The song god who was delayed by film and television

Chapter 311 The Age of Immortal Fighting

Why is it said that 2004 was an era when gods fought.

Whenever there is a good song, it will be replaced by another song within a few months, so many singers in that era also called it a fight between gods and gods!

for example!

"Jiangnan" by JJ Lin is one of JJ Lin's representative songs. Although more than ten years have passed, this song has been widely sung. It is a special love song that has gone through the chaos of time and space. This song The song actually wants to express the eternal view of love from ancient times to the present, so that we in the 21st century can feel the magic of love that never changes again.

Zhang Shaohan's "Aurora", I believe that friends born in the 21st century after the 90s have heard this song, the beautiful melody and Zhang Shaohan's singing, as if Aurora, the goddess of the northern lights and dawn, is singing the song of the earth, Zhang Shaohan directly Excellent sound penetration, so that the listener seems to feel the light of the sound.

"36 Strategies of Love" by Jolin Tsai is a song tailor-made for Jolin Tsai by the music team headed by Jay Chou. It has a heavy metal music style, but Jolin Tsai's singing feels sweet, and the performance is full of dynamics.

"Our Love" by Feier Band, this is a very classic Penguin song. Many people are still listening to this song until Suzi Yuhun wears it. The melody of our love is clear, and the lyrics are close to the love of urban people Symptoms of Loneliness is the most relatable and most popular ballad in the album.

Mayday's "Stubborn", SHE "Persian Cat", Wang Xinling's "The One I Love For The First Time", Wang Leehom's "The Only", Wilber Pan's "Happy Worship", "Ocean of Men", "Love Master", "Independence", "Beauty", "The First Dream" "Two Butterflies", "Lilac Flower", "Punishment of Impulse", "Mouse Loves Rice" There are too many classic songs, all from 2004, all 2004 is worthy of being a year of fighting between gods and gods in the Chinese music scene. They are all divine songs.

The Chinese music scene before Soul Transmigration is really dead.

A music scene that should have stood at the top of Asia has quietly become a gathering place for Internet divine comedies and saliva songs. Not only does the new generation lack powerful representatives, but even various music charts are false and comparable, just like the old rock circles. Pao Zhengjun said the same thing, echoing what others said, but when he really heard it, it was like eating shit hard to swallow.

It is a pity that such a situation has formed. You must know that the music industry was full of talents back then. Even in the two most glorious periods, the rankings and award selections in the Chinese music scene were like fire and water. Everyone had their own talents. Extremely outstanding talent and strength.

In addition to 2004 and 1989's top ten golden songs, the list of winners is even more familiar to the audience, including Anita Mui, Hacken Lee, Wang Jie, Chen Baiqiang, Kwan Shuyi, beyond, Sandy Lam, Jacky Cheung, Priscilla Chan, and Leslie Cheung. Each of the ten winners is a queen-level figure, especially at the time when Anita Mui and Priscilla Chan were the queens of golden songs, which almost broke Anita Mui's dominance among female singers in the Chinese music scene for many years. It is no exaggeration to say that if it were not Anita Mui's qualifications are much higher than Priscilla Chan's, it's really hard to say who will win in the end.

1989 was the peak period of adapted songs in the Hong Kong music scene, so 2004 was the peak of the rise of original music in the Taiwan and mainland music scenes. Around this time point, countless original singers began to emerge, especially Taiwanese singers headed by Jay Chou, who almost swept the music scene. All music charts in the Mainland.

They formed a magnificent scene where a hundred flowers bloomed, allowing the Chinese music scene to once again break through the bottleneck and create brilliance.

Pity.

Back then, it was a fight between gods and gods, and mortals couldn't intervene at all. Talented singers emerged one after another, and there was no place for a bastard to exist. I feel that the current music scene is full of traffic singers and Internet singers. I really don't know what will happen next time When will the pinnacle of the music world come to claim it?

There is no chance to see Su Ziyu there again, but in this world, Su Ziyu wants to use China to create a legend of the pinnacle of the music scene.

In addition to Zifeiyu record company training.

Su Ziyu also picks singers from other companies, especially those whose voices match. Su Ziyu uses Zhonghua's reputation to create a theme song for them in the form of sharing. Even the words Zifeiyu couldn't be suppressed.

Nothing can stop

your longing for freedom
An unrestricted career

your heart is free

through the dark years

I also felt anxious
the moment you bow your head

I just found the way under my feet

Su Ziyu left this blue lotus for himself to sing. The original intention of "Blue Lotus" was written by Xu Wei to the famous Tang Dynasty monk Master Xuanzang, expressing his respect for Master Xuanzang. The whole song has a strong flavor of Zen , there is no passionate tune, but it has shocked the hearts of countless people and given people strength.

The free world in my heart
so clear

blooming and never dying
blue lotus

Su Ziyu has released twelve albums, and almost every song is a classic, especially Su Ziyu's Cantonese album, which has set off a stormy wave for the Cantonese music scene. It belongs to Su Ziyu's Cantonese classics , war, love, so far, no romantic charges, the best bad friend, I once loved you with my heart, walking the road of life, taking pictures of my heart, the love of the past, the cold rainy night of forgetting love, love and sincerity, the silent years, the serenade in the middle of the moon, fate Hard, unchanging, black and white photos.
It can be said that every Cantonese song in Su Ziyu's Cantonese album shocked everyone in the Cantonese music scene in the world, and made countless Cantonese songwriters and composers ashamed. The huge Cantonese music scene was completely occupied by China.

Let the life go, the wind continues to blow, round, rogue, seven friends, myself, indifferent, ambiguous, two hands, timid, favorite, upper heart, Melbourne's emerald, silence is golden, the most vulnerable woman, my memory is not me Yes, love is looking for you in memory, the old man and the sea are crazy, China is crazy, and this year will be called the craziest year in China more than ten years later.

Peng Mingyu, Tao Luoqi, Zhou Qi, Youchi Li, Li Xintong, Shang Xiaoou, Zhou Weichen, Zhang Tianyou, Zheng Meier, every famous singer here is attracted by Chinese songs and no longer doubts Chinese songs. Fortunately, fortunately, I did not rigidly join Zifeiyu Records.

Zhonghua wrote a lot of Cantonese songs for him, which made him once the brightest star in the Cantonese music scene besides Zi Feiyu. Together with Su Ziyu, they are called twin stars, because Zi Feiyu's debut was a dream with him The Voice debuted as a singer in the same period.

(End of this chapter)