Domineering little Shennong

Chapter 271 Righteous words!
"Tang Sancai, the treasure of ancient Chinese ceramic firing technology, the full name is Tang Dynasty Sancai Glazed Pottery, which is a kind of low-temperature glazed pottery popular in Tang Dynasty. The glaze colors are yellow, green, white, brown, blue, black and other colors, and yellow Green, green and white are mainly three colors, so people used to call it "Tang Sancai". And because Tang Sancai was unearthed first and most in Luoyang, it is also known as "Luoyang Tang Sancai".

Chen Dazhi ignored it, and talked eloquently: "Specifically, during the construction of the Luoyang section of the Longhai Railway in 1905, a group of tombs from the Tang Dynasty were discovered in Beiman Mountain, the ancient capital of Luoyang. Later, people used to call this kind of pottery "Tang Sancai". , and it is still in use today, and is well-known both at home and abroad.”

"In Tang Sancai pottery, horses are the most common theme. Sancai horses are generally used as burial objects, and they were very popular in the Tang Dynasty. There were three-color horses with a height of more than 1 meter. At the end of the Tang Dynasty, due to the decline of national power, the Sancai The production of painted pottery began to shrink gradually, and the quality of utensils including tri-colored horses was greatly reduced. During the Song and Liao Dynasties, there were still tri-colored workshops in various places, but the craftsmanship and decoration were significantly different from those of the Tang Dynasty tri-colored wares.”

After Chen Dazhi finished speaking, he looked at the man with glasses.

The man in glasses was stunned for a moment, and couldn't help taking a breath.

These things can be searched on Baidu Encyclopedia on the Internet, but when it comes from a person's mouth.

Either this person is a Tang Sancai lover, collector, or a professional researcher in this field.

Chen Dazhi didn't talk nonsense, and asked them to fetch pens, ink, paper and inkstones. Fortunately, cultural relics researchers in charge of cultural relics repair often use these things, and they are not as difficult to find outside.

Chen Dazhi spread out the rice paper, and then closed his eyes directly.

"What is he doing?"

The fat man poked the man in glasses who handed Chen Dazhi the pen, ink, paper and inkstone with his hands.

The man with glasses shook his head for no reason, and he didn't know what Chen Dazhi was going to do, but subconsciously thought that Chen Dazhi didn't seem like a vexatious person.

"Isn't my son crazy?" Mother Chen whispered, "That's an antique. It turned out that Zhao Huahua's family in our village had an ancestral jade pendant, but it was cheated away by someone for 1000 yuan. It was sold for 50. Master, please don’t let your son be brave. This is the palace, where the emperor lived before. Why didn’t you see the one wearing glasses just now and saw our son touch it? The horse almost broke into a pile. His eyes are red. This horse is an antique. If it breaks a little, can our family afford it?"

Father Chen also hesitated, even if he knew a little bit, his son was different from before, he was capable, but this is the imperial palace, especially after what Mother Chen said, Father Chen suddenly lost his mind.

But just when Father Chen opened his mouth to say something.

Chen Dazhi put away the brushes, and suddenly said: "It's done, you all come over and have a look."

Hearing this, Ronaldinho was the first to react.

Apart from him, no one knew Chen Dazhi's abilities better.

At this moment, on the paper, there is an ink-colored ceramic horse, which is graceful and vivid, and the most amazing thing is that the ink color seems to be completely alive in Chen Dazhi's pen, showing no less than five kinds of horses. You can see the changes!

The first to speak was the expert 'Tao Suo' who had been accompanying Chen Dazhi all the time: "It's as if Bin Weng is still alive!"

The 'Bin Weng' Tao Suo mentioned is none other than Huang Binhong, a master of landscape painting!
Huang Binhong not only has his own unique brush and ink characteristics, but also puts forward many creative theoretical viewpoints in terms of brushwork and ink techniques, the most important being "five brushwork techniques" and "seven ink techniques".

This is what modern calligraphers and painters, even ancient calligraphers and painters, can do.

Just this kind of black ink alone, Huang Binhong can change into seven completely different levels.

Chen's father and Chen's mother listened to the scriptures, and watched Tao's excited talk. Anyway, they finally heard Tao say that Huang Binhong had a large painting, which was auctioned for more than [-] million yuan.

Or in other words, if you have Huang Binhong's authentic work in your hand, where to buy a house now will definitely not be a problem.

Chen's mother poked Chen's father with her hand, and whispered, "Didn't this expert lie to us on purpose? When will our son be able to compare with such a famous painter? His guest is still alive, please explain to me again. "

Father Chen said: "He is a great expert, so he shouldn't be able to lie to ordinary people like us."

Behind, the fat man and the man with glasses widened their eyes in surprise, looking at the ink-colored ceramic horse painted by Chen Dazhi, and then at the damaged 'Tang Sancai Horse'.

Of course, this kind of tricolor horse doesn't just mean that there are only three colors.

In ancient times, "three" generally refers to a variety of meanings.

"Is this really what you drew?"

The man with glasses still has an unbelievable expression on his face. If according to Chen Dazhi's painting, the black color of this ink-colored ceramic horse corresponds to the actual "Tang Sancai Horse" one by one, "Huh? The color here is wrong! What! There is a There is another ink color change!"

As a result, as soon as the man with glasses uttered a word, the fat man immediately yelled, "No, there is another black color change here! That's right, I'll just say it, that's right!"

As restorers in the ceramics group, when they were preparing to restore this antique 'Tang Sancai Horse', they had already learned a lot of information in advance.

So when they studied the ink-colored ceramic horse painted by Chen Dazhi carefully, they could almost quickly see that the painting by Chen Dazhi was the same as the "Tang Sancai Horse" before it was damaged at all!
There is also a horseshoe missing here. According to Chen Dazhi's drawing, "Ah, I thought it was like that, but I didn't expect it to be like this?!"

The more they looked, the more shocked the fat man and the man with glasses felt. The more shocked they were, the more they could feel the profound skill of drawing this black ceramic horse man!
It's so amazing!

"Master, how did you do this?"

At the end, the fat man and the man with glasses held Chen Dazhi's arm, looked at him, and told him clearly that if this matter is not clear today, don't think about leaving just like that!
In fact, Chen Dazhi also wondered, when he saw this Tang Sancai horse, he suddenly had an impulse in his body, as if he couldn't control himself at all, could it be because it was OK?

OK woke up?

Chen Dazhi shouted twice in his head, but there was no OK answer at all.

The fat man and the man with glasses became impatient when they saw that Chen Dazhi didn't speak, "Master Chen, tell me quickly, this is a national cultural relic. If you find a mature repair method, it will be famous in history!"

Finally, Chen Dazhi had no choice but to make up a reason.

Chen Dazhi said righteously: "Inspiration! This is inspiration! I said that from the first time I saw this broken 'Tang Sancai horse', an image appeared in my head, an impulse, it was this There is an urge to draw this image right away. Otherwise, I have a strange feeling that I may become a sinner through the ages!"

……

(End of this chapter)