The queen of the movie is on the hot search again

Chapter 139
As for the positioning of the two people.

Xu Senxu is a charming male god, and Min Yu is a literary niche, the two people are of different types.

There are also nuances in the emotions and behaviors to be played.

Even though he came from a professional drama school, after all, Min Yu entered the industry four or five years later than Xu Senxu, so his acting skills are naturally not as skilled as him.

Moreover, the role of Wei Zhongdao is not too challenging, and the subsequent performances are relatively frail scholars.

For him, it is indeed relatively easy.

Although Min Yu also has works shortlisted for the College Student Film Festival, he feels that the chances of winning the award are unlikely, so he doesn't really want to go.

As for Song Qingqing, this was the first time she had received an invitation, and it was impossible for her not to go.

When filming started in the afternoon, Song Qingqing and Xu Senxu honed their lines for a long time.

The two of them were wearing the clothes of the Wei and Jin Dynasties, and their gestures were full of the style of that era.

Every frown, smile, and every move is very beautiful.

Because after returning from the Huns, Cai Wenji remarried Dong Si, so the mansion of the two of them was relatively mediocre, dull and colorless, without any glamor at all.

It's just a simple small yard with relatively simple furnishings.

Fortunately, Dong Si is the captain of Tuntian, and there are two servants in his family who can take care of Cai Wenji.

Cai Wenji's life when she married Dong Si was very ordinary. Every day she either weaved and embroidered, or cooked for Dong Si.

Year after year, day after day.

After a few days of filming, Song Qingqing felt that this kind of costume drama was the most difficult.

It is completely incomparable with modern times.

Every time you make a small move, you have to think about whether you made a mistake.

Compared with the previous NG only once or twice, Song Qingqing's NG times reached three or four times when filming costume dramas.

Most of the time, it reached five or six times.

Guo Yu didn't scold her either, but just asked her to practice more in private, otherwise she would be under a lot of pressure in the later stage.

Song Qingqing also felt that what Guo Yu said made sense, so she approached Xu Senxu and asked him to point out her mistakes.

After four or five days, there will be results.

Guo Yu's ability to comprehend Song Qingqing is still very good.

After Dong Si quit the hall once, he bought a guqin.

I specially gave Cai Wenji a surprise.

"I heard that my wife liked Guqin before, and when I was shopping at the market today, I fell in love with this guqin at first glance. You will never please your wife, but you just hope that your wife will be fulfilled every day." Dong Si stood beside Cai Wenji, full of affection Looking at Cai Wenji nervously.

Cai Wenji caressed the strings a little excitedly, and when she touched them lightly, the syllables came out, which was very pleasant to hear.

"Madam, how about playing a song for you?" Dong Si suggested.

Sit down quickly to watch.

Cai Wenji was a little shy, "I haven't touched this guqin for more than fourteen years, I don't play it well, please forgive me."

"It's natural." Dong Si smiled, looking forward to it.

The melody of "Guangling San" is passionate and generous. It is the only piece of music that has the atmosphere of fighting with spears and spears among the existing Guqin music in Huaguo. It directly expresses the fighting spirit of the oppressed against the tyrant, and has a high ideological and artistic quality.

Even though Cai Wenji hasn't played it for many years, when she lightly touches the first syllable, the familiar feeling returns.

"Guangling San" has six parts.

Zhengsheng is the main part of the whole piece, and the theme tone is fully displayed. The music develops from deep and melancholy to heroic and passionate. It uses playing techniques such as plucking, pinching, and overtones to describe Nie Zheng's ideological change process from resentment to indignation.

The minor preface and major preface are the preparatory stages of Zhengsheng's brewing and preparation. There are two prototypes of thematic tones in the music. The melody is mournful and low, expressing sympathy for Nie Zheng's tragic experience.

Luansheng and postorder are the continuation of the development of Zhengsheng, the music is further developed, and the use of various techniques such as plucking and pricking has created a warm and brilliant effect, expressing the praise of Nie Zheng's unyielding spirit.

After the song was over, Dong Si clapped his hands, "Madam still has the charm of the past, I am honored to meet you today."

Cai Wenji smiled, "It's still a bit unfamiliar, but the old days are really unforgettable."

(End of this chapter)