Acting Reborn
Chapter 256
Chapter 256
Ignoring the people around him, Lu Yao picked a place where no one was around, pulled up a chair and sat down.She probably knew what made Wen Sheng dissatisfied with her.Wen Sheng's question made her grasp something sensitively, and then the make-up artist's unintentional words were like a blow to the head, which made her suddenly discover her own problem.It's not that the performance is not in place, nor is it that she is not devoted enough, but that her performance is not distracted.
She once awakened Feng Yue, because her acting skills are too lifelike, she treats herself as a person in the story, and her performance is too real and bland, without appeal or tension.But she never thought about her own problems.If Feng Yue's interpretation is too obsessed with reality, then her acting skills are too focused on form, without intention.
Lu Yao's acting skills are tempered by time. She has performed so many roles, big and small, in her previous life. She is used to showing the most suitable expressions in front of the camera. She also knows what expressions and expressions can magnify the audience's senses , can give people the illusion of empathy.She used to practice day and night in front of the mirror in order to perfectly express what she felt in her heart. She frowns and smiles, raises her eyes and frowns. What kind of characters need to have a unique look, some of them are her own. Some of the ideas she came up with were learned from big names when she was playing a supporting role.
But no matter how perfect Lu Yao was in front of the camera, there was one thing she couldn't deny.The roles she performed did not truly touch her own heart.That's why she can always return to nature after the director calls out, because she can express the emotions of the actor in the script with her demeanor and actions.However, just on the outside, she herself doesn't have much sense of touch.
In those long years of performing arts, no one ever felt that Lu Yao's performance was inappropriate, because her performance was astonishing and shocking. Although she lacked a trace of popularity, she looked perfect in the camera .Lu Yao herself thought so too, the acting skills she had spent so much time practicing made her not even aware of whether she was distracted or not.
For many actors, what they must win is to enter the play.The matter of entering the play seems to be very simple, but in fact it is a state that many actors can't ask for.Lu Yao once thought that she was able to get into the mood quickly after the filming started because she was good at entering the scene, but after Wen Sheng's point, she didn't dare to think so.Her kind may not be called entering the show, but more precisely, it is the explosive power of her performance.She can resonate with the audience, but not resonate with herself, because she does not regard herself as a character in the play, and she calmly knows that she is an actor, and she is performing.
This is exactly what Wen Sheng is dissatisfied with. Compared with the aesthetic feeling in front of the camera, Wen Sheng cares more about the devotion and release of the actors themselves.So even though Wang Di is a newcomer and his skills are very raw, Wen Sheng likes him very much because Wang Di is very devoted.He often stays in the same place in a daze after the shutdown, his eyes unconsciously follow Lu Yao's figure, because he can't quickly break away from Zhuang Qing's role, and it's because he is slowly entering the play.
(End of this chapter)
Ignoring the people around him, Lu Yao picked a place where no one was around, pulled up a chair and sat down.She probably knew what made Wen Sheng dissatisfied with her.Wen Sheng's question made her grasp something sensitively, and then the make-up artist's unintentional words were like a blow to the head, which made her suddenly discover her own problem.It's not that the performance is not in place, nor is it that she is not devoted enough, but that her performance is not distracted.
She once awakened Feng Yue, because her acting skills are too lifelike, she treats herself as a person in the story, and her performance is too real and bland, without appeal or tension.But she never thought about her own problems.If Feng Yue's interpretation is too obsessed with reality, then her acting skills are too focused on form, without intention.
Lu Yao's acting skills are tempered by time. She has performed so many roles, big and small, in her previous life. She is used to showing the most suitable expressions in front of the camera. She also knows what expressions and expressions can magnify the audience's senses , can give people the illusion of empathy.She used to practice day and night in front of the mirror in order to perfectly express what she felt in her heart. She frowns and smiles, raises her eyes and frowns. What kind of characters need to have a unique look, some of them are her own. Some of the ideas she came up with were learned from big names when she was playing a supporting role.
But no matter how perfect Lu Yao was in front of the camera, there was one thing she couldn't deny.The roles she performed did not truly touch her own heart.That's why she can always return to nature after the director calls out, because she can express the emotions of the actor in the script with her demeanor and actions.However, just on the outside, she herself doesn't have much sense of touch.
In those long years of performing arts, no one ever felt that Lu Yao's performance was inappropriate, because her performance was astonishing and shocking. Although she lacked a trace of popularity, she looked perfect in the camera .Lu Yao herself thought so too, the acting skills she had spent so much time practicing made her not even aware of whether she was distracted or not.
For many actors, what they must win is to enter the play.The matter of entering the play seems to be very simple, but in fact it is a state that many actors can't ask for.Lu Yao once thought that she was able to get into the mood quickly after the filming started because she was good at entering the scene, but after Wen Sheng's point, she didn't dare to think so.Her kind may not be called entering the show, but more precisely, it is the explosive power of her performance.She can resonate with the audience, but not resonate with herself, because she does not regard herself as a character in the play, and she calmly knows that she is an actor, and she is performing.
This is exactly what Wen Sheng is dissatisfied with. Compared with the aesthetic feeling in front of the camera, Wen Sheng cares more about the devotion and release of the actors themselves.So even though Wang Di is a newcomer and his skills are very raw, Wen Sheng likes him very much because Wang Di is very devoted.He often stays in the same place in a daze after the shutdown, his eyes unconsciously follow Lu Yao's figure, because he can't quickly break away from Zhuang Qing's role, and it's because he is slowly entering the play.
(End of this chapter)
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