peasant ugly daughter-in-law

Chapter 171 Interpreting Paintings

Chapter 171 Interpreting Paintings
So the little emperor half-understood after listening to what Tang Yu said.But the little emperor could still hear the reason behind it, and he also knew the regret that Liang and Zhu couldn't be together.

It's just that the little emperor can't let go, he must seize this opportunity.So, he still said coldly, "Although Liang and Zhu were loyal to love, they both abandoned their families and responsibilities. How heart-wrenching! May I ask, how can such a person who is extremely irresponsible to die for love based on his own selfish desires be worthy of your envy?"

After Tang Yu heard what the little emperor said, she didn't show a trace of panic, as if what the little emperor said had already been expected by her. "What the emperor said is true, so my daughter is only envious of the firm relationship between Liang and Zhu, but she doesn't like them. Every kindness and filial piety are the first, how can people live so selfishly, and don't think about their own family. What? That’s why my daughter doesn’t agree with their act of dying for love.”

After hearing this, Ye Qingqing was even more sure of what she had just guessed, that Tang Yu's childbirth was indeed due to the constraints of the family.At the same time, Ye Qingqing also deeply felt that this woman Tang Yu was indeed very intelligent. Indeed, in the morning exam, it was not something ordinary people could do to think of a reason to excuse Ye Qingqing in such a short time. .

After Tang Yu's painting was finished, it was Ye Qingqing's turn.

At this time, Ye Qingqing felt her heart was about to jump out. Her behavior in the morning exam was already inappropriate. In addition, she just helped Tang Yu intercede and angered the little emperor in front of everyone, so this time Ye Qingqing must succeed and must get a high score.

Li Rui picked up Ye Qingqing's painting, and there was an expression of disbelief on his face. Although Li Rui tried his best to cover it up, Ye Qingqing could see it clearly.

Li Rui, you finally remembered me?
What Ye Qingqing painted is the back view of a pair of Bi people standing in front of a river of spring water. It seems ordinary, but it actually hides a lot of meaning.

Let's talk about the pair of Bi people in the painting first. Although the two people painted by Ye Qingqing are just their backs, they have an indescribable sense of harmony.Although there is no intimate movement between the two in the painting, they are side by side and close together.

The woman in the painting is tall and tall, dressed in a green dress, with long hair reaching her waist and a graceful figure.This woman didn't wear any headgear, but judging from her clothes and back view, people looking at the painting should be able to easily guess that Ye Qingqing is painting herself.

Looking at the man in this painting again, he is handsome and extraordinary, wearing a light yellow long coat, with his hands behind his back, admiring the spring scenery in front of him.It seems that it is impossible to guess who this man is, but if you look closely, it is not difficult to find that there is a faint dragon pattern on the yellow robe worn by the man, so this man is the current emperor—the little emperor. Xiao Ruilin.

The little emperor is only as tall as Ye Qingqing now, but the man in the painting is a head taller than Ye Qingqing, so Ye Qingqing's painting is the little emperor after he has grown up.It's not hard to see that this painting was indeed drawn by Ye Qingqing, if the little emperor's current size was painted in the painting, then the picture would appear extremely disharmonious.But if he only draws the plain back of the man, no one will be able to guess who the man is, that's why Ye Qingqing carefully drew the dragon pattern.

So the couple in the painting alluded to Ye Qingqing and the little emperor.

Looking at the scenery in the painting again, although it is just a river of spring water, Ye Qingqing has added some blue color to the blue, and only made a small change in the paint, but it is very similar to the back of Ye Qingqing in the painting. The river water and Tsing Yi complement each other, and the whole picture becomes very harmonious.

But it was because of the scenery that seemed to be a foil that made Li Rui's heart tense after seeing it, because the scenery of this painting was similar to that of the painting hanging in Li Rui's residence. It's basically the same place.

This place was clearly a place that Li Rui and Ye Qingqing had been to, and it was a place they often visited.

The painting that Li Rui hung in the Prince's Mansion was Ye Qingqing's back that he painted himself.

At that time, Ye Qingqing's figure was plump, and her back in green clothes had almost no sense of beauty at all.So when Li Rui hung the painting in the Taifu's mansion, many people who visited were completely puzzled by it, and some outspoken people would even bluntly say that the painting was ugly.But Li Rui never refuted anything, just looked at the painting and smiled helplessly.

Li Rui knew in his heart that he might never have the chance to resolve the misunderstanding between him and Ye Qingqing in this lifetime.

So every time Li Rui saw the painting hanging in his house, he felt helpless and sighed in his heart.It had been three years, and during these three years he had tried every means to find Ye Qingqing, but it seemed that Ye Qingqing had evaporated in the world, no matter how hard Li Rui searched, he could not find any trace.

Later, because of a coincidence, Li Rui entered the palace and became the Taifu. He also understood that he would never have the chance to see Ye Qingqing again in this life. Later, he himself slowly let go of it. People who are so fateless in the world are destined not to meet again.

But what Li Rui never expected was that the ancient princess in front of him could draw the picture that he thought about day and night.In fact, as early as in the morning in the main hall, Li Rui felt doubts in his heart.Except for the ancient princess in front of him looking at him with a strange expression, Li Rui always felt that those eyes were so familiar.But looking at that face again, it was so strange, even his body shape and temperament were quite different from Ye Qingqing's.

Not only the appearance, but also Li Rui's identity as the ancient princess made it impossible for Li Rui to refute.He knew that Ye Qingqing belonged to Hou Yi of the ghost clan, so how could he become the little emperor's cousin for nothing?So Li Rui quickly dismissed that idea.

But the painting in front of him made Li Rui involuntarily come up with that idea, that seemingly impossible idea.

Maybe the scenery in the painting Li Rui is holding is a coincidence, and the world is full of wonders, or it may be that the place that the artist painted happened to be a place that Li Rui had seen with just a few strokes, or It was Princess Gu who went to that place in person, after all, Princess Gu grew up outside the palace since she was a child.

Even if all of this is a coincidence, what is the explanation for the Lianlizhi drawn in the upper left corner of this painting?
On the riverside where Li Rui and Ye Qingqing often went, there were indeed two ginkgo trees growing side by side. The two ginkgo trees grew lush and lush, and the outlines of their branches were very similar, just like a couple who depended on each other.Not only that, each of the two ginkgo trees stretched out a branch toward the other, and they have already touched each other, and they will definitely form a joint branch in three to five years.This is also the reason why Li Rui and Ye Qingqing used to always go to the riverside. Ye Qingqing always asked Li Rui impatiently when the two ginkgo trees by the river could be married. Li Rui always laughed at her impatience I can't hold back, but in my heart I am also looking forward to a miracle.

(End of this chapter)

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