golden ear

Chapter 147
Wu Tianyuan jumped up excitedly. He just said that he would collect the authentic works of the Three Kings, and today he found the treasures of Wang Xizhi and Wang Xianzhi's father and son here!

Three kings, Wang Xizhi, Wang Xianzhi, and Wang Xun!The Sanxi Hall in Qianlong is famous for its collection of their authentic works.The three wishes are that scholars hope for sages, sages hope for sages, and saints hope for heaven. Scholars hope to become sages, sages hope to become saints, and saints hope to become people who know heaven, which means encouraging themselves to pursue unremittingly and diligently.

Sanxi Hall, located in the Xinuang Pavilion of the Hall of Mental Cultivation in the Palace Museum, was originally named Greenhouse, but later changed to Sanxi Hall.It is the study of Emperor Gaozong Hongli of the Qing Dynasty, that is, Emperor Qianlong, and it is also the most obvious sign left by him as the master of the Hall of Mental Cultivation.

In the 11th year of Qianlong's reign, he collected "Quick Snow and Sunny Calligraphy" by Wang Xizhi, a great calligrapher of the Jin Dynasty, "Mid-Autumn Calligraphy" by Wang Xianzhi and "Boyuan Calligraphy" by Wang Xun.These three ancient calligraphic treasures were cherished by Emperor Qianlong, and they were specially stored here to be played with from time to time.

By the 15th year of Qianlong's reign, Sanxi Hall had collected 130 or four famous masters since the Jin Dynasty, 340 pieces of ink marks and 490 five kinds of rubbings, becoming the most important place for calligraphy inscriptions.

Later, "Sanxi" experienced ups and downs in modern times. After leaving the palace in 1951, the "Mid-Autumn Tie" and "Boyuan Tie" were bought by the state and returned to the Forbidden City. They have been hidden in the BJ Palace Museum to this day. It has been 27 years since Xi left the Forbidden City.

The ill-fated "Quick Snow and Timely Sunshine Post" wandered more than half of China, but finally ended up in Taiwan thousands of miles away. It is currently hidden in the National Palace Museum in Taipei, and there is a replica of Sanxi Hall in Taipei.

"This time Tianyuan has two authentic works of the two kings. As long as you find the last Wang Xun's calligraphy or inscription, you will really have your own Sanxi treasure post!"

This time I really found a treasure. The two pieces of calligraphy are more precious than all the recent ones combined. The authentic works of the two kings are rare in the world!

"Although I can't use supernatural powers to verify the authenticity, it is very likely that Yuan Kewen can attach so much importance to the authenticity. Go back and find an authoritative appraisal."

The latest one discovered this time is also an orphaned ancient book of the Song Dynasty. Now Wu Tianyuan can only hear the Qing Dynasty, and identify the Ming Dynasty by absorbing energy. It is still far away from the Song Dynasty, so he can only find someone to identify it.

Wu Tianyuan rushed home overnight, put away the treasure he found this time, and went to Tianjin the next day, because there was Pu Tong, an old man from the Qing Dynasty, who wanted to hunt for treasure.

"This is the famous red bean restaurant at that time, and now it's an old warehouse?"

Wu Tianyuan came to Tianjin Hongdou Restaurant back then, Aixinjueluo Putong, a fan of Peking opera, nicknamed the owner of Hongdou Pavilion, one of the four sons of the Republic of China.Since childhood, he has read classics and history step by step in the upper study room, learned to compose poems and essays, studied piano, chess, calligraphy and painting, collected gold stones and inscriptions, and was good at seal printing.

Pu Tong was born in the second year of Guangxu. Because he was the fifth child, he was respectfully called "Five Masters of Dong" by insiders and outsiders without calling him by his first name.I loved Kunqu Opera and Peking Opera since I was a child. Because my family was rich in the Qing Dynasty, and I often met some famous Beijing and Kunqu artists at that time. In addition, I studied hard, practiced hard, and visited famous teachers. Transparent environment.

"Brother Young Master back then was not only from a famous family, everyone also had real talents and learning, each with their own strengths, much better than the current rich second generation!"

Wu Tianyuan lamented that in ancient times, being rich and powerful was only one aspect, and only one had real skills to win respect.Now that the world is going downhill, people's hearts are not old!
He walked into the warehouse and walked around, heard the clues, paid money to rent it directly, the old rules, digging treasure chests.

"Is this the Sanxitang Fatie?"

When I found the treasure chest, the top one contained 32 volumes of ancient books, which turned out to be Sanxitang Fatie.

The book was written in the 12th year of Qianlong. Emperor Hongli ordered Liang Shizheng, Minister of the Ministry of Officials, Jiang Pu, Minister of the Ministry of Households, and others to collect calligraphy works of past dynasties in the Inner Palace.

"Sanxitang Fatie" is well-engraved and voluminous, and it can be called a giant among the collection.After the completion, only dozens of copies were refined and given to the favorite ministers.

Later, in the 17th year of Qianlong, Fu carefully selected five volumes of Dharma books of famous figures in the past from the collection in the palace, and engraved them on stone.So far, "Sanxitang Fatie" has been completed.By the end of the Qing Dynasty, its spread began to spread widely.

"It's so fateful. I was just about to design the exhibition hall of Sanxitang in the museum, and I found the original works of the two kings one after another. Now there are even Sanxitang postcards?"

Wu Tianyuan was in disbelief, he really came up with whatever he wanted, but it was normal, after all, Pu Tong was a descendant of the royal family, and it made sense to have palace secrets.

"Heshen's Huayan Sutra?"

The other hand scroll is the Huayan Sutra copied by Heshen for Qianlong.

"I was specially copied by Qianlong in order to celebrate his mother's birthday. Isn't it beautiful?"

Wu Tianyuan had seen He Shen's calligraphy last time, and now it looks even more shocking. As expected of a bachelor, his fonts are in a class of their own, no less than Liu Yong.

"Tang Ouyang Xun's Huadu temple post!"

Wu Tianyuan carefully opened the bottom of the box and wrapped the thick scroll with red silk, the first one was actually Tang Ouyang Xun!

Ouyang Xun, a famous calligrapher, official, and one of the four masters of regular script in the Tang Dynasty, was also known as the four masters of the early Tang Dynasty together with Yu Shinan, Chu Suiliang and Xue Ji of the same generation.Because his son Ouyang Tong is also good at calligraphy, he is also called "Da Ou".

"Could it be the other one?"

Wu Tianyuan was very excited, and had a wonderful feeling that his wish had come true, as if he had opened the last scroll.

"Wang Xun's March post!"

Wu Tianyuan jumped up all of a sudden, laughed and said, it really is the last king of the three kings, Wang Xun disappeared for many years in March post!

Wang Xungong's calligraphy, Dong Qichang called it "chic and ancient, elegant in the Eastern Jin Dynasty, just in sight." His representative work "Boyuan Tie" is a rare authentic calligraphy in the Eastern Jin Dynasty, and it is the only authentic calligraphy of the Wang family in the Eastern Jin Dynasty. Homeowners, collectors and connoisseurs regard it as a rare treasure.

"Boyuan Tie" is a letter to greet the illness of relatives and friends. "Xuanhe Shupu" contains: "The third generation of Xun is known for his ability to write books, and his family is a fan of Shixue. The sage of Xun Zhicao is also passed down. This post was collected by the Northern Song Dynasty. Dong Qichang in the Ming Dynasty All of them have been collected, and they are one of the three hopes of Qianlong.

"Xuanhe Shupu" also included its cursive "Sanyue Tie", which has been missing since the Qing Dynasty, and finally reappeared today.

"Wang Xizhi's seal script inscribed on the stone tablet, Wang Xianzhi's Bingshe inscription, and finally Wang Xun's Sanyue inscription, Tianyuan also has its own Sanxi Hall!"

Wu Tianyuan was excited. Now that he has the Three Kings Treasures and the 32 volumes of the Sanxi Hall, Tianyuan’s Sanxi Hall can be arranged immediately, matching the porcelain and jade in his hand. Just thinking about it makes him excited.

It was already afternoon when he returned to the museum. This treasure hunt was full of rewards, and he found the original Sanwang. First, he arranged the Sanxi Hall, and then asked experts to appraise it. The first special exhibition hall of Tianyuan was officially completed.

"Old Ren, hurry up, take an inventory of the things in the warehouse, and rearrange them according to Sanxitang!"

"Yes, here, according to several bulletproof display cabinets, set them into the wall, and hang Sanxi's treasured posts."

"Take out all the porcelain and jade seals, use all the furniture, put Sanxitang calligraphy on the bookshelf, and the book of rites and righteousness, as well as unique items!"

Wu Tianyuan directed the old man to let the staff arrange the Sanxi hall carefully. Hu Jianmin saw that the three kings were already sluggish, and he would not be able to help for a while. Only Wu Tianyuan could do it himself.

(End of this chapter)