golden ear

Chapter 276 Star Effect
"I suggest to write a few good scripts first, mainly Lin Fengmian, Wu Guanzhong, Wu Hufan and others. The market for their works is not as good as that of Zhang Daqian and Qi Baishi, and there is still a lot of room for appreciation. The level is very high and the expressiveness is strong. They can definitely be hyped. .”

"No problem, I have more than 100 Wu Guanzhong cards in my hand, and there are ways to collect them. Anyone of you is interested in looking for me!"

Wang Jiansen laughed, Wu Guanzhong has been collecting for many years, and he has a lot of heavy weapons in his hands. Now they are worth more than [-] million yuan, and he is definitely no worse than Zhang Daqian in speculation.

"The first batch of us is to test the water. After the model matures, each of you can choose one or two painters to specialize in. Whether it is collection or investment, it is very beneficial. The best is oil painting. The target of Chinese painting is Southeast Asia. Oil painting It is applicable all over the world.”

There is no need for Wu Tianyuan to remind you of this point. All of you here are ancestors who made money. Once the first batch forms a model, the rest will be easy to handle.An assembly line operation of the industrial chain, and finally enter the market through Zhongzheng and Bonhams auctions.Of course, Baoli and Sufubi are also allies, and the top ones can still cooperate.

"The Tianyuan Art Center will be officially opened in less than two months. There are three museums in it, the Tianyuan Western Museum and the Ancient Civilization Museum, and there is another one for friends to show."

"There is a gallery of more than 3 square meters and [-] exhibition halls, which can display our works all year round. There is also a huge space for future parties and performance venues."

Wu Tianyuan looked at the drawings and was very satisfied. He began to feel that the Tianyuan Museum is not small at more than 2 square meters, but after it is really opened to the outside world, it is still too small.

This time the art center is big enough, with a construction area of ​​more than 20 square meters and a usable area of ​​at least 15 square meters. If the effect is really good, it would be a big deal to build a few more to radiate all first-tier cities.

Hu Jianmin said proudly: "This is the largest and highest-level art center in China! The environment and security are all top-notch configurations, but you have to work hard, and there are two more museums, more than 5 square meters. Work hard, young man!"

Everyone laughed. Wu Tianyuan also had a headache. He worked hard for a year to perfect a museum, and now there are two more?

"Take your time. When Tianyuan Fund is rich and powerful, you can buy the museum directly! You don't need to run around all day, don't worry."

It was still Boss Liu who comforted Wu Tianyuan that the plan was to make money, using the money earned from foreigners to buy artworks. Wu Tianyuan also knew that he would not be able to collect all the artworks in ten lifetimes. Only capital could do it, so he had to work hard to make money.

"Are you free tomorrow? The three of us go to Songzhuang?"

After the meeting, Bai Hua and Lao Guo didn't leave, so they grabbed Wu Tianyuan and invited them to Songzhuang, saying that they wanted to see the power of the new generation and find some good seedlings for the future.

Songzhuang is a place name as well as a person’s name. As a person’s name, it refers to Songzhuang, a painter in the Song Dynasty. However, Songzhuang currently refers to the Songzhuang Art District located in Tongzhou District, BJ City.Songzhuang is an important economic and cultural town in Tongzhou District, with simple folk customs, rich cultural resources and prosperous art career.

As an art district, Songzhuang gathers artistic talents and has formed the largest and most famous artist community in Beijing and even in China.There is the largest village-level art gallery in the country, the Songzhuang Art Museum, as well as various private art galleries or art centers. The unique architectural shapes and numerous exhibitions jointly build the artistic ecology of Songzhuang.

Bai Hua introduced: "Don't underestimate the Songzhuang Art Museum. It mainly holds exhibitions and performances of contemporary art, follows the academic orientation of the art museum, conducts contemporary art exchanges at home and abroad, and pays attention to the development trend and latest trends of Chinese contemporary art through exhibitions. , to promote the exchange of Chinese contemporary art and international culture. A large number of influential contemporary artists at home and abroad, such as Ai Weiwei, Fang Lijun, Yue Mingjun, Liu Dawei, Yuan Zhenxi, Xia Xiaowan, Qi Zhilong, Yang Shaobin, etc., have actively participated in the Songzhuang Art Museum. held exhibitions."

"It also actively provides support and assistance for young artists, planning and carrying out a series of surveys, researches, and sorting work on Songzhuang's artistic ecology. It also conducts extensive promotion and education to the public, and invites representatives of the cultural circle from time to time. Hold academic lectures and carry out public art education activities. Actively organize, participate in, and support various public welfare and charity activities.”

Wu Tianyuan was surprised: "Oh? Now Songzhuang has formed a large scale? I heard before that it was just some painters playing tricks?"

Bai Hua said with a smile: "That's the old imperial calendar so many years ago! In the early 20s, a large number of artists from all over the country went to the Old Summer Palace and lived in Fuyuanmen Village. After the Old Summer Palace was cleaned up, the artists who originally lived there were displaced. Scattered everywhere. Some artists began to seek other environments that were safer, quieter, and conducive to creation, so they discovered Songzhuang, which has a good environment and low rent.”

"The first artists who settled in Songzhuang were almost all the first generation of Yuanmingyuan. They were like a group of pioneers, looking for a place to bury treasures. After several years of development, the nearby cottages have become the cradle of artists. Fine arts There are museums, art gardens, art bases, and studios everywhere, and there are countless galleries. By 2006, the number of artists in Songzhuang had reached about 1000.”

"The Songzhuang model of artists is different from the purely commercial operation of 798. Songzhuang is converging into a new platform in an unconventional mode that is different from the normal life in China. Compared with 798, it is more like an "art house". Artists rent villagers’ houses and sign leasing contracts or oral agreements with villagers; buy or rent land to build suitable studios, and sign contracts with village committees or villagers; rent idle industrial plants and transform them into studios. Some scholars have described Songzhuang’s The development model is compared to "art immigrants", they all have their own "home" in Songzhuang.

"They are going to learn from the "Dafen model". Shenzhen Dafen Village takes oil painting as the core of its industry. Its success lies in its commercial success. However, the atmosphere of art in Dafen Village is getting weaker and weaker. Instead, it is the industry. Although the real art has been buried here, Dafen Village has indeed made money. Its industrial model of "ordering from the market-making by painters-acquisition from art dealers-sales abroad" has brought a lot of money. benefit."

Bai Hua has been engaged in art for decades, and made an in-depth analysis: "The art industry chain I understand is a concept that includes four dimensions: value chain, enterprise chain, supply and demand chain, and space chain. These four dimensions are in the process of balancing each other. This "docking mechanism" is the internal model of the formation of the industrial chain. As an objective law, it regulates the formation of the industrial chain like an "invisible hand". The first link of the fine arts industry chain is For talents, the other end of the chain is the market, Songzhuang’s current problem is that there are talents, but there is no market, and there is a danger of losing talents when the market is insufficient.”

"And what we need most is talents, and the market is not a problem!"

Wu Tianyuan nodded. He had to go this trip. He didn't know much about the standard and life of modern domestic artists. He had to improve as soon as possible. In the future, he would find more talents with potential and occupy the market.

(End of this chapter)