Crossover in the Anime World

A man who has lived for three hundred years by watching a movie, a dazed man.

In fact, in the two-dimensional story, many times they will discuss why the protagonist fights and why he completes those inhuman tasks? Is it for this country, for a certain group, or for people who care, or is it passively accepted?

In sports comics, it is naturally for the team, because teammates are the people the protagonist cares most about, so they have to win. But once the scope expands and becomes a certain city or a certain country, it is difficult to make the protagonist save everything. Even if the author writes this way, readers may not accept it.

So at this time, the protagonist’s behavioral motives are either very secondary, or for beautiful girls, or passively involved in the crisis, instead of actively participating in the battle. Obviously, this is more in line with the protagonist's setting of ordinary people, and it also allows readers to take on the role more.

And if the setting is for ordinary people, then agencies, companies, and organizations can easily become enemies of the protagonist.

In some serious works, the protagonist is often not set as an ordinary person, but is able to contact the civil servants or rangers at the bottom of the society. Because only in this way can the protagonists show the conflict between organization and society in their actions. At the same time, the protagonist groups caught in the middle are also in a dilemma. They can only complete their jobs without violating their original intentions, but they have no ability to change the status quo. Such works, especially cyberpunk works are very common, and protagonists such as law enforcement and bounty hunters who wander in black and white have the most attention.

So why did the protagonist risk his life to fight? Unless he believes in ‘liberate the world first and then liberate himself’, other reasons seem to be inadequate. It is impossible for people to give up their lives for righteousness and forget their lives.

Character number two, for the sake of a beautiful girl, passively involved in a crisis, or his own duty? A motivation for the protagonist’s behavior must be given so that the protagonist’s actions in the story can be understood by the audience.

But in the end of the world, these motives may not be found. Therefore, the female director would rather watch a 300-year-old movie, and did not have any action, did not try to change the end of the past.

It wasn't until a few years ago that Dema burned the film inventory of female directors, which made female directors rely on junk movies to live their lives, and it became more and more uncomfortable.

The reason for Dema's loss of faith is also very simple. It is that he found the original film of religious teachings from the spoils of the female director. After watching it, he discovered that the myth of the savior beheading the witch of ice does not exist at all. This is one Nothing more than a junk movie, his faith completely collapsed. He realized that what he believed before was wrong, what he did did not make the world better, he was just a simple executioner.

But now the female director is naturally dissatisfied with Dema's appearance and has no villainous temperament at all, so she selected four criminals, plus a self-recommended Duran, to form a five-person villain group.

She is now going to shoot a movie of her own. The protagonist is Yanquan Agni, and Yanquan is her hero name. Now she is training Agni to use his self-healing abilities faster, and at the same time teaching him some messy things. She is developing a worldview and cultivating personality for Agni.

It's just that her education is not formal at all. For example, she told Agni that people would go to the cinema after death, and then watch movies forever. Agni doesn't know what a cinema is or what a movie is, but he believes it, and believes that after death, people are not gone, but have a destination.

This is very similar to the process of primitive people's excessive death worship. Primitive people worshipped death very early. Looking at the decoration and burial of the deceased's cemetery, we know that primitive people pay special attention to death. Many times they believe that people can continue to live in another place after they die, so funerary objects are tools for the dead.

And when people die, they are very careful when burying them. Noble people belong to noble people, and ordinary people belong to ordinary people, and they cannot be buried together.

Agni, who has not received any education, controls his behavior completely based on his emotions, and his most primitive motive is to protect his sister. But the younger sister died ten years ago, and then it became the fulfillment of the younger sister's promise to live. But there is no point just living, so the first meaning is revenge.

Revenge is the motivation to live. The female director taught him fighting, life and death, and acting skills. All these have added new directions and new impetus to Agni's life.

For Agni, a female director is a prophet, a sage, a person who can lead him to accomplish his goals and guide him in the direction.

But the female director is actually just using Agni, and she doesn't have the heart and patience to teach someone who doesn't understand anything. She just wants to fulfill her wish, just want to make a movie. In fact, she didn't even have this wish. If it weren't for the movie to be burned, she might continue to watch the movie until the earth was destroyed, or until she was destroyed. Although she is alive, she doesn't want to change the world. Of course, she doesn't want the world to disturb her. She wants to build a wall between herself and the world to separate herself and the world.

Unfortunately, there is no such wall. If she does not change the world, the world will naturally change her. Life in this world is like traveling against the current and then retreating. If you want to maintain the status quo, you also need to pay costs, and the maintenance costs are getting more and more expensive, so once people come up with good ideas, then it means that they will start to go downhill.

The same goes for female directors. She thinks it’s good to watch movies every day, but how can there be such a happy thing in this doomsday world? So the movie was burned, and she had to make the movie herself.

Yanquan is the protagonist she is looking for, and revenge is her chosen subject. As for the other things, everything is kept simple. The shooting equipment is a DVD, there is no lighting, and no soundtrack. Fortunately, the special effects will be very real, because all actors have it. superpower.

"This mech is for you." The female director chose a mech for Duran from the collection. UU reading www.uukanshu.com

Duran refused: "No, I want to have a contest between men with Agni."

"Yeah, yes, you really look like a villain. So can you tell me why you want to fight him?" The female director asked with shining eyes. She felt that Duran's performance was very tense, and it seemed okay. Fill the storyline of the movie. After all, just revenge is too simple, if there is something else, it would be great.

"I already know his story, I know he is very miserable, but I want to use my fist to tell him that the world is cruel, hard work may not be rewarded, good does not necessarily have good rewards, and evil does not necessarily have evil. Report. I want him to know that the operation of this world is not transferable by personal will. If he really thinks that the world can be reversed by relying on manpower, then he must first defeat me.” Duran said solemnly, in fact, to give The protagonist sets a test, and Duran personally tests Agni's temperament.

"Okay, great. It's more exciting to fight with this concept." The female director immediately took out the dv and said: "I didn't record the passage just now. Can you say it again? If the feelings are fuller, I want to record it. Come down as material."

Duran said that there is no problem. He is now an actor, so he can naturally meet the director's needs.