Lonely laughing allure: shallow love, long hatred
Chapter 134 Bitch, It's You
Chapter 134 Bitch, It's You (1)
Ethan's angry eyes were smoking, and he looked at Su Momo next to him fiercely, it was too hateful, how could she let her go, when the two of them were squabbling happily, when the door opened, all movements It's all fixed.
I saw a light green long dress on the woman's slender body, with long curly hair scattered on the waist and shoulders, like the slanting moonlight, extremely beautiful.
Then, looking upwards, the woman's beautiful eyes were slightly bent, and in those eyes was an extraordinary and unworldly beauty.The red lips are slightly parted, and the bright white jade teeth are a scene that cannot be ignored.
Full of charm, you will never forget it.
Beautiful and gentle curves are more attractive, noble and unconventional, solemn and quiet
This woman is stunningly beautiful from head to toe.
The shawl is a drawing board for her to express her beauty and beauty, as if she was a student who just finished a sketching class.
You can only look at it from a distance, and you can't get close to it, for fear of breaking the innate aura.
"Sister Yiyan, you are back." Two voices came out at the same time.
Glancing at Su Momo, the instigator, Yi Sang'er immediately returned to her usual quietness, and spoke to the woman who came in.
Similarly, Su Momo also stopped fighting with Yi Sang'er and called that beautiful woman.
At the door, Hua Yiyan, who looked like a fairy, couldn't help smiling when she saw the two people before her.
The red lips parted, "You are here."
As far as the sound quality is concerned, it is also very pleasing to the ear. Listening to her talk is like being in a paradise, listening to a piano sound.
With such a woman, everything in the world must lose color because of her. This is why there are so many people in the teahouse who come from afar, just because of the rumors, they want to see her beauty.
It's just that they didn't come here so that they could be lucky enough to see this otherworldly woman!
Small steps, like willows in the wind, are better than Xizi.
"Can we take a look at the painting in your hand?" Yi Sang'er said, and Su Momo echoed beside him.
Hua Yiyan smiled lightly, "Then I'll leave it to you two to comment."
With tender white fingers and smooth fingertips, she handed the drawing board to Su Momo.
She paints willows and shrubs with curved and swirling brushstrokes, which add life to the painting.The color has front and rear pressure, strong pressure and softness, and the purity and lightness are handled very properly.
Under the willow tree, a woman with eyes full of worry is staring at the back figure in front of her, forming a vivid contrast with the swaying plants, which is lively and sad.
The whole painting only uses simple natural colors such as green, brown and blue, which also gives people a sense of tranquility and comfort.However, men and women who are separated can compare the scenery better, and they are happy and sad.
Su Momo and Yi Sang'er looked at this lifelike painting, as if they were the woman in it, wanting to stay and give it away, reluctant to part.Probably, this is the life and death that must be passed through in life.
The two felt sad and had to say that this was a good painting.It's no wonder that the tea drinkers who come here ask Hua Yiyan to ask for it.
Since ancient times, calligraphy and painting have not been separated, so just a painting can make people intoxicated, plus a poem written by Hua Yiyan:
Evenings go and mornings come and go, fireworks laugh, how many times do catkins fly when they come?
The grass is desolate, the road is long, and I hate parting. When the dream is gone, the eyes are still the same when one wakes up.
Sigh!Hua Yiyan's paintings always give people unsatisfactory and shocking emotions.This poem is really well done.
(End of this chapter)
Ethan's angry eyes were smoking, and he looked at Su Momo next to him fiercely, it was too hateful, how could she let her go, when the two of them were squabbling happily, when the door opened, all movements It's all fixed.
I saw a light green long dress on the woman's slender body, with long curly hair scattered on the waist and shoulders, like the slanting moonlight, extremely beautiful.
Then, looking upwards, the woman's beautiful eyes were slightly bent, and in those eyes was an extraordinary and unworldly beauty.The red lips are slightly parted, and the bright white jade teeth are a scene that cannot be ignored.
Full of charm, you will never forget it.
Beautiful and gentle curves are more attractive, noble and unconventional, solemn and quiet
This woman is stunningly beautiful from head to toe.
The shawl is a drawing board for her to express her beauty and beauty, as if she was a student who just finished a sketching class.
You can only look at it from a distance, and you can't get close to it, for fear of breaking the innate aura.
"Sister Yiyan, you are back." Two voices came out at the same time.
Glancing at Su Momo, the instigator, Yi Sang'er immediately returned to her usual quietness, and spoke to the woman who came in.
Similarly, Su Momo also stopped fighting with Yi Sang'er and called that beautiful woman.
At the door, Hua Yiyan, who looked like a fairy, couldn't help smiling when she saw the two people before her.
The red lips parted, "You are here."
As far as the sound quality is concerned, it is also very pleasing to the ear. Listening to her talk is like being in a paradise, listening to a piano sound.
With such a woman, everything in the world must lose color because of her. This is why there are so many people in the teahouse who come from afar, just because of the rumors, they want to see her beauty.
It's just that they didn't come here so that they could be lucky enough to see this otherworldly woman!
Small steps, like willows in the wind, are better than Xizi.
"Can we take a look at the painting in your hand?" Yi Sang'er said, and Su Momo echoed beside him.
Hua Yiyan smiled lightly, "Then I'll leave it to you two to comment."
With tender white fingers and smooth fingertips, she handed the drawing board to Su Momo.
She paints willows and shrubs with curved and swirling brushstrokes, which add life to the painting.The color has front and rear pressure, strong pressure and softness, and the purity and lightness are handled very properly.
Under the willow tree, a woman with eyes full of worry is staring at the back figure in front of her, forming a vivid contrast with the swaying plants, which is lively and sad.
The whole painting only uses simple natural colors such as green, brown and blue, which also gives people a sense of tranquility and comfort.However, men and women who are separated can compare the scenery better, and they are happy and sad.
Su Momo and Yi Sang'er looked at this lifelike painting, as if they were the woman in it, wanting to stay and give it away, reluctant to part.Probably, this is the life and death that must be passed through in life.
The two felt sad and had to say that this was a good painting.It's no wonder that the tea drinkers who come here ask Hua Yiyan to ask for it.
Since ancient times, calligraphy and painting have not been separated, so just a painting can make people intoxicated, plus a poem written by Hua Yiyan:
Evenings go and mornings come and go, fireworks laugh, how many times do catkins fly when they come?
The grass is desolate, the road is long, and I hate parting. When the dream is gone, the eyes are still the same when one wakes up.
Sigh!Hua Yiyan's paintings always give people unsatisfactory and shocking emotions.This poem is really well done.
(End of this chapter)
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