine in Haizhou. But this old friend is really amazing. He is astounded by what he has learned. Cao Zijian is as talented as Cao Zijian, who can write poems in seven steps."
Haizhou? Old friend?
Unexpectedly, the master who created such an astonishing work would live in such a small place as Haizhou, and the people around him were also very shocked.
That's right, there are many hermits and masters in this world, idle clouds and wild cranes.
Seeing the expressions of the people around him, Zhang Dingshan was startled, and quickly said to Kong Ru:
"Let's go inside and talk, it's here to prevent others from enjoying and browsing."
Kong Ru understood immediately after hearing this, and hurriedly walked inside.
And at this moment, in front of these two paintings and calligraphy, stood an old man with a face of eagle, about five or sixty years old.
He stared straight at this [Warrior's Unparalleled Post], with a look of astonishment on his face, he said in shock:
"My God, this is not calligraphy, this is clearly a peerless swordsmanship!"
He muttered to himself, and the greedy look in his eyes flourished:
"The person who wrote this calligraphy has already reached the pinnacle of sword comprehension. If I can get this work and study it day and night, I will definitely be able to improve my swordsmanship, and even break through the realm of the master and reach the extreme martial arts state." It’s also very possible.”
Thinking of this, he looked at the painting with an increasingly greedy expression.
'No, I have to find a way to get this painting as soon as possible. If other masters see it, it will be troublesome. '
He looked at the more and more people gathering around him, as well as the security guards patrolling nearby and the special police outside, and put aside the idea of "robbing" for the time being.
It's not that he's afraid, but that Huaxia has a martial arts convention, so blatantly grabbing things like this will become a public enemy of martial arts.
"It seems that we can only draw it slowly." He was thoughtful.
-
the next day,
Several well-known domestic newspapers published a report on the front page, such as the Huaxia Literature Newspaper, "The calligraphy and painting exhibition is shocking the new works of today's people. Kong Ru bluntly said that this is a shocking work!"
The article describes in detail the sensation caused by "Girl in Yunmeng Pavilion" and "Wraith Warriors Post" in the calligraphy and painting exhibition, and Kong Ru's comments in the exhibition, and published two miniatures of calligraphy and painting beside it.
And also published the whole poem:
"Standing in a dangerous building, the wind is soft. Looking at the extreme spring sorrow, the sky is gloomy. In the afterglow of the grass and smoke. No one can rely on the mood without words.
It is planned to get drunk with the picture of sparse madness.Singing to wine, strong music is tasteless.The belt gradually widens and I don't regret it.People haggard because of Yixiao. "
Of course, the shock of these two works cannot be felt through words and photos.
However, the song "Butterfly Love Flower", full of calculations and only sixty characters, shocked the world.
After reading every word and every word, it caused a little whirlwind in the cultural circle in an instant, and was regarded as a "magic work" by many petty bourgeoisie youths.
For a while, the name "Lin Fei" made a small splash.
Then, Hangzhou Daily and Huaxia Art Magazine reported on the sensation caused by these two works at length, and some of the newspapers even wrote that "Huaxia calligraphy and painting are expected to revive, and the mysterious master Lin Fei has become a leading figure!"
In the article, [Girl in Yunmeng Pavilion] and [Crazy Warriors Unparalleled Post] are used as quotations, and the "Master Lin Fei" mentioned by Kong Ru is regarded as the hope of the painting and calligraphy circles.
The Southern Metropolis Daily commented that "mysterious master turned out to be born, and shocked the literary world with every word and painting!" In this comment, he focused on evaluating the calligraphy and painting skills shown in these two works, and believed that this painting would definitely arouse the attention of calligraphy and painting. innovation and reform.
However, in China, the traditional culture has long been in an embarrassing situation of being outnumbered. Although young people yearn for and respect it, there are too few who really care about it and are willing to learn it down-to-earth.
Therefore, this kind of news only caused a stir in the academic circle and enthusiasts, and most ordinary people just read it for fun and as talk.
However, some modern wealthy people are different.
Especially some super rich and art investors, they are very optimistic about these two works, and believe that this will be a national treasure no less than "Simu Wuding" in the future.
(End of this chapter)
Kong Ru and Zhang Dingshan are similar in age, but Zhang Dingshan is an authority in academics, while Kong Ru is an absolute authority in the field of calligraphy and painting because of his intensive study of calligraphy and painting.
At the same time, everyone admires his contributions to the Chinese calligraphy and painting circles, and his integrity and selflessness, so he has won the respect of everyone.
When Kong Ru saw Zhang Dingshan, he also said politely:
"Mr. Zhang, you're welcome. I'm just a loafer now. I'm used to being leisurely. I came to Hangzhou to go boating on Xizi Lake, following in Mr. Dongpo's footsteps. Such two shocking works are really a great blessing in life!"
Both of them are Confucian scholars of the time, Taishan Beidou, although they don't know each other deeply, they have long admired each other.
After chatting for a while, Kong Ru said seriously:
"These two paintings were exhibited by you, Mr. Zhang."
In addition to the collections brought out by the museum in the calligraphy and painting exhibition, the contact information of the collectors is generally marked under the rest of the exhibition works. This is for the convenience of mutual communication, and also provides contact information for those who want to buy and sell works. And the contact person under this work is Zhang Dingshan.
Zhang Dingshan nodded, looked upright, and proudly said:
"These two works were made by my master."
Kong Ru shook his hands, trembling, and shouted:
"What did you say? These two works were made by your master? I don't know where the respected master is? The younger generation must visit!! No, I wonder if the respected master is still willing to accept apprentices?"
The people around were shocked when they heard this. Most of the ancient painting methods have been lost. Many of the modern people draw ancient paintings using the techniques of modern paintings. Therefore, in today's modern times, it is difficult to come up with the kind of astonishing masters.
At this time, they were shocked to hear that this shocking work was actually painted by today's people.
I didn't expect that the society can still cultivate such a grand master, how can it not be shocking,
For a while, the exhibition hall that was supposed to be quiet became noisy.
Zhang Dingshan nodded, thought for a while, and smiled wryly:
"This... my master is a bit arrogant. He has just finished this work. I borrowed it for a period of time to exhibit. I hope it can open up a new learning path for friends in the painting and calligraphy circles."
After a pause, Zhang Dingshan said again:
"My master is very different from everyone's imagination, a little young..."
Kong Ru shook his head again and again, and directly interrupted Zhang Dingshan's words:
"Mr. Zhang, what you said is a bit rigid. The way of calligraphy and painting is mastered as a teacher. Even if you are younger, it doesn't matter."
Kong Ru made up his mind to worship Lin Fei as his teacher.
The bitterness on Zhang Dingshan's face became more and more intense, and he thought to himself: "You don't have a back pain when you stand and talk. If you really see Mr. Lin, you will only be surprised if you are not shocked."
Kong Ru couldn't bear it any longer, and urged:
"Quick, quick, quick, who is the respected master? How did I not know that there are such brilliant people today!!"
Zhang Dingshan said with a smile: "I can't name a famous one. It's just an old friend of mine in Haizhou. But this old friend is really amazing. He is astounded by what he has learned. Cao Zijian is as talented as Cao Zijian, who can write poems in seven steps."
Haizhou? Old friend?
Unexpectedly, the master who created such an astonishing work would live in such a small place as Haizhou, and the people around him were also very shocked.
That's right, there are many hermits and masters in this world, idle clouds and wild cranes.
Seeing the expressions of the people around him, Zhang Dingshan was startled, and quickly said to Kong Ru:
"Let's go inside and talk, it's here to prevent others from enjoying and browsing."
Kong Ru understood immediately after hearing this, and hurriedly walked inside.
And at this moment, in front of these two paintings and calligraphy, stood an old man with a face of eagle, about five or sixty years old.
He stared straight at this [Warrior's Unparalleled Post], with a look of astonishment on his face, he said in shock:
"My God, this is not calligraphy, this is clearly a peerless swordsmanship!"
He muttered to himself, and the greedy look in his eyes flourished:
"The person who wrote this calligraphy has already reached the pinnacle of sword comprehension. If I can get this work and study it day and night, I will definitely be able to improve my swordsmanship, and even break through the realm of the master and reach the extreme martial arts state." It’s also very possible.”
Thinking of this, he looked at the painting with an increasingly greedy expression.
'No, I have to find a way to get this painting as soon as possible. If other masters see it, it will be troublesome. '
He looked at the more and more people gathering around him, as well as the security guards patrolling nearby and the special police outside, and put aside the idea of "robbing" for the time being.
It's not that he's afraid, but that Huaxia has a martial arts convention, so blatantly grabbing things like this will become a public enemy of martial arts.
"It seems that we can only draw it slowly." He was thoughtful.
-
the next day,
Several well-known domestic newspapers published a report on the front page, such as the Huaxia Literature Newspaper, "The calligraphy and painting exhibition is shocking the new works of today's people. Kong Ru bluntly said that this is a shocking work!"
The article describes in detail the sensation caused by "Girl in Yunmeng Pavilion" and "Wraith Warriors Post" in the calligraphy and painting exhibition, and Kong Ru's comments in the exhibition, and published two miniatures of calligraphy and painting beside it.
And also published the whole poem:
"Standing in a dangerous building, the wind is soft. Looking at the extreme spring sorrow, the sky is gloomy. In the afterglow of the grass and smoke. No one can rely on the mood without words.
It is planned to get drunk with the picture of sparse madness.Singing to wine, strong music is tasteless.The belt gradually widens and I don't regret it.People haggard because of Yixiao. "
Of course, the shock of these two works cannot be felt through words and photos.
However, the song "Butterfly Love Flower", full of calculations and only sixty characters, shocked the world.
After reading every word and every word, it caused a little whirlwind in the cultural circle in an instant, and was regarded as a "magic work" by many petty bourgeoisie youths.
For a while, the name "Lin Fei" made a small splash.
Then, Hangzhou Daily and Huaxia Art Magazine reported on the sensation caused by these two works at length, and some of the newspapers even wrote that "Huaxia calligraphy and painting are expected to revive, and the mysterious master Lin Fei has become a leading figure!"
In the article, [Girl in Yunmeng Pavilion] and [Crazy Warriors Unparalleled Post] are used as quotations, and the "Master Lin Fei" mentioned by Kong Ru is regarded as the hope of the painting and calligraphy circles.
The Southern Metropolis Daily commented that "mysterious master turned out to be born, and shocked the literary world with every word and painting!" In this comment, he focused on evaluating the calligraphy and painting skills shown in these two works, and believed that this painting would definitely arouse the attention of calligraphy and painting. innovation and reform.
However, in China, the traditional culture has long been in an embarrassing situation of being outnumbered. Although young people yearn for and respect it, there are too few who really care about it and are willing to learn it down-to-earth.
Therefore, this kind of news only caused a stir in the academic circle and enthusiasts, and most ordinary people just read it for fun and as talk.
However, some modern wealthy people are different.
Especially some super rich and art investors, they are very optimistic about these two works, and believe that this will be a national treasure no less than "Simu Wuding" in the future.
(End of this chapter)
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