The attributes that the Slavic gods of the past possessed were transplanted into the heroes active in the Song of Warriors.
That era saw the gradual decline of the ancient Slavic beliefs, which led to the gradual extinction of the remaining mystical traditions of the divine age.
Just as the mystery of the gods was fading into twilight, Grand Prince Vladimir erected the Pantheon in Kiev, allowing the mystery of the gods to remain on earth.
He bestowed the divinity of the gods upon the many heroes gathered on this land, known as the Ross Warriors, using them as a wedge to preserve the mystery.
Blessed by Christ, and having received the power of the sacred mountain from Sviatogor, the son of the God-King, Ilya, who carries the divinity of Perun, the chief god of the Slavs, is the most important wedge that truly anchors the mystery of this land.
Originating from the chaotic struggle between the Slavic god Peren and the earth god Veles, this struggle has been repeated more than once on this land.
Reenacting the stories of the ancient gods on earth is a common ritual in religious ceremonies. Through such rituals, the mystery of the ancient gods is preserved on this land, and the faith in these gods is established here.
The heroic tales of these brave men were born out of this, and they used this to overcome the various calamities on this frozen land.
Ancient gods were incarnated as heroes in poetry, and these heroes later became sacrifices in burnt offerings.
In the war that ended everything, in the final scene of the Ballad of the Warriors, in a story called The Death of the Warriors.
The ancient land of Rus', which had been stagnant for so long, began a new chapter. All the mysteries of the past were finally erased, and the gods of a foreign land bestowed the name of a saint upon the former gods.
On the battlefield, the corpses of the warriors were scattered all over the land, and Ilya stood as a stone statue at the end of it all, the mystery vanishing with the disappearance of the warriors.
In the end, the Holy King of Kiev could only destroy the pantheon he had built, personally grab the statue of Peron and throw it into the river, and prostrate himself before the loving God.
And the "si" used by Ilia at this time is the scene that appears at the end of the poem.
He unleashed the divine qualities within him without reservation, becoming the incarnation of Perun, the chief god of the Slavs.
But that's not all. Ilya is also a saint who protects the country, but he doesn't protect the country of Kievan Rus'. He protects the boundary between the three realms and the transition between two eras.
Just as Ilya's title suggests, he was the last hero of the old era and the first hero of the new era. He was the anchor that divided the world and the anchor that divided the era.
In a state of impending destruction, Ilya, as the embodiment of the ancient gods, wields divine power, and as the initiator of a new era, holds the power of a saint.
With the power of the sacred mountain that Ilya received from the giant Sviatogor and the foundation given to him by Mother Earth, Ilya was able to exercise both divine power and saintly miracles, at the cost of self-destruction.
But when this completely overloaded operation ends, all the power will eventually return to Mother Earth, and the invincible hero will turn into a stone statue. This is the ending in the song of heroes.
But this was the final battle. There were no more concerns before. Russia's greatest hero had transformed into lightning, riding a bronze chariot in the shape of a ram, his greatsword planted to the side, his hands in a bow-bending posture, and he shot out a sky full of lightning.
Just as Ilya experienced the chaotic struggle, it was the arrival of spring that brought light and new life, shattering the cold darkness of winter and propelling the changing of the world's timeline.
Lightning transformed into arrows, into divine thunder that annihilated darkness, demonic nature, and malice, unleashing a rain of lightning powerful enough to destroy the entire land.
"Faced with such a formidable enemy, we must indeed go all out from the start and defeat them directly with the greatest strength."
None of the Servants present had any spare strength left, and they didn't care even if it exceeded the power their Spirit Origin could bear.
"I am truly grateful to you for providing me with such a grand space. It is quite the display of royalty, yet it is filled with pride. In this cosmic concept of the end times, memories of the past remain, Jerusalem has been recreated, and the miracle of the Nile has been recreated."
Manjushri in the temple was also dressed neatly, these were things brought from afar and delivered by Nitocris.
Theoretically, it should have been used for the battle in the desert. Logically, the Beast of Sodom should not have reached the point where it could grow into its true form, so the final battle should have taken place in the desert.
However, unexpectedly, the Beast of Sodom received an additional wish, which was poured into her golden cup, ultimately completing its transformation into its true form.
Therefore, the battle in the desert ended hastily. The Beast of Sodom, having become its true form, ended the battle with a playful attitude, leaving the real battle for the throne where she was reborn.
However, these things are still useful here; traces of Egypt still remain in this doomsday universe.
Part of the foundation here is the urban construction of the singularity infiltrated by the beast of Soba※∷5±≠㈦'6∈ˉ⒍ˉ:③⒋★+si±∫㈡觉流『〃QuN:Doma's Beast.
Jerusalem has been seen, the golden city has been seen, and beneath that golden city lies the color of the Nile.
The royal power on the Nile has changed hands, and with the sun boat drifting on the Nile, the old and new pharaohs have passed on their thrones.
Chapter 112 Change
The area guarded by the seventh demon beast, Heruksuria, is the last playground of the Beast of Sodom after it has grown into its true form. It is a prosperous city in Egypt made of gold.
That golden city was built to display wealth and proclaim the desire for prosperity. It was made of gold and gathered all the blessings of the earth to recreate the stories of the past.
However, that golden city died in concept under the power of death of Tescatlipoca, and the main body of the city entered the grave, leaving only the dead, pitch-black corpse.
The foundation of that golden city was the Egyptian territory of the Age of Gods, which Osmandis summoned to this land, and the ancient Egyptian kingdom established around his treasure, the Radiant Great Complex Temple.
The Egyptian territory summoned by Osmandis after he appeared and took the Holy Grail is the real, divine Egypt, where, as Nitocris said, the miracles of the Nile are recreated.
Even though it was erased, the pharaoh who created and ruled this land was swallowed up on the Nile, and the sun was extinguished, the light of the miracle was not completely erased, but remained deep in the earth.
The Beast of Sodom knew all that had happened, but she did not expend any effort to erase these remaining powers; instead, she allowed everything to remain.
The Beast of Sodom did not transform into its true form to destroy the world and bring about this end; this was merely a means and a process, not the end itself.
Therefore, the Beast of Sodom left this to its own devices, simply using the materials it already possessed to complete its own domain, and sat on its throne, waiting for everyone to come and fight it.
The miracles buried here, belonging to the Nile and Egypt, can be used here, so the actions of Osmandis and Nitocris were not wasted.
Manju raised his hand, taking the scepter symbolizing royal power. The golden city, swallowed by the dark waves, collapsed with a roar, and from beneath the earth, the many temples of Egypt were reborn from the corpse of the golden city.
The Temple of Dendera in Luxor, the Temple of Karnak in Thebes, the Temple of Abu Bessin in Ravages II, the Temple of Namutis in Vayu, and so on—these have all been seen in Osmandis's Noble Phantasms, after all, his Noble Phantasms bring together all the temples of the past, present, and future.
Similar to the Radiant Grand Complex Temple of Osmandis, each temple possesses the mystique of a different deity depending on the one worshipped, and can bestow upon an object the blessings and curses of the deity associated with that temple.
The rising temple below divides the mystery of this land, separating the powers belonging to various gods to construct the many mysteries of Egypt.
"Hmph, even you, I have to admit that the temple that exists for me is the most perfect form, right?" (I am not the same person as you.)
Osmandis was still suppressing the resurgence of the demonic beast He in this territory, so how could he not see this scene that was all too familiar to him?
"Take it. I approve of you taking on this responsibility of saving the world. Display the Pharaoh's authority before that lightless serpent and utterly crush it for me!"
Osmandis unleashed a radiant sun that scorched the resurrected monster, He, to ashes once more, and the scorching sunlight never disappeared in this doomed land.
"Excuse my rudeness, Pharaoh. Are you really not going to join the battle against the beast disguised as Apep? You can leave all the work here to me."
Nitocris, who was assisting Osmandis, asked him.
"Hmph, it's just about defeating the fake Apep. He's enough on his own, there's no need to care... Nitocris, if you're interested, go ahead. Don't worry about me here. No matter how many Beast Apostles there are, they're just boring insects."
"No, Pharaoh, as you said, with that great Pharaoh present, the battle is a foregone conclusion, and I have no need to go there and cause trouble. Just let me stay here."
Linnetocris shook her head, did not leave, and continued to cast spells to support Osmandis.
Si: "Idiot, don't force yourself."
"No, I am still an immature pharaoh, and I still need to learn from Your Majesty..."
The sun rises here, constantly radiating light and heat to annihilate the demonic beasts, while a distant temple, exuding mystery, rises from the ground.
②The corpses of the Golden City were completely absorbed by these temples, while the remaining power of Tescatlipoca transformed into an invisible wind that blew these temples away.
The nine-flying temple flew directly towards the central gate, passed through the gate, and landed on Manshu's aerial fortress, merging with it.
"Although the Age of Gods has ended, the eyes of the gods have not left."
When the festival was held in Egypt, Manju saw that blurry figure in the tomb-like temple at the end of the festival ceremony, which represented rebirth.
The purpose of Sadiq is to change the monarchy and to give the king a new life. After the festival, a new pharaoh will rule the land.
The person who performed the festival rituals and completed the renewal of the pharaoh's royal power was Manju, who took over the royal power of the pharaoh who originally ruled this land through the rituals.
The rituals of Saide inherently contain the shadow of ancient god-killing (king) rituals, which are acts of killing the old king and old god to become the new king and new god.
Thus, the ownership of the power of this land fell into Manjusaka's hands, enabling him to control the many mysteries brought by the Nile.
"It's time for you to rise, to become the sun, to fill the sun!"
Manju reached out his left hand and patted Sekhmet's body, causing Sekhmet to leap down and transform back into his ferocious lion form.
"Come, sing to the sun! Praise you, Ra, rise up to you in awe!"
Sekhmet's golden fur emitted extremely intense heat, followed by a burst of intense light that could damage a person's eyesight, transforming him into a fireball.
However, the light quickly subsided, leaving only a temperature no different from the sun's surface that scorched the surroundings, causing some of the newly installed decorations to begin to melt.
Sekhmet didn't linger there; he flew upwards to prevent the things from being completely destroyed.
The eye that split off from Ra returned to the sun, flew out of the tower, absorbed the mysteries of Egypt that had been summoned there, and transformed into a god that charged toward the beast of Sodom.
"It's a divine-level magical reaction, it came from Lord Manjusaka's Noble Phantasm, it's from an ally."
Mashu quickly reported.
"They are gods associated with the sun, but I don't think I need to tell you that."
The dazzling light and intense heat were indeed enough to evoke associations, and Female Merlin merely made a casual remark before stepping aside.
Sekhmet wasn't very rational; she probably wouldn't stop or move aside if someone blocked her path.
Chapter 113 Border Prison
The battle with the Beast of Sodom has begun. The Beast of Sodom stands on the pool of blood, with eerie flames burning fiercely at her feet.
Raging waves surged around, crashing down with each movement of the Beast of Sodom, shattering everything in its path.
King Hassan, King Arthur, and Ilya stood at the forefront, fighting the Beast of Sodom, while the remaining Servants were distributed on both sides, constantly interfering with the Beast of Sodom's movements or providing support to other Servants.
The female Merlin continuously uses magic and offers blessings to ensure that the journey will not stop here and that the end will not happen.
The vibrant flowers fell continuously, like a funeral ceremony for the beast of Sodom, with the flowers serving as a blessing to the dead.
At that moment, Sekhmet burst out of the tower, charging straight towards them as a golden sphere radiating intense heat and blinding light.
The female Merlin who was blocking Sekhmet's path immediately stepped aside, allowing Sekhmet to crash into the beast of Sodom.
The intense heat evaporated the blood pool beneath the beast of Sodom, and a large cloud of steam rose from the path Sekhmet had traversed. Many of the crimson cracks in the ground were shattered and blocked by the impact.
"What a tyrannical lion, charging forward with such ferocity that it leaves no room for any pleasant thoughts."
Sekhmet missed the Beast of Sodom, and in this realm of space controlled by the Beast of Sodom, she had considerable freedom of movement.
The Beast of Sodom does not need to move its legs; it can move freely between the thrones simply by using its magic and authority.
Just as Sekhmet was about to collide with the beast Sodom, the beast Sodom vanished from its spot and reappeared hundreds of meters away.
With a wave of its hand, the Beast of Sodom unleashed a torrent of eerie flames formed from magic, which rained down in large quantities in the form of spheres.
These flames, once touched, are difficult to extinguish, burning with magical power straight to the depths of the heart, and Hundred-Faced Hassan was accidentally ignited.
Bai Mao immediately tried to extinguish the flames with magic, but the fire expanded rapidly and rushed towards Bai Mao's body and neck.
Bai Mao dared not try any further and directly severed his left hand before quickly retreating.
The severed left hand fell to the ground, and the flames vanished in a flash, disappearing in less than a second. The left hand still retained its shape, but its color had turned grayish-white, as if the flames had burned away the color of the arm.
"hateful……"
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