Bleach-Stir Up

The idea of ​​Roka and Ashido taking away the sealed Szayel Aporro was established. For Kotōmi, his mission became clear.

To distract Baraggan, at least let him forget the existence of Szayel Aporro in a short time, so that Roka and the others can take Szayel Aporro away, and also buy them some time to escape.

For such a Vasto Lorde-class Menos Grande, who calls himself Hueco Mundo Great Emperor, there is nothing more likely to arouse his anger than trampling on his dignity.

And once angry, how important is a sealed subordinate to Baraggan?

No, maybe there are many important things in Baraggan's heart, dignity, pride, etc., but these all are derived from his own will, and life and death of the same kind are not worth mentioning in his eyes.

Of course, words such as "similar" or "partner" will not appear in Baraggan's dictionary. There can only be one king. Even if there are similar, Baraggan's attitude towards him It is definitely destruction.

As a result, Kotōmi took the lead while embarrassing the opponent when he took Baraggan's words. With such a disdainful and remote attitude, it is not difficult for him to stir up the line of fire in Baraggan's heart. .

In fact, for Baraggan, this deliberate gesture is not as simple as trampling on his dignity, but mocking the fact that he has trampled on his dignity. You must know that the previous fight against each other was crippled. But he Baraggan!

The shame must be washed away with blood, and the ants in front of him must be crushed by his own hands!

A wonderful misunderstanding allowed Kotōmi's plan to start smoothly.

It is the 1st Step to evoke Baraggan. Whether the next thing can proceed as expected depends on Kotōmi's'acting skills'.

First of all, we must create a situation of being pursued and killed. Of course, this is for Kotōmi, and for Baraggan, it is hunting, and it is hunting alone.

The key point is that there can only be one and only Baraggan for the hunter. The hunter comes from anger, and "alone" depends on something else.

To show the enemy's weakness, more accurately speaking, it should not pose a threat to Baraggan. This was Kotōmi's thinking at that time.

After all, the seemingly arrogant Baraggan is not a stunner who can only do things. In his previous life, Baraggan, who was able to bow under Aizen with hatred and wait for an opportunity, is by no means an arrogant one who only knows dignity. Stubborn man.

Get close to Baraggan and use Ikkotsu. After being injured, he retreats. After that, Baraggan no longer hits head-on when launching an attack. While pulling away, he casts No. 88 Hadō Hiryū Gekizoku Shinten Raihō.

This approach is not wrong in the eyes of any Gotei 13 player, but knowing Baraggan's abilities, Kotōmi almost avoided all the methods that could hurt Baraggan.

In the case of Baraggan's failure with both methods, it is not surprising that Kotōmi chose to escape afterwards.

Of course, if Baraggan showed no sign of chasing him, Kotōmi would continue to attack him with Hadō until Baraggan became too much to bear it and had to catch up and kill him.

The plan generally follows the development of Kotōmi's expectations, but there are still troubles and accidents, and there are many.

When Kotōmi was forced to retreat for the first time, Baraggan appeared unexpectedly when he appeared behind him, because that time Kotōmi almost couldn't avoid it.

Shinigami has its own footwork Shunpo, Quincy has its own footwork Hirenkyaku, and in the same way, Hollow has its own footwork-Sonido.

Kotōmi knows the existence of this footwork, but it is the first time to see it with his own eyes.

Accurately speaking, Sonido cannot be regarded as a footwork. Whether it is Shunpo or Hirenkyaku, its principle is to move fast and follow.

On the other hand, Sonido is a short-distance spatial movement, and there is no trajectory to go back and forth between two points.

So in general, Sonido is faster than Shunpo. Also because of the lack of trajectory, Sonido can evade detection nerves such as vision and hearing, and will only be perceived a short time before it appears, leaving little time for the enemy to react.

Due to the special nature of Sonido and the poor mental state, Kotōmi's Reiatsu Perception has been declining, and the claw that avoided Baraggan is very thrilling and extremely reluctant.

So Kotōmi had to use the 58th Bakudō Kakushitsuijaku, with this ability to lock the opponent Reiatsu and hunt down the location, temporarily strengthen his Reiatsu Perception.

Be aware that originally he only needed Tenteikūra to deploy tasks to Roka and Ashido behind him. This virtually increased his burden.

Yes, for Kotōmi at this moment, too much release of Kidō is a burden, especially when he gives up singing, the release of Kidō is to bring his spirit to the limit a little bit.

At the same time, Baraggan's combat IQ also exceeded expectations. Not only did he eliminate Kakushitsuijaku on the way to pursue, he suddenly used Sonido to approach him.

Not only did Kotōmi really hurt Kotōmi with one axe and one claw, but he also faintly discovered the existence of static recordings.

Although Baraggan is full of words such as "king" and "noble", he is definitely not an arrogant fool, and despising his words will pay a heavy price.

"You who only strictly adhere to the principle of weak are prey to the strong, how can you think of how despicable we are as winner is the king, loser is the villain." Kotōmi, who turned his back to Kurohitsugi, Secretly sighed in his heart.

Release Kidō through singing is indeed a method to reduce mental loss, but his original intention for doing this is not so simple.

Baraggan's ability is a life-killing blade, and at the same time his own life-saving charm. As long as the things affected by aging are sent to Baraggan's body, he himself will destroy himself.

Returning to the other side, how to deal with Baraggan Kotōmi is better than anyone else.

So at first Kotōmi left a hand, deliberately chanted Hiryū Gekizoku Shinten Raihō in front of Baraggan, and released a lot of Hadō through chanting in the subsequent chase.

Hadō below the 50th do not need to chant, and those above the 50th need to chant. Kotōmi used his actions to leave this judgment in Baraggan's heart little by little.

And this wrong judgment made Baraggan completely lose his guard, so he walked to Kotōmi unscrupulously. After all, Kidō, who can be released without chanting, can’t hurt him at all, but the ones who need chanting are threatening. Hadō, he can kill Kotōmi before he finishes!

Kotōmi, who received Roka’s call and knew that Reyzen had been rescued and Szayel Aporro was also successfully taken away, naturally would not give up such an opportunity.

Ninety Hadō-Kurohitsugi, a High-Level Kidō that has the characteristics of both Bakudō and Hadō in a sense, it is still too difficult to just seriously injure Baraggan, let alone kill.

Perceiving the rapidly debilitating Kurohitsugi, Kotōmi knew that Baraggan would get out of the trap in five seconds at most. He wanted to clean up Baraggan in his current state. It was indeed a bit weird.

"Bakudō no. 15, Kuruashi Funuma!"

"Hadō 57, Ōdoma Korodo!"

Kotōmi stomped hard on the hard ground, suddenly The cracked, gray stone wave divided into two from it, and rolled nearly a hundred meters high.

"Let the old man put a comma on this farce first, but next time, I will put an end to your life myself!" Two stone waves merged into one, Kotōmi held his face On the mask, I glanced at Baraggan, who was about to be submerged at a depth of 100 meters, coldly said: "We'll meet again some day, Hueco Mundo, the temporary king."