National Treasure Artist
Chapter 173 Encounters with the masters
Chapter 173 Encounters with the masters (for subscription)
On the penultimate day, Marcel Nereski and Martin Klaisson visited Sydney first.
Australia is a member of the Commonwealth of Nations and has inextricably linked with the United Kingdom.
On the day the two masters arrived, they received the warmest welcome in Australia, and the local official media and newspapers made large-scale reports.
"Master of Classicism Comes to Macau! "
"A Counting of the Amazing Works of Master Martin Klaisson"
"The Nereskis, the Ancient and Mysterious Family"
"Sydney Opera House competition design has attracted the attention of the masters of the world! "
Various colleges and universities rushed to invite the two masters to give speeches in their respective schools.
There are photos in the lecture hall of Sydney University, two masters are sitting on the podium, and the podium is full of darkness.
On TV, there is a program media interviewing the two masters
Australia is also not strong in the field of design. There is no national-level master who belongs to the country. In addition, the media, newspapers, universities and the industry highly respect the two masters. The two held a very high respect.
In Australia, the hotter the competition atmosphere in Sydney, the higher the attention.
On the penultimate day, the design leaders of the island country, Kisho Kurokawa and Kenzo Tange also arrived.
Compared with the previous two classical masters, these two world-class architects from island countries have received much less attention.
But even so, news can be seen in many industry newspapers and periodicals.
In terms of words, the arrival of the master shows the highest respect, such as 'visit', such as 'visit'.
On the same day, Kelly Nereski, Masayuki Kurokawa and Adrian Smith successively announced the completion of the project.
When the evening approached, three of the most outstanding talents of each genre, four world-class architects, and the hospitality staff sent by the Sydney City Government came to Benelong Cape, the competition site for the Sydney Opera House, at the suggestion of Kisho Kurokawa.
The four masters paced forward, smiling slightly, talking softly from time to time.
The three proud sons of heaven leaned back and listened carefully. Facing the masters of their parents, they, the younger generations, always lowered their stance.
Cape Benilon goes deep into the sea and is surrounded by the sea on three sides. Not far away is the classic Harbor Bridge, which has a very beautiful view.
"Master Clayson, it's been a few years since the last time we didn't think about it."
Kurokawa Kisho laughed.
"Mr. Ji Zhang's demeanor is even worse."
Martin Clayson responded.
A few years ago, at a top awards ceremony in the architectural industry, the two masters were special guests and had an exchange.
They were walking towards the Cape of Benelong.
However, by coincidence, on the headland, behind the Macquarie Fortress, Davidia involucrata is sitting on the edge of the sea, and the waves are rolling under his feet.
He looked calm, but his brows were actually wrinkled.
With less than 72 hours until the deadline, even Bai Gongtong could hardly sit still, and he could hear the more dull beating of his own heartbeat.
Davidia Davidson was struggling, and he kept adding to his accumulation, but the inspiration he was waiting for had not yet come.
Gongtong didn't know whether he would abandon those indigenous cultures, but he knew that once he did, it would mean his failure no matter whether he won the final competition
On one side, Su Mu, Qianhe, Chen Lin, Zuo Chao, and Guangbai sat side by side dejectedly.
They made eye contact from time to time, but they dared not speak for fear of disturbing Davidia Davidson.
The five of them also noticed the change in the heart of their boss, from being really calm and peaceful to being really depressed and patient.
They were a little worried about Davidia involucrata.
Xu Banxia is sitting next to Gongtong, she seems to be the most demure, with her long legs swinging back and forth, holding a picture book in her hand, her brushstrokes are still delicate
It's not that she's not worried, it's not that she's not anxious, but that one night, when Banxia was leaning in the arms of Davidia involucrata, she heard him say that it was her own paintings that gave him a breakthrough in Paris.
Ban Xia didn't know how to help him, so he could only sketch out scenes wholeheartedly, hoping to bring him inspiration again.
At this moment, not far behind Gongtong and the others, the imposing four masters and the three heaven's favored ones approached.
Looking into the distance with their eyes, the boundless sky seems to be right in front of them, and they only feel that there is a surging momentum brewing in their chests!
Among the few people, Kelly Nereski was the first to notice Bai Gongtong. She saw it out of the corner of her eye, with surprise on her face.
The sea breeze blew her long golden hair, she stretched out her hand to press it slightly, looked at Bai Gongtong's back, and thought of something, suddenly a beautiful smile appeared on her delicate and handsome face.
Adrian Smith and Masayuki Kurokawa noticed the movement and followed Kelly Neelski's line of sight.
They were surprised and dumbfounded.
'It's. Give up? '
Several people looked at each other, and an inexplicable brilliance flashed in their eyes.
"That one."
Martin Klaisson once had a competition with Bai Gongtong, and he is the one who is most familiar with Bai Gongtong among the masters present. He seems to have seen that familiar figure from the back.
After taking a few steps closer, Master Martin Klaisson confirmed.
"The designer Bai Gongtong seems to be over there."
Martin Klaisson whispered to the masters beside him: "Let's meet this young designer who has made the two major schools of thought crazy."
Klaisson's words aroused the greatest curiosity of Marcel Nereski, Kisho Kurokawa and Kenzo Tange.
Everyone approached immediately.
Seemingly hearing dense footsteps coming from behind, Bai Gongtong and Su Mu turned around one after another and looked up slightly.
I saw a group of middle-aged people with extraordinary momentum leading the way, followed by three familiar youths.
"Long time no see, designer Bai Gongtong."
Martin Klaisson approached first and shouted first.
"Master Clayson."
"Master Marcel, Master Ji Zhang, Master Jian San"
Gongtong stood up, although her heart was weighed down by the matter, but at this moment she still looked at the four masters calmly, facing them with level eyes.
Everyone stood around the Macquarie Fortress and talked, and the four masters and Baitongtong in the crowd seemed to naturally become the focus and center of gravity.
Seeing that Bai Gongtong was able to communicate with his parents on an equal footing, the three of Adrian were a little moved.
But soon, they thought of the news they received not long ago. Their eyes swept over the faces of the companions behind Bai Gongtong, and the corners of their mouths couldn't help showing a chuckle.
"We are very much looking forward to the work of designer Bai Gongtong."
Martin Clayson said in a deep voice.
"I think the masters will see you soon."
Bai Gongtong's expression was calm, but his tone sounded full of confidence.
Unexpectedly, when Su Mu and Zuo Chao heard these words, the faces of Su Mu and Zuo Chao changed one after another, and their expressions became more and more worried!
Who are the masters?
All of them are masters of their respective genres, not to mention cunning and cunning, their eyes just glanced at their expressions, and they immediately had a guess in their hearts.
"Sydney Opera House design, Bai Gongtong will encounter Waterloo!"
"I have encountered a problem, and it is very important. Is it because I am exhausted?"
"I fell into exhaustion of ideas so quickly. Did I stop learning, or did my talent stop here?"
"It's a pity."
"Will the designer Bai Gongtong be a dazzling meteor, fleeting?"
Brainstorming is a problem faced by all designers.
The reason for this problem is often insufficient accumulation or getting into the dead end. Ordinary designers need more learning, and masters even look for inspiration in cross-border design.
(End of this chapter)
On the penultimate day, Marcel Nereski and Martin Klaisson visited Sydney first.
Australia is a member of the Commonwealth of Nations and has inextricably linked with the United Kingdom.
On the day the two masters arrived, they received the warmest welcome in Australia, and the local official media and newspapers made large-scale reports.
"Master of Classicism Comes to Macau! "
"A Counting of the Amazing Works of Master Martin Klaisson"
"The Nereskis, the Ancient and Mysterious Family"
"Sydney Opera House competition design has attracted the attention of the masters of the world! "
Various colleges and universities rushed to invite the two masters to give speeches in their respective schools.
There are photos in the lecture hall of Sydney University, two masters are sitting on the podium, and the podium is full of darkness.
On TV, there is a program media interviewing the two masters
Australia is also not strong in the field of design. There is no national-level master who belongs to the country. In addition, the media, newspapers, universities and the industry highly respect the two masters. The two held a very high respect.
In Australia, the hotter the competition atmosphere in Sydney, the higher the attention.
On the penultimate day, the design leaders of the island country, Kisho Kurokawa and Kenzo Tange also arrived.
Compared with the previous two classical masters, these two world-class architects from island countries have received much less attention.
But even so, news can be seen in many industry newspapers and periodicals.
In terms of words, the arrival of the master shows the highest respect, such as 'visit', such as 'visit'.
On the same day, Kelly Nereski, Masayuki Kurokawa and Adrian Smith successively announced the completion of the project.
When the evening approached, three of the most outstanding talents of each genre, four world-class architects, and the hospitality staff sent by the Sydney City Government came to Benelong Cape, the competition site for the Sydney Opera House, at the suggestion of Kisho Kurokawa.
The four masters paced forward, smiling slightly, talking softly from time to time.
The three proud sons of heaven leaned back and listened carefully. Facing the masters of their parents, they, the younger generations, always lowered their stance.
Cape Benilon goes deep into the sea and is surrounded by the sea on three sides. Not far away is the classic Harbor Bridge, which has a very beautiful view.
"Master Clayson, it's been a few years since the last time we didn't think about it."
Kurokawa Kisho laughed.
"Mr. Ji Zhang's demeanor is even worse."
Martin Clayson responded.
A few years ago, at a top awards ceremony in the architectural industry, the two masters were special guests and had an exchange.
They were walking towards the Cape of Benelong.
However, by coincidence, on the headland, behind the Macquarie Fortress, Davidia involucrata is sitting on the edge of the sea, and the waves are rolling under his feet.
He looked calm, but his brows were actually wrinkled.
With less than 72 hours until the deadline, even Bai Gongtong could hardly sit still, and he could hear the more dull beating of his own heartbeat.
Davidia Davidson was struggling, and he kept adding to his accumulation, but the inspiration he was waiting for had not yet come.
Gongtong didn't know whether he would abandon those indigenous cultures, but he knew that once he did, it would mean his failure no matter whether he won the final competition
On one side, Su Mu, Qianhe, Chen Lin, Zuo Chao, and Guangbai sat side by side dejectedly.
They made eye contact from time to time, but they dared not speak for fear of disturbing Davidia Davidson.
The five of them also noticed the change in the heart of their boss, from being really calm and peaceful to being really depressed and patient.
They were a little worried about Davidia involucrata.
Xu Banxia is sitting next to Gongtong, she seems to be the most demure, with her long legs swinging back and forth, holding a picture book in her hand, her brushstrokes are still delicate
It's not that she's not worried, it's not that she's not anxious, but that one night, when Banxia was leaning in the arms of Davidia involucrata, she heard him say that it was her own paintings that gave him a breakthrough in Paris.
Ban Xia didn't know how to help him, so he could only sketch out scenes wholeheartedly, hoping to bring him inspiration again.
At this moment, not far behind Gongtong and the others, the imposing four masters and the three heaven's favored ones approached.
Looking into the distance with their eyes, the boundless sky seems to be right in front of them, and they only feel that there is a surging momentum brewing in their chests!
Among the few people, Kelly Nereski was the first to notice Bai Gongtong. She saw it out of the corner of her eye, with surprise on her face.
The sea breeze blew her long golden hair, she stretched out her hand to press it slightly, looked at Bai Gongtong's back, and thought of something, suddenly a beautiful smile appeared on her delicate and handsome face.
Adrian Smith and Masayuki Kurokawa noticed the movement and followed Kelly Neelski's line of sight.
They were surprised and dumbfounded.
'It's. Give up? '
Several people looked at each other, and an inexplicable brilliance flashed in their eyes.
"That one."
Martin Klaisson once had a competition with Bai Gongtong, and he is the one who is most familiar with Bai Gongtong among the masters present. He seems to have seen that familiar figure from the back.
After taking a few steps closer, Master Martin Klaisson confirmed.
"The designer Bai Gongtong seems to be over there."
Martin Klaisson whispered to the masters beside him: "Let's meet this young designer who has made the two major schools of thought crazy."
Klaisson's words aroused the greatest curiosity of Marcel Nereski, Kisho Kurokawa and Kenzo Tange.
Everyone approached immediately.
Seemingly hearing dense footsteps coming from behind, Bai Gongtong and Su Mu turned around one after another and looked up slightly.
I saw a group of middle-aged people with extraordinary momentum leading the way, followed by three familiar youths.
"Long time no see, designer Bai Gongtong."
Martin Klaisson approached first and shouted first.
"Master Clayson."
"Master Marcel, Master Ji Zhang, Master Jian San"
Gongtong stood up, although her heart was weighed down by the matter, but at this moment she still looked at the four masters calmly, facing them with level eyes.
Everyone stood around the Macquarie Fortress and talked, and the four masters and Baitongtong in the crowd seemed to naturally become the focus and center of gravity.
Seeing that Bai Gongtong was able to communicate with his parents on an equal footing, the three of Adrian were a little moved.
But soon, they thought of the news they received not long ago. Their eyes swept over the faces of the companions behind Bai Gongtong, and the corners of their mouths couldn't help showing a chuckle.
"We are very much looking forward to the work of designer Bai Gongtong."
Martin Clayson said in a deep voice.
"I think the masters will see you soon."
Bai Gongtong's expression was calm, but his tone sounded full of confidence.
Unexpectedly, when Su Mu and Zuo Chao heard these words, the faces of Su Mu and Zuo Chao changed one after another, and their expressions became more and more worried!
Who are the masters?
All of them are masters of their respective genres, not to mention cunning and cunning, their eyes just glanced at their expressions, and they immediately had a guess in their hearts.
"Sydney Opera House design, Bai Gongtong will encounter Waterloo!"
"I have encountered a problem, and it is very important. Is it because I am exhausted?"
"I fell into exhaustion of ideas so quickly. Did I stop learning, or did my talent stop here?"
"It's a pity."
"Will the designer Bai Gongtong be a dazzling meteor, fleeting?"
Brainstorming is a problem faced by all designers.
The reason for this problem is often insufficient accumulation or getting into the dead end. Ordinary designers need more learning, and masters even look for inspiration in cross-border design.
(End of this chapter)
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