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1310 mental

When Michael Phillips arrived in the coffee house, the time was close to midnight, but the coffee house was still full of customers, and there was no night's meaning.

Depending on the line, you can accurately capture a few peers, but more or new media and new generation of new film comments from the media or reporters. Because in the media, they will not strictly distinguish between reporters and film reviews, one person can work more, and even the photographer's work.

Every figure is similar, slightly bent on the computer keyboard, quickly tapped, busy it is crazy, put on the sandwich on the table, lying in the plate, there is no move But the coffee cup has already seen the bottom, I don't know if this is the result of the first renewal.

Michael is not anxious.

Sit down, listened quietly with jazz flowing in the ear, my mind is always a little is not very strong, but I can't say a soleno, I have been playing the new moving folk songs in the cafe, lacking a little inspiration I finally realized that this is the lack of puzzle.

"Do you still remember the dream of your dream?"

Michael's finger hit the first line on the computer keyboard, and reversely browsing over again, and finally revised a word, this is satisfied with the light and jaw.

"Do you still remember the start of life?"

This is the title that finally determined, Michael started to work quickly, long-lost enthusiasm is quickly flowing in the blood vessel, the source of inspiration is constantly taken out, this excitement / love is so true and so exact It is precisely the most precious essence of the film festival.

"The drunk rural areas, this is directed by Joel Cohen and Izuo - Cohen, tells a very simple story, about the people of the folk singer Le Wenden Davis, no drama, no turning There is no suspense, which is the daily ordinary life story of Puttong.

There is no strong card lineup and complex story clues, which is a complicated story clue, which is the closest story of Cohen Brothers. But just as the music of Lewinne in the movie is generally from the depths of the heart, reflects the clear and miscellaneousness of the soul, which may be the best part of Cohen Brothers. "

Although the words were cautious, despite the strangeness, Michael did not have their own appreciation and affirmation, and the opening stage clearly understood his position.

"Follow the movie lens, the audience returned to the beginning of the 1960s, Bob Dilong has not risen, and all the sight is concentrated in the end of Le Wene, Davis.

He is a loser.

He is unsettled, and there is a continuous rushing between the ice and snow in New York. It is borrowed in the sofa of a friend's home; he strives to create music, but he is a artist, but he is considered a funny clown; he Borrowing a friend's home, but his wife has a first end, even doing things, so that I have to participate in my own business advertising chorus.

He and his family have alienated that in order to chase his music dream, he gave up the relatively stable life. In the face of his sister and his father, he didn't want to put down the shelf. He was eager to find a place where he belongs to himself, but Always see other singers with picky eyes; he went to Chicago interview, but watered a bucket of cold water, and left.

He is a failure of failure.

In just a few days, he didn't have it to complete. Even if you even choose to give up, you can't give up. After venting the anger, you still have to hang down the head, and the last or return of the original place, what No change, but what has changed.

In the face of such a life, how many people are willing to stick to it, or say, how many people can I stick to? I even got a doubt, what I insisted on?

So what is Lewene insisted?

This is the proposition of the whole movie, but also the proposition of the movie to the audience after the end of the film, which is precisely the different propositions of this movie.

Undoubtedly, Le Wene has music talent, or bad or bad, or low, but it is talented.

The commercial advertising song he worked with friends had achieved great success, but he chose to give up copyright, not only because he urgently needs cash, but also because he is full of disdaining and contempt.

He refused to make music into a tool to success, winning fame and fortune, and refused music to become goods or items. For him, music is the music, that is the melody and words from the heart from the soul, that is Carrying the artistic creation of life weight and life color, that is, it is the most authentic yourself.

This is his persistence and his stubborn.

Music is in him, that is the fragment of the soul.

This movie is the same.

For music movies and songs, the most taboo is a cheap and bored music video belt, but it is clear that Cohen brothers are not here. Cohen Brothers have successfully made the melody and singing sounds for music and performances into the most important components of Levien-Davis.

A song 'green stone road (green-green-ryiky-ryiad) records the freshness and clarity of road trips; the "The-Death-Yif-Queen-Jane" carries him Lovers and children's affection.

A song, the-shyials-yif-herring, telling his father's memory and commemoration; a song 'five hundred miles, telling the conflict of dreams and reality, and there is also from hometown.

Also, a song 'waving doing a good value, witnessing the launch and ending of the dream.

Each melody, every lyrics, every sing, gentle and heartbreaking, carrying the weight of Le Wene, telling the story belonging to Lewin, which is from life, but also from the pain. Force, truly let every audience witnessed his insistence, reading his insistence and understanding his insistence.

Listening to each performance of Levant, the weight of the movie is thus leaning down.

Music and creation consumes all of his enthusiasm and hopes, but finds no relying on relying and export, in the real ice and snow, just like stepped into the snow shoes, wet, stick, stuck, heavy, but Always can't get rid of, walk, walking, watching the golden sunshine disappeared at this point.

He insisted, but he insisted that he didn't see the business value. "

When writing here, Michael's eyes suddenly wet, and the mind of the mind will remember the last scene of the movie again.

Le Wene is sitting in the alley, full of sore, a wolf, even a winter jacket is not, the light of the fund is a bitter and relieved, whispered a "goodbye", but it can't distinguish it clearly. Is the audience, say goodbye to your dreams, say goodbye to life, or say goodbye to music.

The surging emotions were too fierce and too ambulous, so that the flame of the chest began to burn.

"Among the movies, Cohen Brothers did not give the answer: Whether Levant can continue to stick to it.

They made a dilemma, and Le Wene wrapped around a large circle, and finally returned to the original place:

He can choose to continue to stick to it, live in Greenwich Village, living in the Greenwich Village; he can choose to give up, regain the old industry, like countless ordinary people generally return to stable and regular life; he can choose to bid, leave New York, I have a new journey alone. Perhaps, there are other options.