Chapter 670 Performance
Gu Weiwei quickly melted herself into the story.

At this moment, she is Shui Sheng, and Shui Sheng is her.

After she was in a good mood, Gu Weiwei slowly stood up from the chair, supported her lower back with her left hand, walked neatly on the bumpy mountain road, and patted the child on her back with her hands from time to time.

After bumps and bumps, I finally arrived at the destination, holding the trunk with one hand, and holding the ax vigorously with the other to look at the tree.

When the tree falls, it will protect the child behind it with its hands.

After cutting the firewood, she squatted down, took out a hemp rope from her pocket, and quickly tied up the firewood.

Then move the child behind his back to the front, and then carry the firewood on his shoulders, and climb up and down with difficulty.

When Gu Weiwei performed, there was no real thing.

Whether it is soothing a child or chopping a tree, only the action can be seen.

However, Song Anhao and Director Li seemed to be on the scene, and were substituted by her expressions and movements, as if she was not acting against the air, but was actually performing against the real thing.

After reading the firewood, Gu Weiwei was not in a hurry to carry the firewood to the market to sell, but to dry it in the yard.

Going back to the room, I took a look at the eldest brother who was sleeping next to her husband, and made some sign language to her husband, asking if the child is good today and not making a fuss.

After briefly communicating with her husband about the child's situation, Shui Sheng carefully put the second child next to her husband and started cooking.

During cooking, the second child woke up and started crying.

She hurried over to appease the second child again, first checked to see if he had peed, and then nursed her.

While breastfeeding, she patted her little butt lightly and hummed a little song.

Although Shui Sheng is dumb and unable to speak, she can still hum some simple sounds.

Director Li concentrated on watching Gu Weiwei sitting on the bench, patting the air in her arms, humming a little tune, with a loving face, maternal love could almost overflow from her eye sockets.

This kind of performance doesn't seem like a girl in her early twenties can perform at all.

Only a mother can empathize with the maternal love on her face and the care of her children. When performing, there will be no traces of performance.

However, Gu Weiwei was neither married.

No children either.

Or perform against the air.

But there is no trace of performance at all.

As if she really was a mother.

Full of satisfaction are the kids and the family.

After coaxing the child, Gu Weiwei gently put the child on the bed, covered her with a quilt, and then went to the kitchen to make food.

After dinner, both the eldest and the second woke up.

Her husband was paralyzed and unable to take care of the children, so she held the eldest child with her left hand, supported her waist with her right hand, and carried the second child on her back to wash clothes for the neighbors.

While washing clothes, I still don't forget to amuse the two children.

From time to time, check to see if the boss is still within his line of sight.

Look at what the second child is doing.

Although life is hard, she can't see the slightest complaint on her face. No matter on her face or in her eyes, there is always a faint smile and longing for the future life.

It's a silent show.

Not a single line.

Not a single assistant.

It was just Gu Weiwei's performance alone.

The whole way down, less than 10 minutes.

Obviously, it is a very flat and excessive plot.

However, Gu Weiwei's performance was full of flesh and blood. Song Anhao and Director Li didn't feel that it was long and boring. Instead, they watched the whole performance attentively.

With the development of the plot, the two unconsciously blushed.

Until Gu Weiwei finished the performance, Director Li still couldn't regain his senses, immersed in the plot just now and couldn't extricate himself.

Not to mention Director Li, Gu Weiwei was also unable to act for a long time, her mood was very low, and she was so overwhelmed by Shui Sheng's miserable life experience that she couldn't breathe.

In the past, she was quick to get into the drama and out of the drama quickly.

But now, she was completely unable to act immediately.

Mainly because the plot of the movie is too depressing.

She has played so many plays, this is really the most tragic role she has ever played.

Sad from beginning to end.

She was almost depressed while performing.

(End of this chapter)

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