Great Master of the Tang Dynasty

Chapter 140 Chapter 144

As soon as Wei Shuyu wrote this sentence, everyone shook their heads in disappointment, only Wei Zheng was still looking at him with a smile on his face.

But this is actually enough for Wei Shuyu.

Glancing at the poems of the two, Zuo Ming nodded slowly, and then began to draw the fifth painting.

In this painting, he finally appeared again, and this time it was only himself. Of course, the dragon was still there.

The content of this painting is very simple, Zuo Ming has only one back, behind him is the endless fire, and his front is the fierce dragon god!
At this time, the Dragon God has escaped from the shackles of the giant net and regained his freedom, as everyone expected.

In this painting, Zuo Ming painted many details of the dragon god very well.Including the dagger on the left eye, and the right eye missing several scales.

At this time, the dragon god was very angry, it was roaring, but its body made a retreat posture, obviously it was afraid of the person in front of it.

And the most classic part of this painting is Zuo Ming, whose back is turned to everyone.

At this time, he was holding a worn-out long knife that was not sharp, and pointed at the Dragon God obliquely.Although he couldn't see the expression, but for some reason, everyone knew that he must be smiling at that time.This feeling has no reason, but it is extremely strong!
How brave is it for a person to face the Dragon God alone with such a contemptuous and contemptuous attitude?

In just an instant, the protagonist of the whole dragon slaying story was directly transferred from Yuan Tiangang and Eunuch Qian to him.

After seeing this painting, Wei Shuyu's expression suddenly changed.Some people who know poetry can't help but look at him and sigh deeply.

The protagonist in Wei Shuyu's poem is too obvious, and now the protagonist of the whole painting has changed, which is definitely not good for him.

Although Zuo Lengchan's poems also have the words "holding a sword" and "holding a knife", but he intends to exaggerate the atmosphere, so it will not be affected much.

Looking at Wei Shuyu sympathetically, Zuo Lengchan picked up his pen and started writing again.

"Zhu Rong breaks the dawn, reflecting the broken saber; at the slanted finger of the broken blade, the dragon roars in the fire."

Seeing that Zuo Lengchan had already begun to change the rhyme, Wei Shuyu's face became even more ugly, but faced with such a situation, it was really difficult for him to write, so he could only quietly wait for Zuo Ming's next words.

Seeing the performance of the two, Zuo Ming's smile grew stronger.He likes this feeling of turning things upside down at any time.

With a wicked smile, Zuo Ming started to paint the sixth mural.

This time, he changed his painting style and pulled the picture to the cliff on the side of the valley!

There, two young boys were carrying a wooden barrel with smirks on their faces, looking at the head of Shenlong below.

Such a scene undoubtedly cooled down the enthusiasm just now, making the whole atmosphere mild and interesting.

Seeing that Zuo Ming finished the painting, this time it was Zuo Lengchan's turn to be dazed.

He glanced at Zuo Ming, showing a speechless and helpless smile.

His poems are full of bold and unrestrained words, and Zuo Ming's sudden appearance made him really hurt.

This time, it was Wei Shuyu's turn to look at him sympathetically.

After glancing at Zuo Lengchan, he picked up the pen and continued to write at the back of his poem.

"The dragon walks in the distance and the sea of ​​fire is reflected, and the childish smile and whispers are strange"

Zuo Lengchan changed the rhyme, and Wei Shuyu couldn't go all the way to the dark, so he had to change the format.

Although this sentence was not as forceful as Zuo Lengchan's previous sentence "Look around for those in the same robes, and charge with a broken arm", it perfectly expressed the atmosphere of Li Zhi and Li Yin discussing and calculating the Dragon God.Instead, many masters nodded slightly.

Even Wei Zheng yelled "Okay" softly!
Wei Zheng is really satisfied with Wei Shuyu's performance. Of course, what he is most satisfied with is Zuo Ming's fair attitude.

He was a little dissatisfied with Zuo Ming's change of protagonist before, but now that Zuo Ming has even changed his painting style, he has nothing to say.

The seventh painting is the most complicated one.The fifth painting, Zuo Ming, attracted Shenlong's attention, and the sixth painting, Li Zhi and Li Yin, took the opportunity to throw down the oil barrel. All this was to prepare for the seventh painting!

In the seventh painting, Zuo Ming kneels on the ground with his right hand in a throwing posture. There are still some sparks in his palm, but the head of the Dragon God in the distance is already on fire!

At this time, the most outstanding ones are Yuan Tiangang and Qian Gonggong.

Yuan Tiangang stood proudly on the snake's head surrounded by flames, with his left hand holding the sword against the dragon god's head, while his right hand was in a clapping pose!Obviously, he wanted to insert the long sword in his hand into the head of Dragon God.

As for Eunuch Qian, with flying white hair and fluttering robes, he flew in mid-air, slashing with knives in both hands!

Although the long knife hadn't hit the snake's head yet, everyone knew that the blow had hit it!And speaking of it, this blow is the deadliest attack to kill the Dragon God.

It was true that only the front half of the dragon-slaying knife penetrated into the skull of the dragon god at that time, but the damage caused by this knife to the snake's brain was definitely not comparable to the safe zone pierced by the Yitian sword in the gap in the skull.

After finishing the seventh painting, Zuo Ming directly started to draw the eighth painting.

Zuo Lengchan and Wei Shuyu didn't pick up their pens because they had to wait for the last painting to be completed.

The last one is very simple. The dragon god is dead, and the snake head is at Eunuch Qian's feet. Eunuch Qian's hands are covered with blood, but he laughs heartily there.Both Yuan Tiangang and Zuo Ming were kneeling beside each other, both smiling.

The bonfire was almost extinguished, but everyone around was half lying on the ground, either smiling or laughing.

So far, this dragon slaying journey is truly complete.

A silvery-white full moon was added to the top of the whole painting, and Zuo Ming turned to Zuo Lengchan and Wei Shuyu again.

Looking at each other, Zuo Lengchan and Wei Shuyu both picked up their pens, and then began to write separately.

Everyone is the last sentence, Wei Shuyu's is a seven-character regulated poem, the number of words is relatively small, so it will suffer a bit.Zuo Lengchan is different, what he does is the Five Laws, but the length is far beyond the Five Laws, which can be regarded as an innovation.From this point of view, his ideological constraints are obviously less than those of Wei Shuyu.

One knife, one sword, one pot of wine, one moon, one mountain, one fierce eye
One person with one arm and one breath, one roar and one person leave
Where the dragon walks and the sea of ​​fire is far away, childish smiles and whispers are strange

When the sword comes out, the gods and ghosts fall, and once the battle dragon becomes famous.

This is Wei Shuyu's complete poem.

The long moon shines on the shadow of the nightmare, the flames are burning brightly;

The sky is covered with paint, and the blood is splashed with dream red; those who look around in the robes, the arms are broken and the spears are charged.

Zhu Rong breaks the dawn and reflects the broken saber; where the broken blade points, the dragon roars in the fire
There is no need to roar, the sword is out of the sheath, it is not that you are not afraid, I know the outcome
This is a poem by Zuo Lengchan.

Wei Shuyu's last sentence is undoubtedly the finishing touch, but Zuo Lengchan's sentence is not bad either.The most important thing is that Zuo Lengchan's double meaning in his sentence "I know the outcome" shows his determination to win.This point alone is more than a notch higher than Wei Shuyu.

After reading each other's poems, both of them looked at each other, their eyes were full of stubbornness and dissatisfaction, and then they looked at Zuo Ming together.

The one with the greatest right to speak here is undoubtedly Zuo Ming, who is both famous in poetry and painting.

Not only them, but even the spectators around looked at Zuo Ming, wanting to hear his comments.

"It's not bad! It has aroused my interest!"

Looking at the two nervous teenagers, Zuo Ming smiled softly.He didn't comment, but picked up a pen and wrote on the last painting.

A Gentleman's Hidden Artifacts Are Extremely Lingering

Peace of mind

Fame and fortune are gone in a blink of an eye

Which magic soldier wins the hearts of the people

After finishing this poem, Zuo Ming instructs Xiaohuan to push him away slowly under the strange eyes of everyone.

It's not that he's pretending, after finishing these eight paintings, the sun is almost slanting, and the three daughters-in-law are going home, so he has to go back and prepare meals for them to reward them for their day's hard work .

After Zuo Ming left, everyone began to discuss enthusiastically.

Some of them were discussing the outcome between Wei Shuyu and Zuo Lengchan, while others were carefully reading Zuo Ming's poems.

The meaning of this poem is easy to understand, which is to encourage those who are capable to do more practical things, but don't have too much utilitarianism.

However, the last sentence is really out of place with the whole poem.

Talking about people well, why did you talk about weapons?

They didn't know that Zuo Ming's last sentence was actually for those who had been radical in the military in recent years.

In today's Tang Dynasty, there are too many militants, and even a mature and prudent veteran like Li Jing has become a little impetuous.

That's a good thing, but it's also a bad thing.Because victory and occupation are actually two different things.

The current Datang can defeat any country, but it is absolutely nonsense to want to completely occupy it.

Facing the well-equipped Eight-Power Allied Forces and the Japanese Imperial Army back then, the situation of our people with lofty ideals in Greater China was no different from that of the surrounding countries in Datang now, but in the end we still won the victory and drove the invaders out of our land.

If the current Datang really doesn't care about it and is rash and radical, it will definitely not end up much better than the original Japan.

After all, the present Datang still only has more than 4000 million people.Moreover, the surrounding countries have also begun to secretly conclude covenants.

So Zuo Ming must wake up those people in the military.

Although the divine weapon is sharp, it can only kill people, and what Datang has to do now is to conquer others spiritually as much as possible.To put it bluntly, it is to win people's hearts.

Win the hearts of the people first, and then send out strong soldiers, so that they can truly be invincible.One place wins one country.

Whether Zuo Ming's poems can wake up those big men in the military is still unclear, but the appearance of the dragon-slaying mural has pushed the reputation of Yuan Tiangang and Eunuch Qian to the peak.

Some clever maids and servants in the palace have already started to call Eunuch Qian "Gong Qian". Although there is only one word missing, the meaning is quite different.

Eunuch Qian was very grateful to Zuo Ming, and was so excited that he couldn't sleep for several nights. Almost every night, after Li Shimin fell asleep, he would come to the palace wall with a torch and quietly look at the murals.

This painting is destined to be handed down, and his name, Qian Zhu, will definitely be recorded in the annals of history.It's an honor!

For the first time, he felt that his life was no longer humble
(End of this chapter)