Reborn I am the second generation of stars

Chapter 461 Interview
The curtain opened, and Xu Qianshi calmly walked out amidst everyone's expectant eyes.

I saw his handsome face, with the corners of his mouth slightly raised.

"Xu Qian!"

"Xu Qian!"

The shouting continued again.

Xu Qian walked to the middle of the stage, and then politely greeted the host: "Brother Han, hello hosts."

Immediately there was another burst of applause at the scene, which was endless and amazing!
"Haha, you finally came out, I believe the audience has been waiting impatiently."

Brother Han said.

Then Brother Han began to ask: "Xu Qian, you have successfully directed two films, what made you embark on the road of directing?"

Xu Qian replied with a smile: "It is an interest. I am very interested in the director, because I feel that the director is very great, and it seems that he is creating a world!"

Brother Han nodded.

He went on to ask: "Your first film "Those Years" broke many records, and "My Girlhood" even broke the records in mainland film history. How did you do it? How can you achieve success again and again?"

This is also what many people are curious about?
Because directors like Xu Qian who can succeed in their first film are not uncommon!

Slightly, people like him who can achieve such a high box office with their first film are rare, or even unique.

Therefore, many people envy and hate him, and at the same time, they are very curious about how he did it?

Xu Qiandao: "Actually, there is no secret. It is to take pictures carefully, find the right location, and do a good job of investigation."

Brother Han felt that what Xu Qian said was too concise.

"Can you be specific?"

Brother Han asked.

"The so-called serious shooting means making serious preparations in the early stage and striving for perfection during shooting. First, the acting skills of the actors must pass the test, and second, the director can control the situation reasonably, etc."

"The so-called doing a good job of research is to investigate the trial scope of the film first. The two films I shot are both youth films. These films are basically suitable for post-80s and post-90s, so I will try my best to shoot some that can resonate with them. thing."

Brother Han nodded and said, "Not to mention those born in the 80s and 90s, even me born in the 60s resonated with "Those Years"!"

Xu Qian continued: "The so-called good positioning is the distinction between commercial films and literary films. I know the commercial films I shoot, so I try my best to cater to the audience and make them easy to understand, rather than "seeking danger" or "seeking novelty". "

In fact, Xu Qian thinks that the difference between commercial films and literary films is mainly in two aspects.

One is the story aspect.

Commercial films are almost popcorn, just make people happy and worry.

Literary and artistic films are different. They pay more attention to human nature and epic, and hope to see the big from the small. Any event must trigger countless great principles, and then give people a wake-up call.

The second is the character of the characters. The characters of commercial films are not outstanding.

The characters in literary films are very extreme and crazy, because the more extreme and crazy the character is, the more human nature can be highlighted!
Brother Han was a little surprised by Xu Qian's answer.

Because even though many directors now shoot commercial films, they don't have the idea of ​​"I am honored to make commercial films".

Many directors want to make an epic masterpiece in their hearts, which will last forever and be famous forever.

Everyone has a master dream in their hearts!

. . . . . . . . .

Xu Qian doesn't have any prejudice against literary films in his heart, after all, he also likes to watch "Farewell My Concubine" and "Evil, West Poison"!
He feels that there is a need for both literary films and commercial films.

You can’t watch popcorn movies all the time, but you can also watch some literary and artistic films to shock your soul and cultivate your sentiments when appropriate, and there is not no market for literary and artistic films, this is the favorite of many literary youths!

Similarly, it is impossible for you to watch literary and artistic films all the time, and it is impossible to shock your soul every day, once a month is enough, and any more are worthless.

Xu Qian felt that there should be a distinction between commercial films and literary films.

Obviously, commercial films should be the main one, because it conforms to the public's aesthetics and can protect the market!
Literary films should exist in dependence on commercial films.

. . . . . . . .

Brother Han is the kind of host who asks whenever he wants. He said to Xu Qian, "Xu Qian, you should also be regarded as an academic. I remember that academic directors usually like to shoot literary films. Why are you different?"

Xu Qian is indeed an academic school!
Because he is a student of Yenching Film Academy!
To be honest, he almost forgot that he still has such an identity!
This identity is dispensable to him!
The Yanjing Film Academy used to be ashamed of him, but now it's the other way around.

Of course, Yenching Film Academy would not bow down to him.

After all, Yenching Film Academy has produced countless great directors and masters over the years!

For example, Chen Xuanli!

Compared to them, although Xu Qian's current achievement is brilliant, it will not make the film academy kneel and lick him.

Of course, although he didn't kneel and lick Xu Qian, he still kept his student status. After all, he went out of the Film Academy.

. . . . . . . .

As for why academics like to make literary films?
Because this is what they learned in school, the fifth-generation directors played a very good role in leading the way, and the fifth-generation directors headed by Chen Xuanli created a so-called "age of masters"!
Those masters have indeed produced some works that attract the attention of the world. These masters either expose the darkness of society, or reflect the changes of the times. They are all full-fledged fighters.

Of course, these films also have a bad point, that is, they only expose the darkness and only say "China is ugly", but there is no hope and no light. This has also led to many netizens complaining about these masters, thinking that they are destroying China. image of!

Of course, these comments are biased, because they did not think about the problem from the background of the times at that time. If you put yourself in that era, you may not be better than those masters!

These masters have made meritorious deeds, and in the end they have made some achievements.

Compared with the fifth-generation directors, the sixth-generation directors can only use four words to describe "what the hell?"

They also shoot literary films, but most of them pursue "extreme abnormality", "pursue personality", and express themselves too much.

This also caused them to almost ruin the Chinese market.

when someone criticizes them.

They also looked at other people with contemptuous eyes: "You don't understand me!"

"You are so lowly, you can't understand my movies!"

It is estimated that they can't even understand their own movies!
Obviously they have a very wrong perception!
That is, films that cannot be understood are literary films!

In fact, this is not the case. Literary and artistic films are not so narrow!

It is precisely because of the existence of these people that many people discriminate and even despise literary and artistic films!

(End of this chapter)