The king of rebirth meets his ex-husband

Chapter 151 She Was Setback (1)
"A few days ago I visited various primary and secondary schools. After graduating from the third year of junior high school, a considerable number of students did not continue their studies but entered the society and chose employment. Most of these children came from welfare institutions. .”

Ishida Toruichi looked solemn, "They may not have families, but they have had enough food and clothing since they were young, so when they entered the dye vat of society as minors, faced with the situation that they would no longer receive assistance, they did not have enough food and clothing. They have the strength to resist bad temptations. At the same time, from a social point of view, they really don’t have enough strength to make people look at them.”

Dean Akiyama raised the document in his hand, "So, you have taken a fancy to the Hamasaki Gallery and want to find a place for these children to live on their own and at the same time be quite safe?"

"Yes, and no." Ishida Toruichi assumed the posture of a long talk.

"The Kyoto Department of Education has been paying attention to the changes in the Hamasaki Welfare Institute in recent years. From the initial dependence on aid to the current regular and quantitative donations, it can be said that all of its changes are due to the emergence of the Hamasaki Gallery. Especially in the first half of the year, Hamasaki Gallery’s mass customization for Qingchuntai No. [-] Primary School and Osaka No. [-] Primary School not only affected the benign values ​​of the students in the school, but also brought considerable income for itself.”

Ishida Toruichi looked at Koizumi Aoba, "Moreover, recently, because of Aoba's open class, more and more schools have begun to pay attention to the awareness function of Hamasaki Gallery, and they are also willing to cooperate with such a semi-public welfare Institutional cooperation of the same nature. And these have created a new industry, which is an industry of awareness education that is derived from children and used by children to benefit children."

Ishida Toru turned his head and grinned at Koizumi Aoba, "Other orphanages have also noticed the successful practice of Hamasaki Gallery, and want to follow suit, but there is no suitable leader. So they jointly signed a letter to the Kyoto Department of Education, hoping that Aoba We can lead other orphanages to participate in mass ordering."

Koizumi Aoba turned down his face at him, "Are they trying to divide up our orders?" In other words, the Kyoto Department of Education is also jealous of Hamasaki Gallery's seemingly golden "profit" prospects, so they borrowed some school education Under the guise of linking up with social education, forcibly intervening in the capacity of the government, in a delusional attempt to get a share?

Dean Akiyama was also vigilant, "Although our income has been good in the past three years, we have never kept all of it for ourselves, and part of the proceeds has already been donated." She can say with a clear conscience that Hamasaki Gallery's Income is never used in any lavish way.

Toru Ishida understood, but, "Dean, it is better to teach a man to fish than to give him a fish."

Dean Akiyama disagreed, "I understand what you're saying. But what about teaching a man how to fish? What about those of us who have been emptied of the only skill we need to survive?"

It's not that she refuses to let other orphanages join in, but that there are so many people with mixed hearts, and corruption and corruption are unavoidable.What will her children do then?So, she'd rather swallow it herself and donate some of the profits.At least in this way, she can first ensure the lives of the children under her custody.

Dean Akiyama looked at Tetsuichi Ishida cautiously, "It's good for you to have this idea, and it's not wrong to think about the whole educational cause in the Department of Education from a macro perspective. But what's behind you? Those who are struggling in social relationships What about the old fritters who have spent half their lives? When they see the countless benefits flowing from their hands, who can guarantee that they will not be selfish? Who will supervise? If something goes wrong, who will punish? "

"Finally, to put it bluntly, if they were truly loving, then the Hamasaki Orphanage would not have been ordered to provide food and clothing on their own in the early years."

Koizumi Aoba also looked over with a serious expression, "Brother, I have no problem with other orphanages wanting to follow suit. It's all for the sake of the children, each depending on their ability, I can understand. But if they want to simply share the fruits of our struggle , then one hundred is impossible." She will never spit out the school orders that have already been obtained, even if the government intervenes.

As soon as Toru Ishida let out a long breath, he knew it would not be that easy, "As far as I know, you have already received no less than four orders. Based on the current capacity of Hamasaki Gallery, this work is enough to fill your next year's work. Agenda. Not to mention, you guys have a regular art exhibition twice a year, no, it will be three times from the end of the year. Frankly speaking, can you swallow it?"

Koizumi Aoba was full of confidence, "We are already recruiting people on a large scale..."

Ishida Toruichi interrupted her, "If that's the case, why don't you give priority to other orphanages, aren't they counted as staff? And they are as sincere as you are for children."

Koizumi Aoba was not moved by his persuasion, "With all due respect, I have met many people who serve the orphanage. They are generally older, their brains are aging, and they are slow to accept new things, but they are cynical. A lot. I can’t afford to use such people. I have always been utilitarian. My gallery is to earn money to make children’s lives better. It is not a social shelter. How do people get to eat?"

Ishida Toruichi followed her words and said, "But as you said, there are quite a few, but not all. The education staff that the Education Department injects into the orphanage every year has begun to tend to be younger in recent years, and this part of them is talented. , has love, but is weak, and has not formed a climate like the Hamasaki Gallery.”

Just as Koizumi Aoba was about to retort, Ishida Toru raised his hand to stop him: "Don't say it, just listen to me. At the same time, there are third-year junior high school students who are about to graduate, and a considerable part of them are due to various reasons. Because of this reason, they are unable to continue their studies and want to be employed. At the beginning of society, this group of people still maintains the innocence and enthusiasm of students, and they are extremely malleable. You don’t want to help them? Do you want to watch them work as underage? Enter the society as an identity, then be treated improperly, and finally go astray and find it hard to look back?"

Koizumi Aoba was left speechless by Ishida Toruichi's last sentence, "You are for children, aren't you? So, do children still have to be classified by you? The children in Hamasaki Orphanage are Good boy, don't other people's children deserve your attention?"

(End of this chapter)