Chapter 351 Fake?

Shen Zhe’s voice fell.

Everyone’s eyes were focused on Shen Zhe and Quan Ming and this tea can.

Everyone looked at Shen Zhe in shock.

Old Qian was even more surprised~ looked at Shen Zhe strangely.

He walked to the front of the tea caddy and helped his glasses.

Squinted and watched carefully.

As Shen Zhe said, if you don’t pick it up, you can’t confirm it at all.

But even if it is left like this, there is no way to suspect that it is a fake? !

Quan Ming looked at Shen Zhe angrily, his lips trembled with anger.

The hands hanging on both sides clenched his fists.

The blue veins on his forehead violently.

What is the most taboo of a collector?

That is, people say that the collections are fakes at the exhibition.

And Quan Ming invited so many well-known collectors and connoisseurs in the industry.

None of them have suggested that the collection is a fake.

Shen Zhe only glanced at it and said it was fake? !

What a joke!

This girl must have come to smash the scene!

Quan Ming’s eyes were full of anger. He stared at Shen Zhe and said angrily, “You know what a fart! This is a blue and white porcelain tea caddy from the Qing Dynasty, you know what a fart! A layman said that my collection is a fake?! I started. You were not born yet when you collected antiques!”

“Don’t think that you are the old man. I dare not say anything. If it is really a fake, you think we can’t see it?! With so many professionals here, are you questioning me or questioning them?!”

Quan Ming said angrily.

At this time, he has completely disregarded his image.

He certainly does not allow anyone to question him and his collection.

He bought everything in the exhibition at a high price.

Shen Zhe actually said it was fake? !

At this time, someone said, “Yes, why do you say it is fake.”

“Yeah, Mr. Qian didn’t say anything.”

“Qian is always the most experienced person here, he hasn’t said yet, what do you know as a kid.”

“Old Qian, this is your friend? Jianbao’s ability is not very good!”

….

Then one after another voice sounded.

At this time, Shen Zhe looked at the vase intently.

Not at all affected by them.

After reading it around in a circle.

Shen Zhe nodded more surely.

“Doesn’t believe it is a fake? Do you want me to tell you?”

Quan Ming, who was still in anger at this time, really wanted to raise his clenched fists.

But he took a look at Qian Lao.

He held back.

He suffocated his breath and said, “Well, you tell me to listen! If you can’t tell anything, don’t you want to go out through this door!”

Shen Zhe chuckled lightly, “Then I will first popularize blue and white porcelain from all periods of the Qing Dynasty.”

Everyone was taken aback.

Looking at Shen Zhe’s posture, everything seems to be the same.

All the blue and white porcelain in the Qing Dynasty?

At this time, Shen Zhe continued to speak, “At first glance, the shape of the ware was ancient, plump, and vigorous in the Shunzhi and Kangxi period. In the Yongzheng period, the show was clever and timeless. In the Qianlong period, it was neat and regular. After Jiaqing and Daoguang, it was immature and clumsy.”

“Second look at the glazed surface, the glazed surface is not as bright as the Ming Dynasty plump, glaze is thin, the color is slightly blue and white in the Shunzhi and Kangxi dynasties, the glaze is smooth and delicate, the glaze is tightly combined, and the glaze is blue and white, powdery white, sauce white, and hard. Bright blue and other colors.”

“Thirdly look at the bottom of the foot. Large objects and early objects are mostly smooth sand bottoms. During the Shunzhi and Kangxi period, the porcelain foot types were more diverse, including double-ring layered bottoms, beveled bottoms, two-tiered table bottoms, lying feet, and rounded bottoms. The shovel-back-shaped foot and other four-looks inscribed. Jingdezhen palace kilns have many emperor’s reigns. The civil kilns have Ganzhi reigns, auspicious words, private models and pictorial models. There are stamps, engravings, blue and white, red glaze, and gold color. , Material and color, etc., are available in Kai and Seal.”

As Shen Zhe said, everyone slowly leaned forward.

Look closely at this Qing Dynasty porcelain of Quanming.

“You see, your blue and white porcelain has the shape and glaze of the Kangxi period, but this base is not the Kangxi period.”

Everyone was taken aback.

Following what Shen Zhe said, look at them one by one.

“It seems to be…”

“It’s really different.”

“Huh? Strange…”

Everyone is talking about it.

At this time, Quan Ming’s face had begun to darken.

At this time, Shen Zhe reached out and wanted to pick up this tea can.

Quan Ming just wanted to stop.

But Shen Zhe has already picked it up.

He glanced at the base and continued, “This tea caddy is from 1726, it is a blue and white porcelain from the Yongzheng period.”

·········Ask for flowers·········

“The Yongzheng Dynasty imitated the Ming Dynasty Yongle and Xuande’s Su Niboqing more and less innovation. The innovative ones have a set of cups, a set of ten, with a thin mouth, a little bit, and a short stature. There are also lantern statues, flat-bellied chrysanthemum-petal bottles, Guan’er bottle, manta dragon jar, etc.”

“The craftsmanship is meticulously crafted, the tires are repaired, and the joints are not visible. The roots are deep and rounded, commonly known as Dengcao roots. The folk kiln imitation sand bottom, rough, with spiral patterns.”

“The fetal glaze is delicate and white, the degree of porcelain is good, the carcass is evenly thick and thin, and the glaze juice is moisturizing.”

“Blue and white, inherited the Kangxi white glaze, the white is shining green, partly imitated the Su Nibo green of the Ming Dynasty, but instead of using imported materials, it is artificially dotted to make it dizzy. The folk kiln ware is blue with gray, and the roots are round. , The pattern is dull. During the Yongzheng period, the blue and white glaze made by Tang Yinggu was red in color, and the color was bright, red and white, and it was commonly called Tang kiln.”

……. …….. …….

“But, do you think your blue and white porcelain pattern and glaze match those of the Yongzheng period?”

“Beginning in the late Kangxi period, the decorative patterns tended to be patterned and rigid, and continued during the Yongzheng period. The decorative patterns imitated the Ming Dynasty’s Yunlong, Yunfeng, Yunhe, folded flowers and fruits, wrapped branches of flowers, torus eight treasures, and pierced patterns, etc., with slender lines. The folk kilns have Eight Diagrams, Eight Immortals, Sanskrit, Gou Lian, etc. The Sanskrit is long and patterned. The flat Sanskrit pattern is like Tibetan and dull. The figure paintings have fishing, farming and woodland reading, mostly men; chess and piano calligraphy and painting are mainly women .”

“Blue-and-white porcelain is mostly written in regular script. The “Yongzheng reign of the Qing Dynasty” has six-character two-line and six-character three-line models. Pseudo-trusted models are mostly imitated and Xuande. Commonly seen in folk kilns, square models, soap models, Dried tofu, etc. The four-flowered version is available in the late Yongzheng period and the early Qianlong period.”

Speaking of this, Quan Ming’s face became even darker.

Shen Zhe didn’t seem to want to let him go.

Continue to say, “In other words, your blue and white porcelain is a collection of the characteristics of the Kangxi and Yongzheng periods.”

“There seems to be no record of this kind of blue and white porcelain in history. What do you think your blue and white porcelain is?”

Quan Ming clenched his fists and listened with a black face.

Blue and white porcelain was circulated in the hands of everyone.

“It really is!”

“Gosh!”


“The characteristics of the two periods…”

“Is this true?”

“It stands to reason that one piece of porcelain combines the characteristics of two dynasties, this piece of porcelain should be fake…” Er.



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